Tennessee Rep. Justin Pearson never guessed he'd be expelled for leading a gun control protest on the House floor after a deadly school shooting. Nor did he predict that he'd be propelled into the national spotlight, placing his state at the forefront of the conversation on gun regulations.
Scrawny. Short. Ugly. Fat. Weird. 30% of school kids worldwide are bullied each year and bullying is the #1 act of violence against young people in America today. The BURGER KING® brand is known for putting the crown on everyone’s head and allowing people to have it their way. Bullying is the exact opposite of that. So the BURGER KING® brand is speaking up against bullying during National Bullying Prevention Month 2017.
Trade School is a self-organised, alternative learning space that runs on barter. It was started in 2010 in New York’s Lower East Side by Rich Watts, Louise Ma, and Caroline Woolard of OurGoods.org, a creative barter network. Over 800 students participated in 76 single-session classes during 35 days. Anyone can teach a class, and students sign up by agreeing to meet the barter requests of teachers.
A is for Activism is a children's book developed by Innosanto Nagara, an author illustrator and founding member of the Design Action Collective, a worker owned cooperative design studio in Oakland that is dedicated to “serving the Movement.” The book includes playful rhymes for each letter stressing the importance of civic engagement and a participatory democracy.
Carolee Schneemann is largely associated with her performance art of the 1960s and 1970s, in which she boldly addressed feminist and political issues in ways that shocked and engaged viewers. But she has always maintained that she is a painter, a fact often overlooked in discussions of her larger body of work. At the heart of her approach is her ongoing exploration of the boundaries of painting and drawing, as in Up to and Including Her Limits.
On May 14, 2022, the Buffalo community suffered a devastating act of violence when a gunman opened fire at the Tops Friendly Market on Jefferson Avenue, killing ten people and wounding three. Many have asked how to help.
In partnership with Tops, the National Compassion Fund has established the Buffalo 5/14 Survivors Fund to provide direct financial assistance to the survivors of the deceased and those directly affected by this tragedy.
For some, October 14, 1968, was a clarion call to the future.
On that day, a group of 12 black students at UC Santa Barbara, tired of the unequal treatment and passive-aggressive racism they received as Black athletes — and as members of the campus community at large — barricaded themselves in the university’s North Hall.
The group known as Kalpulli Yaocenoxtli, which practices Mexican Nahua dance, song and drumming, is a frequent presence at Black Lives Matter protests in Minneapolis and St. Paul. Its dancers first took to the streets in solidarity with the movement after the death of Jamar Clark, who was shot and killed by Minneapolis police in 2015.
Climate protesters in Washington, D.C. were handcuffed on Thursday after they dragged paint on a glass cover protecting an art sculpture.
The incident happened at the National Gallery of Art by the activism group Declare Emergency in an attempt to bring attention to climate change, according to the Washington Post.
In 2006, 25-year-old Jason DaSilva was on vacation at the beach with family when, suddenly, he fell down. He couldn’t get back up. His legs had stopped working; his disease could no longer be ignored. Just a few months earlier doctors had told him that he had multiple sclerosis, which could lead to loss of vision and muscle control, as well as a myriad of other complications. Jason tried exercise to help cope, but the problem only worsened.
In July 1976, prankster and satirist Joey Skaggs, calling himself Giuseppe Scaggoli, appeared before a rabid crowd, dressed in sharp-lapeled finery. He had some unfortunate news: that day’s planned auction of rock star sperm was cancelled due to a mysterious theft. All he could offer in the way of comfort were his assurances that more donations were to be sought as soon as possible.
Students dressed as Israeli soldiers stopped other students, ordered them to the ground, and blindfolded them in a demonstration that drew multiple campus groups to a standoff on College Walk Thursday afternoon.
The Columbia Students for Justice in Palestine set up mock checkpoints—to resemble those manned by the Israeli army in the West Bank—drawing crowds and counter-protests for several hours.
Note before the post: This article is great in highlighting a specific case of creative activism in the streets of New York City, but also gives some contextual background to how this project manifested.
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
"The No Papers, No Fear ride for justice.
Riders are undocumented people from all over the country, including students, mothers and fathers, children, people in deportation proceedings, day laborers, and others who continue to face deportation, harassment, and death while simply looking for a better life.
From March 14, 2010 to May 31, 2010, in the Museum of Modern Art, Marina Abramović held an activist art called The Artist Is Present. In the exhibition, there were simply a pair of chairs and a desk. Abramović sat on one chair, and the participators could sit on another chair voluntarily. Without a word, Abramović and the participators just looked at each other’s eyes.
By C.J. HUGHESThe skies over
the glass cube that serves as the entrance to the Apple store on Fifth
Avenue turned a bit dark on Tuesday afternoon, at least for some
Students at the University of California-San Diego were surprised when an Unmanned Aerial Vehicle, commonly referred to as a drone, crashed in the middle of campus — or at least they thought that’s what happened.
The group Art Not Oil did a campaign to raise awareness about the oil industry, and their funding of Art. "Art Not Oil has campaigned against Big Oil cultural sponsorship since 2004.
order Crossers comprise a series of lightweight robotic sculptures that poetically explore the notion of borders and boundary conditions. The inflatable sculptures rise up to several stories high and extend across a given threshold. Their choreographed performance, originating on both sides of the border, would stage a symbolic connection.
About: Hundreds of people came out to attend a decolonization tour of one of New York’s most popular museums.
Written by Elena Goukassian on October 10, 2017