"Since March 2011, the artist Tim Devin has been putting broadsides (small posters) up around the Boston area.
The posters come in different kind of flavors: Street Surveys, Mappy Facts or Poems by Paul Johns.
Social distancing guidelines didn’t stop members of Refuse Fascism Philly from criticizing President Donald Trump’s response to the coronavirus pandemic on Saturday.
Rather than march as a crowd through Center City, a handful of protesters from the group, which has repeatedly called for Trump’s removal, drove their cars through Philadelphia before arriving at the Trump National Golf Club in Pine Hill, N.J.
Eleven students have locked themselves in the Peter Cooper Suite of the eighth floor of the Cooper Union building to protest the institution's decision to charge graduate students tuition.
Seventeen editor Ann Shoket met yesterday with Julia Bluhm, the 14-year-old reader who started an online petition to ask the magazine to curb its use of Photoshop.
The message we keep hearing over and over again from government and health officials is that it’s imperative to practice social distancing during the COVID-19 crisis: To benefit public health, we have to stay at home. But what if your home isn’t a safe space?
The Surveillance Camera Players (SCP) is a small, informal group of people who are unconditionally opposed to the installation and use of video surveillance cameras in public places.
A series of performances orchestrated by Lila Roo, to bring awareness to the past, present and future issue of the physical and energetic violence against the First Nation of the native buffalo and peoples of the United Sates of America in the past few hundred years. Lila worked alongside activists, the buffalo and First Nation musicians and spiritual leaders to create multi-sensory blessings for the blood spilt.
Marian Anderson, the legendary African American contralto, sang at the Lincoln Memorial on Easter Sunday in 1939 after she was refused a performance at Washington’s Constitution Hall by the Daughters of the American Revolution because she was black. Over 75,000 people attended the performance, which was broadcast live on the radio and arranged in part by First Lady Eleanor Roosevelt with the support of her husband, President Franklin D.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
PARIS — Ten a.m. on a frigid Monday morning, the first day of the couture shows, and Kylie Jenner was strutting through the marble halls of the Petit Palais trying to find her seat for Schiaparelli, shoehorned into spiky stilettos and a black velvet one-arm gown, a full-size tawny lion’s head jutting from the side. It was as if Aslan had taken a break from Narnia and stuck his muzzle through a time-space continuum under her armpit.
Julius Eastman was a Black and Queer avant garde, minimalist composer and performer from the 1960s-1980s. He used his platform to advocate for the rights and livelihoods of Black and queer people through his unique musical aesthetic and the controversial naming of his pieces, including "Gay Guerrilla," "Evil N-word" and "Crazy N-Word"
“In these apocalyptic Islamophobic times, laughing in the face of the resistance can sometimes be the best medicine.” That may sound like the trailer to a good-bad movie, but that’s how Tanzila “Taz” Ahmed describes her awesome Muslim Valentine’s Day cards.
Maryland Hall, in partnership with the Banneker Douglass Museum and Maryland Commission on African American History and Culture, invited Maryland-based Black artists, whose work encapsulates activism and social justice and using the creative process to educate their audiences about diversity, equity and inclusion to send proposals to take one of six 5 ft.
Spectres of Liberty is an on-going public, hybrid media project about
the history of the movement to abolish slavery in the United States.
Through this project we explore the following questions: How do we make
visible histories of people and movements which resisted a status quo of
oppression? What are the best forms to manifest submerged and complex
CultureStrike, the national arts and activism group, teamed up with undocumented youth and NY-based artist Miguel Luciano to hold a kite-based symbolic public art project in Washington D.C.
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect.
Enmedio member Leonidas Martín at Creativetime 2012 (New York). His presentation “How to Disrupt the Financial Order with Humour, Creativity and a Dose of Mischief” is priceless. Watch the video and laugh.
Essential workers at major companies like Amazon, Instacart, and Target across the United States on Friday protested for better safety protections, working conditions, and pay during the coronavirus pandemic.
National Museum of Women In the Arts:
To maintain their anonymity, group members wear gorilla masks in public and adopt the names of historic women artists, such as Käthe Kollwitz and Frida Kahlo, as pseudonyms.
Before it was called the Downtown Arts District, many more artists lived and worked in this stretch of central Los Angeles. The neighborhood was a rough-edged alternative for people in need of large, industrial spaces. A home for those willing to be Skid Row-adjacent and amenity-non-adjacent. But Los Angeles is making an attempt at urbanization, at feeling like a much denser city, and rapid gentrification has followed.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
The Joseph A. Labadie Collection contains posters which have been acquired over the past 100 years. This database consists of images of those posters covering social protest movements such as Anarchism, Civil Liberties, Colonialism, Communism, Ecology, Labor, Pacifism, Sexual Freedom, Socialism, Women, and Youth/Student Protest. Some are from the first half of the 20th century, but the majority are from the 1960s and later. Many are undated.