An intervention created by the April 25 2015 Queer Crisis Collective organized by the Helix Queer Performance Network (HQPN), and part of an ongoing queer resistance project mentored by Avram Finkelstein. Over a period of 2 weekends, 8 artists met at the Hemispheric Institute of Performance & Politics to design a creative intervention during Pride month in NYC.
As the conflict between Israel and Hamas continues, hundreds of people gathered inside the Museum of Modern Art and outside of the Brooklyn Museum on Saturday for protests.
Following the murders of George Floyd and Breonna Taylor, corporations jumped on the opportunity to commodify the Black Lives Matter movement. In June of 2020, Netflix launched a Black Lives Matter collection, and by December, they had released Cops and Robbers, an animated short about racial injustice.
It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
By Will Potter
Multiple states have considered “Ag Gag” bills that criminalize investigators who document animal welfare abuses on factory farms. Iowa and Utah are the latest to approve them. These bills, lobbied for by Big Ag groups, are part of a long line of attempts to blame activists for exposing abuses, rather than hold corporations accountable.
The exhibition "Unpacking the 21st Century: Artists Engaging the World" included work by five New York City area artists that examined a range of social and political issues and offered companion special events.
Rooted in Native American and indigenous practices,[11] restorative justice is a set of principles and practices that aims to help communities heal from conflict and harm by developing a common understanding of the root causes and effects.[12] Restorative justice can occur in a variety of different contexts: in the workplace, at schools and within, or instead of, the criminal justice system.
Dawn Jones Redstone’s short film about reproductive justice features women of color leading the resistance.
The year is 2023.
Health care of any kind is highly inaccessible and in some cases outlawed.
Public utilities such as water are privatized and severely restricted.
Streets are filled with protesters clutching signs that say “Water is a human right” and chanting “Whose streets? Our streets.”
A performance of empathy, democracy and power, created fresh in each city where it is presented, with local artists, activists, government officials and other citizens.
The project takes as its departure point the formal structures of local government. An emphasis on the formal elements helps us engage, play, critique and enliven, among other things.
Moving Chains is a monumental 110-foot long kinetic sculpture that evokes the hull of a ship, built from steel and Sapele, a tree native to West Africa commonly referred to as African Mahogany. Inside of the sculpture, nine chains run overhead: rotating on a maritime sprocket system, eight of the chains represent the pace of the currents in New York Harbor, while a ninth central chain moves more quickly, mimicking the pace of a ship in transit.
Iraq Veterans Against the War (IVAW) was founded by Iraq war veterans in July 2004 at the annual convention of Veterans for Peace (VFP) in Boston to give a voice to the large number of active duty service people and veterans who are against this war, but are under various pressures to remain silent.
From its inception, IVAW has called for:
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
Fuck. Damn. Shit. Ass. Everybody curses. Don’t say you don’t. Everyone does it when they’re mad, upset, happy, or excited. It’s human nature. Is it that the words are sinful? Offensive? Violent? Nobody really knows but we as a society do not like them in the slightest. People associate cursing with a stigma of being uneducated, uncultured, and lazy. But boiled down, language is one of the strongest tools and assets that we have. Language is power.
In May 2010, as oil from the Deepwater Horizon disaster continued to spread in the Gulf of Mexico, growing outrage from residents in New Orleans at the response by government agents and corporate executives, opened up new horizons of political possibility.
The Dreamland Artist Club project was named after one of the famous amusement parks in Coney Island. The project consisted of more than 25 artists coming together to repaint rides and make custom signs, murals and scenic backdrops for the legendary neighborhood. Most of the artists that participated in this project were from New York City and therefore had a particular interest in the visual culture of the city.
IMAPCT are youth activists who view the creative arts and leadership training as a way to develop ourselves and change the world in a positive way. They believe that they must be the message that bring through hardwork, focus, discipline, unity and the principles of S.O.S. safe space, outstanding effort and service to their family friends and community.
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
Highlights:
A handful of teens donned puffy quinceañera dresses to protest against the “sanctuary cities” ban.
The teens gave paper flowers to lawmakers who voted against SB 4 and flyers to those who voted in favor.
Texas teens took part in a quinceañera-themed protest on the south steps of the Capitol to voice their opposition to Senate Bill 4, the so-called sanctuary cities ban.
On March 3, 1913, President-elect Woodrow Wilson arrived at Union Station in Washington, DC. It was the day before his inauguration, but the teeming mobs that typically appeared to greet a new president were nowhere to be found. Instead, the streets of Washington seemed deserted. A disappointed Wilson asked, “Where are all the people?” “Over on the Avenue watching the suffrage parade,” he was told.
On a freezing Friday in January, Khmer-American artist Kat Eng sits in front of retail giant H&M’s Time Square store working on a manual sewing machine. For eight hours, Eng stitches together U.S. dollar bills while wearing a surgical mask and bloodstained shirt. Her performance “</3 Less Than Three” protests the way fast fashion and consumer culture creates oppressive conditions for Khmer workers.
The State of Things was first performed in the spring of 2006 on the 3rd anniversary of the Iraq war. On September 1st, 2008 in collaboration with Northern Lights as part of the UnConvention, Ligorano/Reese recreated The State of Thing’s Democracy ice sculpture, weighing over 1,000 pounds and measuring 5 feet high and 20 feet wide, in front of the State Capitol Building in St. Paul, Minnesota.
Local artist fnnch wants San Francisco to decriminalize certain types of art.
You’re not seeing things: A whopping 450 “honey bears”—variations on the immediately recognizable and widely imitated bear-shaped honey bottles sold in seemingly every store in America--appeared all over SoMa late Sunday night, from the Embarcadero to Fifth Street.
20-year-old Ilyssa, from New York, sees communism as the only viable alternative, one that will improve the societal issues we currently face. “From a young age, I was very aware of the stark class differences that existed,” she says. “I grew up with a single mother in a very poor family.
The Hunting Ground Is Shifting the Culture on Campuses
Despite the white noise campaign to discredit, there has been tremendous and unprecedented progress in new campus policies and regulations. The backlash claims that some of the campus rape date was exaggerated or simply false has been disproved over and over again.