The Comfort Illusion is a solo aural performance that highlights the effects our everyday actions can have on the environment. Through mixed media storytelling using sound and lighting, Adams narrates the life of "The Overkiller" a fictional villian who negatively impacts the earth and the lives of the people around him through smaller everyday decisions. This character constantly prioritizes convenience over care and responsibility (ie.
In 2008, my work as an artist took me to a gigantic landfill outside Rio de Janeiro called Jardim Gramacho. After operating for more than 30 years, the sanitary facility, once one of the largest in the world, had reached its maximum capacity and was on the eve of closing permanently.
Climate activists defaced a work of art near Germany's Parliament Saturday in the latest act of vandalism by protestors concerned with environmental policy.
Members of The Last Generation threw black liquid over a series of glass plates displaying 19 articles of the German constitution. The protestors then affixed posters to the facade that read, "Oil or fundamental rights?" in German.
A protest on June 18, 2022 took place in the Guadalquivir River in Seville, where fifty Greenpeace activists used their bodies and environment to stage a demonstrative performance, highlighting the water crisis that the Andalusian region is predicted to face as a result of anthropogenic climate change. The area is at extreme risk of increased temperatures and pervasive droughts, which will impact the river that is the subject of the demonstration.
"Around 30 people gathered on Victoria Island Monday morning to advocate for the return of the endangered American Eel to the Ottawa River.
The event mixed art with activism, with attendees carrying windsocks decorated to look like as eels as they marched to Parliament Hill.
The marquee creation was an 8.2-meter-long replica of an eel, which had to be carried by six walkers."
Japan has begun discharging nuclear wastewater into the ocean four times a year, each time lasting 17 consecutive days. Under their 30-year plan, it is estimated that approximately 1.34 million tons of wastewater from the Fukushima nuclear power plant will be released into what was once a clean and fertile sea. Countless marine species are forced to leave their natural habitats. About 7.6 billion people in the world face life threats.
The new wave of hip-hop has arisen a woke generation. From it, Xiuhtezcatl — seventeen-year-old Indigenous rapper and activist — has emerged, stirring the comatose with his music.
From performing at the Standing Rock encampment with Immortal Technique and Nahko to leading the Youth v. Gov. lawsuit against the Federal Government, Xiuhtezcatl’s actions show his music is more than words.
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
On Saturday, June 22, a group of friends will meet at one of the more than 4,000 natural gas wells that have been drilled by hydrofracking in Pennsylvania. Instead of picket signs, however, they'll be carrying a picnic basket. For an event they're calling "Picnic on the Gas," they'll strive to show that it is possible to live with creativity and even joy in gas drilling country.
Traditional wind turbines may require vertical shafts higher than 40m and spinning blades over 50m long in order to capture wind energy efficiently. While these devices are some of the best at capturing clean energy, their height and shape put large limitations on the way that they can be used.
At ‘Arcadia Earth,’ Dazzle Illuminates Danger
Using augmented reality, virtual reality and installations of light and art, the creators of this pop-up exhibition hope to inspire action on climate change.
By Laurel Graeber
Oct. 23, 2019
The creators of “Arcadia Earth” want to awaken your conscience. But they also plan to make that guilt trip extraordinarily fun.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
Waterpod™ was a floating, sculptural, eco-habitat designed for the rising tides. It launched in the summer of 2009, navigate down the East River, explore the waters of New York Harbor, and docked at several Manhattan piers on the Hudson River before continuing onward. The Waterpod™ demonstrated future pathways for water -based innovations.
For the launch of a new organization fighting to end the water crisis, Matt Damon, Co-founder of Water.org, has produced a video using humor to shed light on the issue of access to clean water. In the spoof, he holds a press conference at which he announces that he will "not go to the bathroom until everyone has access clean water," calling for a "toilet strike."
The beacon flashed incessantly. On. Off. On again.
Like some sort of traffic light gone crazy, it pierced the thick nighttime mist hovering over San Francisco Bay. The light sent a message five miles across the dark waters from Ghirardelli Square to Alcatraz Island. There, cheers erupted as the light flashed the words, "Go Indians!"
FROM THE NEW YORK TIMES:
" While filming a documentary about divisive oil refinery ventures in the subzero cold of Fort McMurray, Alberta, the director David Dufresne said he wasn’t considering only pollution in that Canadian boomtown or the vast tar sands beneath its frozen ground. He was also thinking deeply about technology, about making a new kind of hybrid media, a docugame.
King Gizzard & The Lizard Wizard have released a pair of live albums to benefit relief efforts in response to devastating wildfires in their native Australia.
IT’S 7 AM, and a thin layer of mist still hovers over the harbor in Talamone as fisherman Paolo Fanciulli stretches out his nets. Pulling them out of a plastic tub, he examines them section by section, setting the ripped ones aside to be repaired. It’s a time-consuming process—one that’s occupied men from this tiny village on the coast of Tuscany for centuries.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
David Opdyke’s wry, panoramic visions of an America perceptibly in the grips of climate crisis were born of an artistic crisis—of “needing to come up an idea by digging somewhere other than my own brain.” Having drawn on his imagination to conjure up the trenchant, ecologically-inflected critiques of American imperialism and late-stage capitalism that have defined his work for twenty years, he wondered what more he might, artistically speaking, say.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
A group of protestors and organizers from Sunrise Movement, Earth Guardians, 350 Eugene, Cascadia Wildlands and more staged a bike march culminating with a die-in outside of the Northwest Natural Gas headquarters in Eugene, Oregon.
The protestors lie on the ground outside the NWN building, beneath tombstones donning the dangers of natural gas.
Share Your Water Story invites every global citizen to participate in a creative conversation around the different ways in which water impacts our lives. The project encourages people to contribute original expression of any kind via online platforms on the global justice issue of water and sanitation.
Alex King describes Project Ukko in detail for Huck Magazine (March 17, 2016):
"Moritz Stefaner’s Project Ukko turns climate and wind data into an immersive art installation that allows viewers to explore the future of the planet."