Singaporean artist Lee Wen’s series Journey of a Yellow Man (1992–2012), one of his most famous and long-standing performances, was not simply a personal affront, it was a political affront. At the intersection of Asian art history, critical race theory, and migration and diasporic studies, one is never far (enough away) from the chromatic framing of race and ethnicity: yellow race, yellow peril, yellow face, the forever foreigner.
A new, three-minute ad by Coca-Cola, "Small World Machines," starts with a relatively straightforward premise: India and Pakistan do not get along so well. It ends with the promise of peace: "Togetherness, humanity, this is what we all want, more and more exchange," a woman, either Indian or Pakistani, narrates as the music swells. Sounds great. How do we get there? By buying Coke, of course.
In response to a memo from Afghanistan's education ministry, Ahmad Sarmast, the founder of Afghanistan's Institute of Music, began a Twitter campaign with the hashtag #IAmMySong. In response to the hashtag, Afghan girls have taken to Twitter with videos of themselves singing tagged with Sarmast's hashtag and spreading petitions against the ban. The ministry memo banned girls 12 years old and older from singing at school functions.
As climate change worsens, so will our collective sense of loss. Coastlines, cities, crops, and entire species will disappear. Artist Catherine Young has created a perfume line that bottles up the scents of things we enjoy today, but will be diminished–or gone–soon enough. During exhibitions, visitors are allowed to smell the perfumes.
Most nights since a coup returned Myanmar to military rule on Feb. 1, a spectral symbol of protest has glowed on a mildewed side of a building.
Where the next illumination will appear in Yangon, the country’s biggest city, is a mystery. But, suddenly, a projected image appears in the dark. Three fingers raised in a rebellious pose. A dove of peace. The smiling face of Daw Aung San Suu Kyi, whose government was ousted in the army putsch.
In 1989, playwright, actor, and activist Safdar Hashmi was fatally attacked by political thugs while performing a street play outside of Delhi. His death led to the founding of Sahmat, an influential artist collective that has taken a consistent stance against the threats of religious fundamentalism and sectarianism in India through a vibrant mix of high art and street culture.
The egregious practice that some Muslim men employ to divorce their wives instantaneously and without their consent, merely by uttering the word talaq (divorce) three times, has finally been declared unconstitutional and illegal by the Indian Supreme Court. The country’s ruling Bhartiya Janata Party (BJP) party claims that the ban is a victory for its administration, which had been advocating its abolition since it came to power in 2014.
By adding screen print with the wording ‘SUPERCOPY’ on to copies of LaCoste polo shirts bought at a street market in Thailand SUPERFLEX turns a copy product into a Supercopy – a new original. As a result, LaCoste took legal action against SUPERFLEX.
Dear Team
Please find below the links of the video and detail of Kind Coins Pakistan, Kids for Peace Pakistan School
and Peace Centre, hope you will publish it on your website and circulate it at large,
your this publication and circulation can change the lives of Pakistani kids and children
Kind Coins for Pakistan
New Delhi: With his ‘climate fast’ entering its fourth day at Khardungla pass (18,000 ft) at -40 °C, Sonam Wangchuk — the renowned engineer, educationist and reformer from Ladakh took to Twitter, urging the people of India to join him on the last day of his fast in support of Ladakh.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
The Kodaikanal Won't video by Chennai artist Sofia Ashraf, asking Unilver to 'clean up their mess' in connection with the Kodaikanal mercury dumping, has gone viral with over 783,533 views at the time of writing this, in just over two days. It has been shared on social media by prominent personalities such as Nandita Das, Varun Grover, Vishal Dadlani and was even praised by Nicki Minaj, on whose song Anaconda, the rap is based on.
The bruised and beaten faces of these beautiful Hindu goddesses have an important point to make -- that despite the reverence for women that is a part of Hinduism, India's most populous religion, the country has become extremely unsafe for its female citizens.
Members of Greenpeace together with environmental advocates dressed as zombies attend a creative protest against water pollution in Manila on September 27, 2012. The protesters delivered a petition urging the establishment of a “Right-To-Know” system for chemicals and the adoption of a policy to eliminate hazardous chemicals released by factories into freshwater bodies.
Founded in India, this collective creates participatory murals that transform public spaces into affirmations of love and resistance. Collaborating with marginalized communities, they co-create artworks that challenge narratives of fear and oppression
Delhi- based graffiti artist who goes by the name Daku went around South Delhi, one of the poshest places in the city, and painted on overflowing garbage cans.
"Thai artists and art students are on the frontline of their country’s swelling pro-democracy movement, calling for reforms of Thailand’s military-backed government, and breaking both taboo and national law to criticise the nation’s monarchy.
Under the moniker BomBaebs, Pankhuri Awasthi and Uppekha Jain rap about rape, cultural stereotypes, religious biases, and hypocrisy surrounding sexism and gender biases in India. They open the video with a disclaimer, warning that “This video doesn’t have any explicit or bannable content. It is just that the reality for women in India is Explicit.”
It all began during Claudia's final art project at the London College of Communication, where she delved into the issue of "sexual objectification of women," a topic close to her heart as she navigated her womanhood.
The forests of India are a critical resource for the subsistence of rural peoples throughout the country, but especially in hill and mountain areas, both because of their direct provision of food, fuel and fodder and because of their role in stabilising soil and water resources.
There are no whistles, no loud speakers, and no placards held up high in this quiet act of subversion. Pimsiri Petchnamrob stands silently in a mass of sharply dressed Bangkok commuters, her hands clutched around a copy of George Orwell's 1984.
Next to her a small group of young men and women, their faces sombre and their heads bowed low, also read books about fictional and real totalitarian worlds in silence.