We set up a gazebo and table in a public park. The gazebo had two notice boards in the shape of trees where reflections were encouraged. We had a sign with the name of the action "Fall in Love With Nature" painted upon it. On the table were resource lists for the public to take away with links to books and websites on the topic of forest bathing and connecting with nature.
This action was suggested in the workshop assembly by a neighbor of Arrayán street itself. At the end of this street giving the market there was a wall in a state of collapse that
concerned the neighborhood. On several occasions, either neighbors or from the same Peña Bética in front of them, they had
given by the City Council, but without results. And every day having to go all the way through that gorge with two
Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone.
Song Dong's Waste Not consisted of a single installation comprising over 10,000 commonplace, domestic items of daily life that had been used and amassed by the artist’s mother (Zhao Xiangyuan) over fifty years.
Occupy Wall Street's art offshoot, Occupy Museum, has a new initiative: deconstructing the commercial art fair model. They are calling this art fair antithesis the DebtFair. Last May at the Frieze Art Fair, Occupy Museum distributed flyers and protest literature for an Un-Frieze event.
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
I Wish This Was began in New Orleans in November 2010. It was inspired by vacant storefronts. There are a lot of them where Candy lives in New Orleans. There are also a lot of people who need and want things. What if we could easily voice what we want, where we want it? How can we influence the businesses and services in our neighborhoods?
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
Through the use of mythical and archetypal iconography, Bourgeois translated her encounters into a very individualized symbolic imagery, employing things such as swirls, arachnids, cages, surgical equipment, and sewed appendages to represent the feminine mind, beauty, and mental agony.
Media artist Joseph DeLappe announces the completion of “The Drone Project: A Participatory Memorial” on the campus of Fresno State University in California.
The California Department of Corrections (CDC) has unveiled a new billboard campaign to defend the domestic spying operations of the National Security Agency (NSA). On July 23, 2013 the CDC successfully apprehended, rehabilitated and discharged a billboard at Bayshore Boulevard near Sunnydale Avenue in San Francisco. The CDC released the corrected ad one day before a U.S.
According to the Men's Rape Prevention Project in Washington DC, 58,000 soldiers died in the Vietnam war. During that same period of time, 51,000 women were killed mostly by men who supposedly loved them.
It’s women’s history month, and your favorite radical feminist avengers want you to go ape. The Guerrilla Girls have been making noise about gender and racial inequality in the art world since 1985. Fighting discrimination with a sense of humor and their signature faux fur, these masked feminists continue to challenge major museums to spotlight more women and artists of color.
The Mirror Casket project is a sculpture, performance, and visual call to action designed and orchestrated by a collaborative of St. Louis community artists in response to the shooting death of Michael Brown on August 9, 2014 in Ferguson, MO.
“My intention was not to disappear in the environment but instead to let the environment take possession of me” Said Liu Bolin. With his strong photography, Bolin vanishes into the city, creating a powerful statement about our relationship, as humans, to our surroundings.
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
The artist has assembled a set of 300 installations around New York City, based around the concept of fences and borders, to showcase the ‘narrow-minded’ attempts used to ‘create some kind of hatred between people’
The Rev Lucy Winkett is having trouble sleeping. This is because her church on Piccadilly has decided to erect a full-size copy of the Israeli separation barrier to block off her Christopher Wren church. And because she lives above the shop, the grim presence of this temporary structure is with her all the time. "Politics aside, living beside the 26ft wall is having a curious effect on those who are here.
Artist Luke Jerram created a genderless sleeping figure made of glass lying on a piece of cardboard and exhibited in the streets of London. The artist said in an interview "For every person you see sleeping on the streets, there are many others sleeping in hostels, squats and other forms of unsatisfactory and insecure accommodation.
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
“Discovering Columbus,” by the Japanese artist Tatzu Nishi.
Nishi built a living room around the sculpture in Columbus Circle in New York City. The living room is mounted on scaffolding and turns the sculpture into a domestic center-piece.