Projects tagged "Installation"

Aqua Line
Practitioner:
Heavy Trash
Date:
Jan 1 2000
Creative Time, Social Practice Archive: In 2000 Heavy Trash, an anonymous arts organization of designers, architects, and urban planners, implemented its Aqua Line project throughout various parts of Los Angeles. The project involved the installation of false "Future Station Location" signs in the downtown area, notifying passersby of the impending construction of a subway that would connect the downtown to the Westside.
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On Abortion
Practitioner:
Laia Abril
Date:
Apr 28 2017
On Abortion documents and conceptualises the dangers and damages caused by women’s lack of legal, safe and free access to abortion
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Guerilla Projections for Palestine
Practitioner:
Decolonize This Place, Within Our Lifetime
Date:
May 13 2021
As the death toll from Israel’s attacks on the besieged Gaza Strip continues to rise, a guerrilla projection on May 13, 2021 illuminated a building in Brooklyn’s Dumbo neighborhood with messages of solidarity with Palestinians.
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Luxury and Degradation in the Town of Gelendzhik
Practitioner:
Dmitry Borshch
Date:
Jan 23 2023
RACC Satellite Space in Garden City 1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530 June 26, 10 am – July 28, 7 pm Monday – Friday, 10 am – 7 pm, free admission Please write to racc.ny@mail.ru or call (347) 662 1456 The artist is available for interviews
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As Far As My Fingertips Take Me
Practitioner:
Tania El Khoury
Date:
Jun 16 2019
Peter Marks Review from the Washington Post: “As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
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Color-Cycling
Practitioner:
Narcelio Grud
Date:
Apr 23 2012
Ciclo-Color 
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Fanged Wilds and Women
Practitioner:
VC Bestor
Date:
Jan 1 2015
grrrRoar! Ecology is sexier when you focus on women and fanged beasts. Fashions in leopard print help us make that connection globally and online. Polluters at least pause at the reminder that nature isn't dead yet and in fact stirs the same passion as the woman you just met who's saying something about "Fanged Wilds"!
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Sweeping Out Corruption
Practitioner:
Rio de Paz (Peace Rio)
Date:
Sep 12 2011
Four ministers in Brazil have resigned since January after being implicated in corruption, and on Wednesday, protesters showed they've had enough.
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Street Artist Plants Secret Rooms in Milan’s Abandoned Manholes
Practitioner:
Biancoshock
Date:
Apr 19 2016
Throughout the Lodi district of Milan, Italy, artist Biancoshock has transformed abandoned manholes into miniature subterranean rooms. Beneath the pavement, in vacant maintenance vaults, a cupid painting in a gaudy frame hangs in a tiny pink living room; a boxy kitchen is stocked with pots and pans; and a blue-tiled bathroom is complete with shower and towel.
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Three billboards in Florida target Rubio on guns
Practitioner:
n/a
Date:
Feb 18 2018
An online activist group is mimicking the critically acclaimed film Three Billboards Outside Ebbing, Missouri to troll Sen. Marco Rubio, R-Fla., with three rolling billboards in Florida calling for gun control.
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Old People's Home
Practitioner:
Sun Yuan and Peng Yu
Date:
Jul 12 2008
These thirteen life-like sculptures resemble familiar politicians, admirals, generals, bishops, and dictators. Portrayed as frail seniors, they sit dozing off and drooling in electric wheelchairs. They roll on a slow collision course, crashing into each other like bumper cars.
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I'm Blue (If I Were _____ I Would Die)
Practitioner:
American Artists
Date:
Mar 15 2019
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."
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Foreigners Everywhere
Practitioner:
Claire Fontaine
Date:
May 30 2012
The Paris-based collective Claire Fontaine displays a neon sign that spells the words ‘Foreigners Everywhere’ in Arabic. Since this sign was installed strategically above the gallery’s wall-length window – facing in the street – in the edition of the show I saw, at Parsons in New York, it interacted not only with Parsons’ exhibition site but also with the urban environment beyond it.
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Tech and Bodies
Practitioner:
Filip Custic
Date:
Jan 1 2024
Filip Custic (Santa Cruz de Tenerife, Spain 1993) works across photography, performance and video to address themes around identity, body and our relationship with technology. Mirrors and screens are a recurring features, a reference to our age of image-obsession and selfies, and Custic also uses symbols, references to science, and art-historical borrowings in his art.
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Interwoven Threads: The Art of Community and Sensory Expansion
Practitioner:
Sebastián Mahaluf
Date:
Sep 1 2023
Sebastián Mahaluf stands out as an artist deeply engaged in weaving the complex threads of human connection, community, and the interplay of personal and collective experiences. His notable work, "CONTRADICTION AND TENSION," showcases his approach to art as a participatory experience that bridges individual perceptions with communal narratives.
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Tracey Emin’s “My Bed” Ignored Society’s Expectations of Women
Practitioner:
Tracey Emin
Date:
Jan 1 1999
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
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That Time Art and Activism Met in Antarctica
Practitioner:
Lucy + Jorge Orta
Date:
Jan 25 2016
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
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Centros Sociales Okupados Autogestionados (CSOAs) in Spain: From abandoned houses to activist enclaves
Practitioner:
Movimiento Okupa
Date:
Jan 1 1980
A Centro Social Okupado Autogestionado (Self-Managed Occupied Social Center) or CSOA is an occupied building dedicated to the development of social and cultural activities. They are part of the “movimiento okupa” (“squatter movement”), a label created and circulated by the mainstream press.
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We Are the Asteroid
Practitioner:
Justin Brice Guariglia
Date:
Jun 1 2018
Justin Brice Guariglia’s We Are the Asteroid employs a highway message sign to bring attention to how anthropocentric, or human-centered, attitudes have allowed for unsustainable systems that contribute to climate change. The artist generated the slogan for this work with eco-critic and professor Timothy Morton.
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#NoKidsInCages Artists Install 20 Cages With Models of Children Inside Across NYC
Practitioner:
Badger & Winters, Refugee and Immigrant Center for Education and Legal Services (RAICES)
Date:
Jun 12 2019
The ad agency Badger & Winters in collaboration with immigrant rights nonprofit organization Refugee and Immigrant Center for Education and Legal Services (RAICES) installed 20 cages with mannequins representing immigrant children inside across New York City. Each cage had a sign that said #NoKidsInCages and played audio of a child crying.
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Life Pods
Practitioner:
Karl Mattson
Date:
Jan 25 2016
In Jan. 2016 Karl Mattson from Rolla, BC displayed some of his unique sculptures for exhibition at Lantern Gallery in Winnipeg, Manitoba. His 'Life Pods' are sculptures constructed using only found objects.Tools, metal fragments, debris, and fuel tanks are some of the components welded together forming both the solo pod, and the family size pod. The larger pieces were acquired near the pipeline embedding site near to his farm.
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The Drone Project - A Participatory Memorial
Practitioner:
Joseph DeLappe
Date:
Apr 6 2014
Media artist Joseph DeLappe announces the completion of “The Drone Project: A Participatory Memorial” on the campus of Fresno State University in California.
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I-75 Project
Practitioner:
Norm Magnusson
Date:
Jan 1 2018
For the past few years, I've been creating what I call "art of social conscience:" tv spots, viral emails, paintings and posters, but none of it has engaged viewers as much as this series of "historical" markers, each one a small story containing a discrete point of view.
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Dramatic Dissent: the Occupation of Rome's Teatro Valle
Practitioner:
Teatro Valle Occupato
Date:
Jun 14 2011
In 2009, conservative Prime Minister Silvio Berlusconi demoted the publicly-funded Italian Theatre Insitute (or ETI) to "disposable" status, hacking funding for the arts considerably. ETI promoted Italian companies abroad, managed the Teatro della Pergola in Florence, the Duse theatre in Bologna, and Rome's Teatro Valle--the oldest theatre in Rome, located between the Pantheon and Piazza Navona, Campo dei Fiori and the Senate.
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UNLESS
Practitioner:
Stephanie Cardon and others
Date:
Sep 19 2018
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
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