'Learning To Love You More' is a digital and physical presentation of artistic responses from the general public. These "assignments" were facilitated under the creative direction of Harrell Fletcher and Miranda July, managed on a website by designed and curated by Yuri Ono. In 2010, the San Fransisco Museum of Modern Art acquired the website to persevere it as an archive.
Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
“I am very, very happy to announce that for the first time, Dow is accepting full responsibility for the Bhopal catastrophe. We have a $12 billion plan to finally, at long last, fully compensate the victims, including the 120,000 who may need medical care for their entire lives, and to fully and swiftly remediate the Bhopal plant site,” said the supposed Dow Chemical spokesman, Jude Finisterra, on Dec. 3, 2004, during an appearance on BBC World.
The link between early trauma and ill health later was untilled soil in the world of medicine. But the possibility of a connection captured the interest of the Centres for Disease Control and Prevention. And it was the beginning of a 25-year odyssey for Vincent Felitti when he teamed up with researchers to study the health of 17,000 members of a preventive care program at Kaiser Permanente, a private insurer.
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
"Amid a rise in anti-Asian hate crimes around the world, Singapore-based dancewear company Cloud & Victory posted a video on March 18 calling for a stop to the hate against the Asian and Pacific Islander (AAPI) community. It features prominent Asian dancers and allies, including former professional dancer Miko Fogarty, The Joffrey Ballet's Jeraldine Mendoza and Boston Ballet's Lia Cirio and Paulina Waski.
In 2007, Andrew Danziger had an architecture class assignment at the University of Texas at Austin to propose an urban intervention in Austin. The goal was to think about public art in unexpected ways. One classmate dreamed up a blank traffic sign; another suggested putting a bench at a bus stop that lacked one. Danziger hit on the idea of installing swings in surprising places, and then he went beyond the assignment by actually doing it.
Rapper Logic's song "1-800-273-8255" may have helped prevent a significant number of suicides around the time of its release, according to a study published Monday.
The global response to COVID-19 has made clear that the fear of contracting disease has an ugly cousin: xenophobia. As the coronavirus has spread from China to other countries, anti-Asian discrimination has followed closely behind, manifesting in plummeting sales at Chinese restaurants, near-deserted Chinatown districts and racist bullying against people perceived to be Chinese.
The Sex Workers' Opera is a multidisciplinary show featuring stories of sex workers from 17 countries and produced since 2013. It is written and performed by sex workers and their friends.
The large crowds and brightly coloured placards of the school climate strikes became some of the defining images of 2019.
“There would be lots of chanting and the energy was always amazing,” says Dominique Palmer, a 20-year-old climate activist from London who has been involved with the strikes for more than a year. “Being there with everyone in that moment is truly an electrifying feeling. It’s very different now.”
a picture is worth... provides youth with the opportunity to find their voice, surface their values and connect with others in creative and affirming ways. The project integrates academic skills such as literacy, the development of critical thinking, communications, community engagement, photography and technology with values of integrity, self-awareness, empathy and leadership.
The user muchachafanzine on instagram is an activist who writes a "decolonial native xicana feminist fanzine". They are an online activist and they spread their message through their page, the zine, and through merchandise. Daisy Salinas began Muchacha Fanzine as a feminist punk zine in 2011. Over the years, Muchacha has grown into a larger, submission-based compilation of work by marginalized voices from around the world.
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- travelled around the world asking kids to keep a journal of everything they ate in a week. Once the week was up, Segal made a portrait of the child with the food arranged around them:
HeForShe is a solidarity campaign for gender equality initiated by UN Women. Its goal is to engage men and boys as agents of change for the achievement of gender equality and women’s rights, by encouraging them to take action against negative inequalities faced by women and girls.
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
Judy Chicago, the pioneering feminist artist who made the iconic 1970s work The Dinner Party, has enjoyed a long and illustrious career rife with critical approval. Now, in anticipation of Earth Day 2020, Chicago is launching a new project called Create Art For Earth, wherein people from all over the world can submit their own creations to the campaign via a corresponding hashtag. “This is no time for abstractions,” the call for art reads.
Peter Marks Review from the Washington Post:
“As Far as My Fingertips Take Me,” a performance piece about the ordeal of seeking refuge by Tania El Khoury that’s being presented for the next 2½ weeks in the lobby of Woolly Mammoth Theatre. For this hypnotic, one-audience-member-at-a-time experience, you pass through the door of a white-walled booth and slip into a white lab coat before putting on a pair of headphones.
Audi of America is committed to supporting pay equality, inclusivity, and the growth and development of all employees. The company has publically pledged to support ongoing commitment to women’s pay equality in the workplace and to foster a work environment that drives equality for all employees. Audi also instituted a graduate internship program where 50 percent of enrollment must be female establishing greater equality for our future workforce.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
Alex King describes Project Ukko in detail for Huck Magazine (March 17, 2016):
"Moritz Stefaner’s Project Ukko turns climate and wind data into an immersive art installation that allows viewers to explore the future of the planet."
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.