The structure teeters over fields of knee-high grass, looking like a cross between a camping tent and a giant wedding cake. Eleven stories of dark red wooden rooms, diminishing in size as they ascend, balance atop one another, seemingly held together by only the thicket of cords that stretches from the peak to the ground.
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- asked family, friends, neighbors and other acquaintances to save their trash and recyclables for a week and then lie down and be photographed in it:
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
A source of delicious egg creams and daily newspapers since at least the 1930s, an unassuming shop at the corner of St. Marks Place and 2nd Avenue was renamed Gem Spa in 1957 and swiftly transformed into a meeting ground for generations of downtown artists, musicians, poets, and activists.
The new wave of hip-hop has arisen a woke generation. From it, Xiuhtezcatl — seventeen-year-old Indigenous rapper and activist — has emerged, stirring the comatose with his music.
From performing at the Standing Rock encampment with Immortal Technique and Nahko to leading the Youth v. Gov. lawsuit against the Federal Government, Xiuhtezcatl’s actions show his music is more than words.
In the summer of 2011, squatters take over an unused building, once an animal shelter, and begin renovating it into a social and cultural center for a neighborhood on the outskirts of Amsterdam. They call it Op de Valreep ("in the nick of time").
Bogus building inspection notices with the forged signature of city Building Inspection Director Frank Chiu appeared on buildings in San Francisco's South of Market area, prompting an investigation by exasperated city officials.
Activists poured porridge and jam on a marble bust of Queen Victoria and sprayed fire extinguishers filled with soup onto a large bronze statue of the monarch during two recent protests in Glasgow, Scotland.
The group, called This Is Rigged, claimed responsibility for the two protests, which took place inside the Kelvingrove Art Gallery and Museum at noon on March 3 and at George Square at 10:45 am local time on March 4.
Two children stand back-to-back, but they are facing two very different Chicagos. One child blows bubbles in a park under blue skies. The other wears a gas mask against a backdrop of scrap metal and billowing smokestacks.
Just over a decade ago on May 15, 2011, a wave of social outrage began as the Spanish people collectively decided that they had had enough of the corruption, cuts, and inequalities affecting their country.
LONDON (AP) — An anti-migration protest outside a hotel housing asylum-seekers in northwest England turned violent and resulted in the arrests of 15 people, local police said Saturday.
The Merseyside Police department said a police officer and two civilians sustained minor injuries during the disturbance on Friday night in Knowsley, a village located 13.5 kilometers (8.4 miles) from the city of Liverpool.
La Casa Invisible project was started in 2007 in Malaga, Spain, when a group of socially involved participants squatted in a run-down building, aiming to eventually claim the legal rights to the property (Moor & Smart, 2016). The space was opened to local artists and creators, quickly becoming a hub for free local music, performances, and seminars as well as creating an important meeting space for social groups (Moor & Smart, 2016).
The new exhibit “MESH” at Portland Art Museum features Indigenous contemporary artists advocating for change
Visual artist, writer and activist Ka’ila Farrell-Smith says she considers herself a wartime artist.
She is a member of the Klamath tribes and lives in Modoc Point, Oregon. When asked about how history influences her work, the answer weaves through over 150 years of white colonization and Indigenous struggles in the West:
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
The Beehive Design Collective is a wildly motivated, all-volunteer, activist arts collective dedicated to “cross-pollinating the grassroots” by creating collaborative, anti-copyright images for use as educational and organizing tools. We work as word-to-image translators of complex global stories, shared with us through conversations with affected communities.
It's an evocative image — and it was intended to be: Diana, Princess of Wales, wearing a protective visor and flak jacket, walking through a live minefield in Huambo, Angola. The image of the princess, at the time one of most famous women in the world, surrounded by danger, made headlines across the world.
The Stanford Daily:
There is no word short of “spectacular” that better describes the experience of examining “Pan American Unity,” Diego Rivera’s 1940 mural, housed since 2021 at the San Francisco Museum of Modern Art (SFMOMA). The piece is the crux of SFMOMA’s soon-closing exhibition, “Diego Rivera’s America,” curated by James Oles and Maria Castro.
About us
"Path to Peace" - is a joint mosaic creation, by thousands of people, towards hope, love, and happiness among all people. The creation is placed upon the border wall that divides the Gaza Strip and Israel, adjacent to the homes of Moshav Netiv HaAsara.
The creation is seen from both sides of the wall, spreads on the gray security wall and completely changes the place's atmosphere.
When Bay Area activists Moms 4 Housing began their campaign, they were fighting gentrification and institutional poverty. Now, as California's housing crisis compounds during the COVID-19 pandemic, their work has taken on new significance.
The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
"Los Palcos del Descubridor" (The Discoverer's Box Seats) was a project created by Sebastian Burga and José Aburto in 2012 that consisted of a large-scale installation on the street and a media campaign on the Internet.
The work simulated the upcoming construction of an apartment building that would replace Lima's Teatro Colón, a historical landmark.
In a collaboration with fellow artist @vyalone on Instagram, Lucinda Hinojos or La Morena as the artist is known recently completed this mural in Phoenix which showcases the Native American culture of the people indigenous to the area. La Morena said in a post about the project on Facebook, "This mural is about reclaiming space, reclaiming our roots, our identity and finding our truth.
Members of three organizations – Artists Building Communities, Essential Food and Medicine, and Living Earth Structures – have built a kitchen, clinic, free store, stage, toilet, oven, and shower with and for a homeless community near Wood Street in West Oakland.
In response to white gentrifiers trying to silence go-go music on the corners of Florida Avenue and 7th Avenue, activists and D.C. residents poured into the streets by blasting go-go music and celebrating its rich history within the city. For those unfamiliar, go-go music is at the heart of D.C. culture and features live bands playing covers of, and sometimes original, music with all different types of drums and other percussion instruments.
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.