The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
Rice University’s O’Connor Building for Engineering and Science now houses an immersive public art installation titled “Climate Parliament,” a thought-provoking work by Mexican-Canadian artist Rafael Lozano-Hemmer. Commissioned by Rice’s Moody Center for the Arts for the Rice Public Art collection, the interactive artwork engages visitors with a dynamic experience that addresses the growing global climate crisis.
Monopoly was invented to demonstrate the evils of capitalism
Buy land – they aren’t making it any more,’ quipped Mark Twain. It’s a maxim that would certainly serve you well in a game of Monopoly, the bestselling board game that has taught generations of children to buy up property, stack it with hotels, and charge fellow players sky-high rents for the privilege of accidentally landing there.
Two climate activists scrawled blue ink across a series of Andy Warhol screen prints at the National Gallery of Australia in Canberra, Australia this week to raise awareness of the country’s fossil fuel subsidies.
Images and video of the protest posted to social media show the two activists also trying to glue their hands to the famous print series titled Campbell’s Soup I, which is framed and under glass.
Share Your Water Story invites every global citizen to participate in a creative conversation around the different ways in which water impacts our lives. The project encourages people to contribute original expression of any kind via online platforms on the global justice issue of water and sanitation.
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
As part of USAID's "My Comunidad-Mi Agua" program in Peru, "Pamparadio" was a radio show run by two adolescents from the community of Iquitos, a jungle province. Armed with a gigantic speaker on the top of a community center and an AM radio frequency, Marco Jhastin Anchec and Cledy del Aguila Mozombite single-handedly ran "Pamparadio" as a celebration of potable water, how to make it, and how to take care of it.
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
Students from Colombia College teamed up with Greenpeace and The Yes Men to take on the Chicago coal industry in an elaborate, multi-layered hoax. The group created a scheme to announce that a new coal plant was planned—but instead of going in a poor neighborhood (like the two coal plants that already exist), this one would be built in a rich one.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
Benjamin Von Wong’s latest art-as-activism installation looks like something Photoshopped onto reality. A large brass-looking faucet, suspended in the air, pours a river of plastic out of its spout.
ART COLLECTIVE LUZINTERRUPTUS has created an installation made up of 100 glowing “radioactive” figures for the Dockville Festival in Hamburg.
The human-size figures appear to be wearing special white protective clothing and marching, heads down, across the landscape. The eerie structures contain a number of lights which make them appear to glow ominously in the dark.
In Jan. 2016 Karl Mattson from Rolla, BC displayed some of his unique sculptures for exhibition at Lantern Gallery in Winnipeg, Manitoba. His 'Life Pods' are sculptures constructed using only found objects.Tools, metal fragments, debris, and fuel tanks are some of the components welded together forming both the solo pod, and the family size pod. The larger pieces were acquired near the pipeline embedding site near to his farm.
It was a long time coming - but it was worth the wait.
Nearly two years ago, more than a dozen of Mexico’s biggest performing artists came together in a mega-event aimed at saving Wirikuta, one of the country’s most sacred sites, from devastation at the hands of Canadian gold and silver mining operations.
FROM THE NEW YORK TIMES:
" While filming a documentary about divisive oil refinery ventures in the subzero cold of Fort McMurray, Alberta, the director David Dufresne said he wasn’t considering only pollution in that Canadian boomtown or the vast tar sands beneath its frozen ground. He was also thinking deeply about technology, about making a new kind of hybrid media, a docugame.
Olafur Eliasson , the Danish-Icelandic artist. Some of his exceptional artworks focus on climate and environmental changes. In 2003, he installed The Weather Project , which remains one of Tate Modern’s popular installations. He is also known for his freestanding waterfall in Versailles , his installation in which he installed a riverbed in a museum , and his gigantic rainbow installation in Aarhus, Denmark.
Traditional wind turbines may require vertical shafts higher than 40m and spinning blades over 50m long in order to capture wind energy efficiently. While these devices are some of the best at capturing clean energy, their height and shape put large limitations on the way that they can be used.