I really enjoy the events that we host at The Sanctuaries. They're well planned but not over-planned, so there's space to just be yourself. On Monday, January 19th, we held a wonderful event that celebrated the teachings and life of Martin Luther King, Jr. The turnout was strong!
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
Tina Piña, better known as Mother Pigeon (@motherpigeonbrooklyn), is an artist and self-described “high priestess of the pigeon religion,” whose passion for New York City’s often-overlooked bird has helped her carve out a unique creative niche centered around pigeons—as well as a lifestyle geared towards helping New Yorkers appreciate the misunderstood creatures.
See below for a link to the performance of the song at the Academy Awards.
From Salon: How Common and John Legend’s performance of “Glory” fired up Oscar night’s idling empathy machine by Sonia Saraiya
I've decided to post about a recent experience, considerable an "action" in its nature, and how it felt, which was comparable to solicitation rather than activism. However, there was a sense for consciousness-raising regardless of any tangible outcome.
In 1988, rap group the N.W.A from Compton, California released their second album, “Straight Outta Compton”. Without any radio play or media coverage, the album still managed to become an underground hit, and the notorious rap group successfully introduced socially conscious gangsta rap into the mainstream.
Shake Girl is a massive collaborative effort between fifteen students and two instructors over the course of one quarter (Winter 2008). These students comprise the first edition of the Stanford Graphic Novel Project -- a group dedicated to acheiving this monumental task on an annual basis.
The Globe and Mail Inc.
Written by SUSAN KRASHINSKY
MARKETING REPORTER
TORONTO
PUBLISHED JUNE 25, 2015
UPDATED MARCH 25, 2017
This is one persnickety refrigerator.
Molson Coors Brewing Co.'s newest instalment of a now two-year campaign is attempting a new take on national pride in time for Canada Day.
Students at the NYC iSchool, a high school in Manhattan, worked for 9 weeks to create works of activist art with art teacher Gretel Smith. We were lucky enough to have Stephen Duncomb and Steve Lambert from the Center for Artistic Activism come to our class to teach a lesson inspiring students to think like activists; they came back later to critique students’ works-in-progress.
When Behnaz Babazadeh was young, her family moved from Afghanistan to the US. She loved almost everything about her new home — especially America’s amazing selection of candy — but she also loved wearing her familiar pink-flowered headscarf, which she’d grown used to wearing as part of her school uniform in her old home.
Back after a five year hiatus, V-Day Sedona joins with hundreds of other productions across the globe in celebrating V-Day’s 20th anniversary with an act of artistic activism. For its 20th anniversary, V-Day is calling on activists around the world to Rise, Resist and Unite.
(Honoring our Origins, Ourselves and our Dreams) is an all-womyn and womyn-identified crew from the northeast San Fernando Valley dedicated to creating awareness through public art.
"I decided to shoot pictures of men who made comments to me on the street. I had always hated this invasion of my privacy and now I had the means of my revenge. As I walked along Houston Street with my fully automated Nikon, I felt armed, ready. I passed a man who muttered ‘Wanna fuck?’ This was standard technique: the female passes and the male strikes at the last possible moment forcing the woman to backtrack if she should dare to object.
"Four theatrical spaces and the full inventory of of 3LD Art & Technology Center were enlisted in the transformation of the space into SupremacyLand, a dystopian theme park where white supremacy and racist carnage was raised and twisted into totally immersive, experiences.
Alexandria "Lexi" Aniyah Rubio was looking forward to playing volleyball when she got to junior high. She dreamed of going to law school one day, and she loved astrology, butterflies, and the color yellow.
Matthew Connors spent much of 2012 in Lower Manhattan making portraits of the protesters in the Occupy Wall Street movement. But a chance encounter during the course of that project made him do a 180-degree turn after meeting some Egyptian activists who had participated in a different uprising: the Jan. 25 revolution that led to the ousting of President Hosni Mubarak. They convinced Mr.
A group of clergy members wanted to change the conversation when they heard that a Florida police department was using mug shots of young black men as targets for shooting practice.
“#UseMeInstead,” the religious leaders said, tweeting photos of themselves in hopes that their solidarity would cause cops to “think twice” before pulling the trigger.
But the well-intentioned hashtag is provoking mixed responses.
The inspiration for the creation was the Common Snapping Turtle. A big shout-out to local member, Kristin Rubin and local college students, Sarah Lockhart and Alanis Gonzalez, for their assistance in the construction of the artwork.
Upon its original release on N.W.A.’s Straight Outta Compton LP in 1988, the song was safely titled “_ _ _ _ Tha Police (Fill in the Blanks),” and the album cover was among the first to feature the infamous “Parental Advisory” label, warning moms and dads about the album’s explicit lyrics. A censored version of the LP even omitted the song entirely.
The Strangers Project is a celebration of the stories we’re surrounded with every day—both from the strangers we share our space with every day, and our own stories we carry. It’s about a connection with ourselves, with people around us, and with something greater than ourselves.
One of the oldest forms of human expression is art, so it’s no surprise that art is constantly used to critique another of humanity’s oldest practices, violence and war. In the world of art activism, the power of creativity and innovation has been used to create commentary about war since the beginning of time. Art that speaks out against the atrocities of violent conflict embodies empathy, care, and a plethora of other human emotions.
From The NationBy Laura FlandersA new campaign calling itself Caring Across Generations has in mind
nothing less than a 180-degree turn in the way that Americans think
about themselves, one another, the economy and workers. This group aims
to create 2 million quality jobs in the process and put us all on track
for a happy, healthy old age too. But first we need to talk, out loud,
about care.
"Nearly 2 million decaying Goodyear tires lie submerged off the coast
of South Florida, decrepit hunks of rubber that have gradually succumbed
to the pressures of tides and tropical storms. The steel cables that
once strung them along the ocean floor have snapped, and many have
drifted into the natural reefs only 70 feet away, permanently scarring
them. What is now a 36-acre underwater junkyard was once the