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This was a little installation that took place in the beauty of West Texas. The goal was to reorientate the site specific Prada Marfa into something more relevant, TOMS Marfa. Prada Marfa, being in the middle of nowhere, a structure placed as sort of a apocalyptic trophy for the high art world meant to challenge time; TOMS Marfa was to accelerate that vision with 2014 subject matter.
From the screaming queens of the Stonewall Riots to the contemporary Human Rights Campaign corporate gays, the politics and methods of queer activism have clearly fluxuated. By the late 1970s, the radicalism of stonewall was replaced with a more formal Gay Liberation movement that focused on civil rights.
Founded in 2006, Rock The Reactors enlists the art and fashion community in support of organizations working to shut down the Indian Point nuclear power plant in NY. Shut Down Indian Point with Fashion!
"In preparation for tomorrow's election, members of artist-activist project Luminous Intervention beamed ballot-question themed slogans onto a bridge over Route 83 during rush hour traffic this evening. Today's action followed on the heels of an equality-themed luminous alteration of The Natty Boh/Utz Girl proposal billboard in Station North on Friday.
hot pink see-saws installed along the US-Mexico border where one person on each side can sit and see-saw with the other. installed at Sunland Park, nine miles northwest of El Paso, on the 18 feet slats border wall between Mexico and the United States. It is at this site where the US Border Patrol detained about 300 migrants from Mexico. (Public Delivery) the installation lasted only 1 day and was done without permission.
The US-Mexico border wall has become a battleground for political theater, but also various artistic interventions. One of these outstanding artworks is the pink seesaws. They went viral after they were installed by the two creative architects Ronald Rael and Virginia San Fratello. Between the erect giant steel posts of the border fence lie small gaps a couple of inches apart. It is this space where they installed the seesaws.
Late last year, the New York Times published an op-ed short film written and narrated by Jay Z. The clip was called “The War on Drugs Is an Epic Fail,” and that kind of title was explicit enough for everyone to grasp the entertainment mogul’s general argument, whether they knew anything about drug war or not.
Amidst a crowd of protesters and oversized signs, Pat Walsh shouted, “What’s disgusting? Union busting?”
At a glance, Walsh, a woman with well-kept gray hair and an open
smile, didn’t strike one as the usual angry protester. But that night,
Walsh was fighting.
“My husband, John, has been locked out from Sotheby’s,” says Walsh.
“He’s been a worker for 30 years. I’m here to fight for him.” Currently,
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
On Saturday, October 19, 2013, Creative Time and the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum presented Between the Door and the Street, a major work by the internationally celebrated artist Suzanne Lacy, perhaps the most important socially-engaged artist working today.
27Million aims to combat human sex trafficking and modern day slavery. They state that they are "a group of passionate individuals that are on a mission to network and resource grassroots organizations that are the frontlines of rescuing, rehabilitating, and restoring human trafficking victims."
IT all looked so normal: a dozen diners chatting over coffee and hash browns at an outdoor cafe near the waterfront here on an August morning. The cook flipped eggs, a dog sniffed for scraps, and the young woman in the black sweater suspected nothing of the spies and confederates sprinkled throughout. They’d been studying her life for four months and were finally preparing to pull it through the looking glass they’d constructed.
By Summer Dawn Hortillosa
Jersey City’s got an art scene of movers and shakers but few can say they’ve done what David McCauley has in the past two years.
“The Washington Post” asked the Guerrilla Girls to create a full page for their section on feminism and art, which was published on April 22, 2007. The Guerrilla Girls’ page contains an image of a fake tabloid, called “NOT OK! The Guerrilla Girls’ Scandal Rag,”. The tabloid’s cover features a sensational headline and some statistics, which highlight the fact that national museums rarely feature female artists and artists of color.
Felix Gonzalez-Torres produced meaningful and restrained sculptural forms out of common materials. “Untitled” (Portrait of Ross in L.A.) consists of an ideal weight of 175 pounds of shiny, commercially distributed candy. The work’s physical form and scale change with each display, affected by its placement in the gallery as well as audience interactions.
Music energizes us, lifts us up when we're down, reaches deep within us to release emotions, creates cultural understanding, and makes us more open and receptive to new ideas. Studies show that when people are listening and dancing together, they are more likely to feel a sense of togetherness, be inspired, show empathy, and be more giving.
"The traveling mini-exhibition aims to gather a snap-shot of contemporary cultural production.
Editors collect items and contributions are ongoing." (From site.)
American artist Bob Partington created a wax sculpture of a Florida panther and her cub to display at a nonprofit zoo in Tampa, Florida this September.
When it debuted, the sculpture looked like nothing special. But as the wax began to melt under the heat of the sun, the bodies of the endangered species started to disintegrate. Within a couple days, the mother panther’s melting body revealed a simple message: “More heat, less wildlife.”
AMNA NAWAZ: Since anti-government protests erupted in Iran last year, people around the world have taken to social media to show their support.
That includes an Iranian American ballerina who's tapping into her own heritage and her art, in solidarity with those pushing for more rights.
The "NewsHour"'s Julia Griffin reports for our arts and culture series, Canvas.
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
The initiators collaborated with the Street Vendor Project (SVP) of the Urban Justice Center to campaign against New York City Council Member Jessica Lappin’s 2010 law project. The bill, intended to revoke permits issued to street vendor trucks if they got parking tickets, was so restrictive that it threatened to put most food trucks out of business.
On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.