While most people slept, a trio of artists and some helpers installed a bust of NSA whistleblower Edward Snowden in Brooklyn on Monday April 6. They fused it to part of the Prison Ship Martyrs Monument, a memorial to Revolutionary War soldiers. By later that day, officials had removed the bust. But then a group called The Illuminator art collective replaced the missing bust with a hologram projection of Snowden.
When you design an economy to be based on short term profit to the benefit of giant corporations, the results over the long term will be a country so hostile to human life that the unreasonable and unthinkable becomes an every day reality. Wealth inequality, mass poverty, a crumbling welfare state aside, the prison system perfectly illustrated the madness of the American capitalist system.
Whose Chinatown? Examining Chinatown Gazes in Art, Archives, and Collections, brings together an art history of Chinatowns and their communities by historical and contemporary Canadian artists such Emily Carr, Unity Bainbridge, Yucho Chow, Fred Herzog, Paul Wong, Mary Sui Yee Wong, Morris Lum, and aiya哎呀, among others.
On May 14, 2022, the Buffalo community suffered a devastating act of violence when a gunman opened fire at the Tops Friendly Market on Jefferson Avenue, killing ten people and wounding three. Many have asked how to help.
In partnership with Tops, the National Compassion Fund has established the Buffalo 5/14 Survivors Fund to provide direct financial assistance to the survivors of the deceased and those directly affected by this tragedy.
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
The Deep Listening Post is a place where people can come to be heard about what's important to them in a safe and respectful environment. Empathetic volunteers lend an ear so that people can share about what's happening in their lives and in their hearts.
The Cowboy and Indian Alliance, a coalition of indigenous tribes, ranchers, farmers, stages a protest named "Reject and Protect" against the Keystone XL oil pipeline project along the Keystone XL tar sands pipeline route, as a part of series of demonstrations around the Capitol Hill in Washington D.C., capital of the United States, April 22, 2014, on the occasion of the World Earth Day.
Howardena Pindell presented her solo exhibition, “Rope/Fire/Water”, her first video in 25 years and a project utilized by the artist since the 1970s that The Shed commissioned and displayed in late 2020 and into early 2021. “Rope/Fire/Water” mines the history of violence against African-Americans and features Pindell’s personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States.
It all started a few months ago, when the Minneapolis Institute of Art got a phone call from Valerie Castile.
Castile is the mother of Philando Castile, the 32-year-old black man who was shot and killed by a police officer in 2016. Valerie Castile has since founded the Philando Castile Relief Foundation, which helps victims of gun violence.
"Denial of Family Values, Gay and Anti-gay Propaganda in Russia"
105 NY-110, Melville, NY 11747
June 3, 11 am – June 28, 7 pm
Monday – Friday, 11 am – 7 pm, free admission
Artist talk – June 28, 2 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
The US artist Nan Goldin has staged her first public protest since she launched her activist group PAIN (Prescription Addiction Intervention Now), shaming members of the Sackler family who have profited from the sale of Oxycontin and institutions that have accepted their philanthropy.
Shackles. Cotton. The Big House.
Americans tend to think of slavery in terms of chattel slavery. Plantation Slavery. Slavery where human beings are bought, sold, and owned. The kind outlawed in the United States by the Emancipation Proclamation in 1863.
Slavery as a relic of the 19th Century.
“Six of us lived, worked, slept in a 10-by-10 (foot) room without a bed, bathroom, or clean water,” Nasreen Sheikh remembers.
There are few artists more innocuous, more neutered, more universally loved and reviled than Thomas Kinkade. His soft-focus images present an idyllic vision of America and of Christianity, like Norman Rockwell without the blue-collar populism, where everything is beautiful, nothing hurts, and there’s always a warm fire going in the Lincoln-Log cabin just down the trail.
A human tide swept through Paris last month for the type of event France knows only too well — a protest. Union leaders led the march, awash in a multicolored sea of flags. Demonstrators shouted fiery slogans. Clashes with the police erupted.
And, as in every protest, there was Jean-Baptiste Reddé.
Promoted as a DIY festival with no corporate sponsorship, the 2015 Latino Punk festival in Brooklyn, NY featured bands from all over the Americas. With an emphasis on local bands supporting each other and nurturing local scenes, this festival functions in reference to the ideals of the punk and Riot Grrrl movements in the 1990s.
Oh, the sweet irony.
Pete Peterson is the conservative billionaire who is a major financier in the effort to dismantle, cut and privatize Social Security, Medicare and Medicaid. Recently he and his foundation held a contest asking folks to submit videos on why it is important to “fix” the national debtof which, he and his foundation falsely claim, Social Security is a major contributor.
It was September 1738, and Benjamin Lay had walked 20 miles, subsisting on “acorns and peaches,” to reach the Quakers’ Philadelphia Yearly Meeting. Beneath his overcoat he wore a military uniform and a sword — both anathema to Quaker teachings. He also carried a hollowed-out book with a secret compartment, into which he had tucked a tied-off animal bladder filled with bright red pokeberry juice.
Brick x Brick is a public art performance that builds human “walls” against misogyny. It is organized by the Public Displays of Affection, a collective of artists, designers, educators and organizers that engages in nonviolent direct art action. During the wall performances, participants wear brick-patterned jumpsuits adorned with colorful brick patches bearing statements of misogynistic violence made by US President Donald Trump.
"The Uni Project aims to do one thing and do it well: temporarily
transform almost any available urban space into a public reading room
and venue for learning. We start with the conviction that books and
learning should be prominent, accessible, and part of what we expect at
street-level in our cities." (From site.)
If you assign no sound to the redaction in I'm Blue (If I Was █████ I Would Die), it has the same amount of syllables as its referent, the first line of the chorus from Eiffel 65's 1999 chart-topping single, I'm Blue. The last word in that line is spelled out "da," but when you listen to Jeffrey Jey's compressed scatting, it sounds more like "die."
The Prometheus Project is a partnership between the American Repertory Theater and Amnesty International to bring the theater arts to the service of human rights advocacy.