Regina Galindo is a Guatemalan performance artist that uses her body as a means to explore many of the human rights violations in Guatemala. In one of her performances, " no perdemos nada con nacer," or " we don't lose anything by being born," the artist "disposes" of herself in a plastic bag.
“It might not seem that an act of public laundry could unsettle a president with a well-deserved reputation for inflexibility, corruption, and brutality. But mass washing ceremonies were a key element in getting rid of Peru’s unpopular president, Alberto Fujimori, after more than a decade in power.
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.
In São Paulo, just like in many other metropolitan regions, public transport is not as effective as it could be. Buses and trains usually run overcrowded, late and on limited hours, so that owning a car increases a lot one’s comfort. But not everybody can afford to have one, so a clear and recurrent class distinction occurs: public transport is mostly used by poor people.
In Venezuela, the far right opposition has protested against the leftist regime of Maduro. Violence has swept through the capital, Caracas, and other cities throughout the country. Meanwhile, the Western world has had its eye on Ukraine, and received relatively little news coverage of what is actually going on in Venezuela. An epidemic of misinformation has spread as a result.
In 1998 Hacker-Poet-Artist Yucef Mehri breached the security of CANTV at the time the largest telecommunications company in Venezuela. He was able to access the personal data kept by the company which contained the names, addresses, phone numbers, working places, and even checking accounts, credit cards, and expiration dates of it's customers.
Warscape Sonata is a transmedia project that documents and perform audiovisual information related to the current drug war in Mexico. Twitter hashtags, youtube viral videos and mass media are used as creative sources to document the militarized Mexico.
At Rio+20 we present a bread tank with a garden inside to underline the realistic possibility of eradicating hunger and extreme poverty by redirecting military spending.
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.
Right before the presidential elections in Mexico, planned for July of 2012, a local software enterprise has developed a smart-phone game that shows how to commit fraud at the elections.
During the 2020 and 2021 social protests in Chile, Colombia, and Peru, Latin American fans of K-pop, Korean popular music and culture that mixes rhythms, styles, dance routines and has a defined aesthetic, went from using social networks to support their favorite artists to using them to sabotage the hashtags of conservative influencers that discredited the mobilizations.
El Antimuseo es un proyecto curatorial que questiona los mecanismos de legitimación del arte. El grupo considera su trabajo " el proceso social donde se produce el valor simbólico y económico de la obra de arte, así como en el análisis de la estructura y límites de la institución."
En las palabras de ANTIMUSEO:
The Atacama Desert in northern Chile — the setting of Patricio Guzmán’s transfixing cinematic essay “Nostalgia for the Light” — is a place where heaven and earth converge. Or some might say heaven and hell.
In the 1970s, Jaime Lerner, the former mayor of Curitiba, Brazil, transformed six blocks of the main downtown shopping street into a pedestrian zone in 1972, despite fierce objections from the merchants. He quickly accomplished this change in just three days by installing paving, lighting, planters, and furniture. The once-resistant merchants were impressed by the increase in their business and soon demanded an expansion of the traffic-free district.
For over 60 years, Colombia has been facing war between guerrilla groups, the State, paramilitary groups and drug dealers. Hundreds of thousands of people have been killed, raped, displaced and threaten by this armed conflict. The common trait of this tragedy has been the people being in the middle, the people that still today pay the consequences.
This is one of the noblest urban interventions I've seen lately. Two girls who go to a subway station in Santiago, Chile with lots of colorful balloons with helium. In the balloons write messages like "touch me", "hold me", "adopt me", "love me" or "feed me".
In its thirteenth year, the annual Miss Talavera Bruce beauty pageant is held in unlikely surroundings: a women’s prison in Rio de Janeiro, Brazil. The Instituto Penal Talavera is the only maximum-security women’s prison in the city with inmates serving life sentences for murder, fraud and drug trafficking.
In 2017, the political party Ahora Buenos Aires (Now Buenos Aires) was running in the legislative election for the first time. It is not easy being a small left-wing party in the City of Buenos Aires, therefore imagination is an essential part of a campaign if you want to get the attention of the media and voters.
Ahead of Monday’s planned protest, police set up a barricade around the presidential palace, which a spokesperson described as a “peace wall” to prevent vandalism, the Guardian reported. But protesters said the barrier was symbolic of the president’s refusal to take on the issue, noting that he frequently makes a show of traveling in drug cartel-controlled parts of Mexico but felt unsafe ahead of their protest.
“How different. Exotic,” commented one women as she watched a group of almost 50 people — mostly young and black, many wearing bright fabrics with African designs — stroll through the Shopping Leblon mall.
Tranvía Cero is a group of artists from Ecuador who have been creating artistic projects with the aim to empact community lives and change the ideas of art as an exclusive terrain. The describe their goal as a redefinition of art through the social engaging experiences.
Last month, on the International Day for the Elimination of Violence Against Women, dozens of women gathered outside the supreme court building in Santiago, Chile—a country now beset by popular uprisings against inequality—for a feminist flash mob.