Within the topic of terrorism, the idea of loss and memory is always a pervasive idea that cannot be avoided. Within the topic of loss and memory, the idea of monuments is always a pervasive idea that cannot be avoided because they are used to commemorate and remember those that lost their lives to the terrorists.
By: Patrick Randall
KIEV — Several thousand pro-European Ukrainians demonstrated in the capital for President Viktor Yanukovych's resignation over the weekend. One man even played the piano in front of Ukranian riot police on Kiev’s Independence Square.
Foreigners out! Schlingensiefs Container (Ausländer raus! Schlingensiefs Container), alternately named "Wien-Aktion", "Please Love Austria—First European Coalition Week", or "Foreigners Out—Artists against Human Rights", is an art project and television show from 2000 that took place within the scope of the annual Wiener Festwochen. It was created by Christoph Schlingensief and directed by Paul Poet.
"A live interview with the leader of the far-right Alternative für Deutschland was interrupted by protesters. During the live television interview with ARD, Alice Weidel, co-leader of AfD, appeared at times to struggle to hear the questions being asked of her as protesters gathered below the provisional stage for the interview in Berlin.
In an effort to provide abused children with a safe way to reach out for help, a Spanish organization called the Aid to Children and Adolescents at Risk Foundation, or ANAR for short, created an ad that displays a different message for adults and children at the same time.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
Deportation Class is a satirical project by European anti-deportation activists protesting European airlines who agreed to cooperate with deportation agendas. Together, these airlines are referred to as the Deportation Alliance. The activists designed a faux luxury offering on behalf of each airline, showcasing the attractive perks of flying "deportation class."
"In a world where artists do themselves no financial favours by voicing critical political sentiments, Björk’s iconoclastic position and perspective is almost unique. Despite having made zero concessions to commerciality in her music, she has sold millions of albums, and remains as vital today as she was a quarter of a century ago.
What seemed to be a cruel and bizarre PR campaign took over Amsterdam yesterday as a barge with an apparently drugged polar bear, a Russian child superstar, and a colorful marching band wound through Amsterdam's canals to the city zoo. There, visitors and staff watched Gazprom and Shell reps officiously give the bear to Amsterdam—before being forcibly removed by zoo security and city police.
On November 7, 2010 Pope Benedict XVI visited our city. He would have been better off staying at home. Even before he touched land we had rendered him impotent for life. Yes: im-po-tent.
For the November issue of women’s magazine ELLE UK, agency W+K London teamed up with feminist cofounders of Vagenda, Holly Baxter and Rhiannon Lucy Cosslett, to rebrand feminism.
Frustrated with the way women are stereotyped and portrayed, Vagenda created a ‘Sod The Stereotypes’ manifesto.
On a warm summer afternoon in the Italian city of Bologna, a group of around 15 young people march through the crowded city centre to a high-end pastry shop in Strada Maggiore.
Adrian Piper's "Funk Lessons" (1982-84) was a series of performances and collaborative events in which the artist taught white participants about black funk music, its culture, and its history, aiming to deconstruct stereotypical ideas about Black culture.
Protesters from Extinction Rebellion disrupted London Fashion Week last weekend (15 February).
The group called on the industry to change its approach to protecting the planet: “We are asking not for sustainability but a complete reinvention of this industry in a way that regenerates the environment,” Extinction Rebellion spokesperson Sara Arnold said.
“Most people can’t imagine a futurist Africa,” says Ethiopian photographer Aïda Muluneh. She challenges this in her project, Water Life, exploring real-world issues with an otherworldly twist.
Muluneh went to Dallol, Afar, Ethiopia, an extreme landscape where it is dry and hot to capture the essence of water to life. Through her work, Muluneh highlights how water scarcity is mainly a burden on women.
Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.
Neighbors in modern cities have less and less communication, and they all go about their business as soon as they close the door. In Switzerland, a woman dies every week as a result of domestic violence, so in an effort to get everyone to act, the charity has put up an interactive billboard in a shopping mall that shows a man in a family doing violence to a woman.
Ron Krielen is a social designer and a taxi driver. He spent five years driving a taxi for elderly and disabled people. En route, he would get to know them and their individual situation. He realized that this kind of personal contact gave him a better insight into possible solutions than many of the healthcare providers who were actually assigned to each case.
PARIS — At the end of the Dior fashion shown in Paris last September, a woman got up from the audience and walked down the runway carrying a yellow banner painted with the words “We Are All Fashion Victims.”
Voina art collective members covertly brought a large laser projector into the attic room of a hotel located across the street from the Russian White house (also called the Russian Parliament Building). From there they projected a large image of a skull and bross bones across the front of the white house building. Other group members on the ground then stormed the building gates and successfully entered the secure zone in front of the building.
At 7:00 PM on 23 August 1989, approximately two million people from Estonia, Latvia and Lithuania joined hands, forming a human chain from Tallinn through Riga to Vilnius, spanning 675 kilometres, or 420 miles. It was a peaceful protest against the illegal Soviet occupation and also one of the earliest and longest unbroken human chains in history.