Las Vulpes was the first spanish punk rock band formed only by women. It was founded in Baracaldo (Vizcaya, Basque Country) in the summer of 1982, as a result of the guitarist´s desire on creating an all women punk band. After a few changes, the final formation consisted on: Loles Vázquez (guitar), Mamen Rodrigo (voice), Begoña Astigarraga (bass) and Lupe Vázquez (drums), all between 17 and 22 years of age.
With an estimated four million surveillance cameras, Britain is by far the most-watched nation on earth. Every Londoner is on camera about 300 times a day. How could this come about in George Orwell’s mother country? What were the ignition sparks for this development? Why haven’t other nations copied the schemes if they really are as successful as the Home Office and the police are saying?
What the Skirt Lifts is a day long protest against gender discrimination initiated by student Arthur Moinet and sanctioned by the Académie de Nantes, made up of local school officials. Both male and female students were encouraged to school wearing skirts. Those who did not feel comfortable wearing skirts were invited to participate by wearing a sticker which read: I am fighting against sexism, are you?
We designed a WaterWaysWalk with interactive activity suggestions linked to both a Website and a hardcopy Zine, either of which could be utilised on the walk to raise awareness about Water Sustainability.
Below is an extract from the website explaining what the focus was:
Brainstorm of ideas and collection of the group individual experiences and input.
Preparation and design of the action.
Interview of a member of local organization that is working with homeless.
Research of data,concrete stories.
Build up the scenario to establish the environment to raise awareness of the rising local issue of homeless, specifically female homeless and their challenges in daily life.
As Denmark moves to deter refugees from crossing its borders, a new theater production dramatizing their plight seeks to change how many in the country perceive their new neighbors. Uropa: An Asylum-Seeker’s Ballet, [is] a dance piece performed in part by refugees portraying themselves.
The story of the life and death of Jesus is arguably the most ubiquitous story ever told. Translated to every language, vastly circulated, taught in schools all around the world, conservative groups –except for some exemptions, like Liberation Theology- have held monopoly of this narrative for the longest time. However, like every other narrative, it is not totally closed to resignification and oppositional and negotiated readings.
Disabled people gathered to protest at the site where a memorial to the Peterloo massacre in 1819 is being built. We are keen to have a memorial to Peterloo, but we want one we can be proud of, rather than the one under construction, which will be inaccessible to many disabled people.
Climate protesters in Washington, D.C. were handcuffed on Thursday after they dragged paint on a glass cover protecting an art sculpture.
The incident happened at the National Gallery of Art by the activism group Declare Emergency in an attempt to bring attention to climate change, according to the Washington Post.
John Heartfield began to make photomontages as a member of the Berlin branch of international Dada around 1920. Schooled in graphic arts and having worked briefly in animated film, Heartfield (who had anglicized his given name, Helmut Herzfeld, in 1917 as a protest against wartime nationalism) subsequently developed a cinematic effect in montages that he made for book illustration.
When Europeans of the 18th and 19th centuries established their grandest museums, each building meant to unite the world’s cultural heritage under a single roof, they had no doubt as to who should explain it all: themselves. They took a Eurocentric view, categorizing the spoils of colonial enterprise by nation and region, splitting art from craft, and nature from culture.
French street artist Roti installed a 4-ton marble sculpture in Independence Square in Kiev Ukraine, as an expression of solidarity with government resistors and protestors. The sculpture depicts a woman's body emerging from water.
It all started when an Icelandic girl took off her top on Twitter in a bid to promote sexual equality, only for her to be verbally attacked by some male Icelandic tit troll. Despite both comments being deleted, Twitter was suddenly awash with bare breasted ladies ("Th?"s one here is for feeding babies.
In September 2003 the news went out nationwide: Karlsplatz, one of Vienna's main squares, is soon to be renamed Nikeplatz. Apart from the new name, it appears that a huge monument in the shape of Nike's famous "Swoosh" logo will be built in Nikeplatz. Needless to say, it is all fake.
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.
From intimate portraits to urban performance art, the through line of photographer Carlota Guerrero’s work has always been her stripped back sense of feminine reverie: rumpled sheets and broken shells, translucent tights and long braids, dusty floors and bare chests.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
A This flash mob was designed to deliver a message to raise awareness and deepen understanding about the immediacy of the climate change problem. By subverting the lyrics of the Rattlin’ Bog, we appealed through music to the hearts of participants.
The Irish song, the Rattlin’ Bog, is a well-loved traditional cumulative song, with a short chorus, and is easily learned. The word Rattlin’ means ‘splendid’.
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery.
With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
Sari Red (1988), by Pratibha Parmar, is a visual poem. Made in memory of Kalbinder Kaur Hayre, a young Indian woman killed in 1985 in a racist attack in England, Sari Red eloquently examines the effect of the ever-present threat of violence upon the lives of Asian women in both private and public spheres.
Following last week's powerful death-penalty spot with the melting wax figures, Amnesty International in France moves on to Russian dolls to symbolize the hidden political repression and social terror in that country. "We must not let Russia's charm hide its atrocities" is the tagline from ad agency La Chose.
Her name is ISIS-chan. And she's how nerds around the world are trying to silence violent ISIS terrorist propaganda.
It starts with the vibrant worldwide community that loves Japanese anime. Some of them have created a cute animated character as a sort of ISIS mascot.
The goal? Hijack the terrorist group's message and replace it with a girl that's oh-so-adorable.