Deportation Class is a satirical project by European anti-deportation activists protesting European airlines who agreed to cooperate with deportation agendas. Together, these airlines are referred to as the Deportation Alliance. The activists designed a faux luxury offering on behalf of each airline, showcasing the attractive perks of flying "deportation class."
Breach Theatre’s multimedia play The Beanfield joins a growing trend of artists using documentary inquiry to hold violent and corrupt institutions to account.
Italian environmentalists used a dye to turn Venice's Grand Canal green on Saturday in protest at what they said was a lack of progress at the COP28 climate summit in Dubai.
The protesters from the Extinction Rebellion group, dangling from the Rialto Bridge over the canal with the aid of climbing ropes, also displayed a banner that read: "COP28: While the government talks, we are hanging by a thread."
Björk and the French artist Aleph have collaborated on an immersive, AI sound piece that recreates extinct animal calls, set to run at the Pompidou Centre, in Paris, from November 20 until December 9. It will play as visitors travel on escalators in the art museum, as part of its “Biodiversity: Which culture for which future?” forum.
At age twenty-eight, Waltraud Hollinger changed her name to VALIE EXPORT, in all uppercase letters, to announce her presence in the Viennese art scene. Eager to counter the male–dominated group of artists known as the Vienna Actionists—including Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler—she sought a new identity that was not bound by her father's name (Lehner) or her former husband's name (Hollinger).
At first glance, it seemed like any other Monday evening in Görlitz, the most eastern town in Germany — where Poland sits just across the river. It was July 31, and a couple hundred people had gathered as part of the so-called Monday demonstrations to protest refugees, the COVID-19 vaccine and the government’s green energy politics.
Vetements' trademark is for subverting the fashion industry’s ways of doing things. Following its recent return to the runway after a short one season break, designer Demna Gvasalia has unveiled his latest project.
Máximas de Seguridad, a survival manual written and illustrated by Jhafis Quintero creates a new voice for the voiceless, vulnerable and underprivileged groups in prisons and creates empathy for those that are labeled as dangerous by society. The manual aims to provide empathy and humanity in light of the public scrutiny that ex-prisoners endure in the transition to social reintegration.
This project features a collection of various artists, in which they submit a project/action/performance of human connection and communication in the busy bustling world of today. Holding this event on the notorious 12/12/12 (the day the world was supposedly supposed to end) gave this project a heightened appeal and awareness.
A protest on June 18, 2022 took place in the Guadalquivir River in Seville, where fifty Greenpeace activists used their bodies and environment to stage a demonstrative performance, highlighting the water crisis that the Andalusian region is predicted to face as a result of anthropogenic climate change. The area is at extreme risk of increased temperatures and pervasive droughts, which will impact the river that is the subject of the demonstration.
In an effort to provide abused children with a safe way to reach out for help, a Spanish organization called the Aid to Children and Adolescents at Risk Foundation, or ANAR for short, created an ad that displays a different message for adults and children at the same time.
Founded in 2008, the French Feminist Collective, La Barbe, targets inequities of female representation in media and cultural/governmental institutions. La Barbe, meaning "beard" in French, is also an old colloquial expression for "enough is enough!". Known as barbues, the female members are all ages. Any woman is welcome to join.
"Disasters of War in East Ukraine"
1235 Ocean Parkway
Brooklyn, NY 11230
October 10, 11 am – November 11, 7 pm
Tuesday – Saturday, 11 am – 7 pm
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews.
The Mexican Pavilion is an immersive space based on a 1:1 scale fragment of the expanded model of the campesino basketball court, an infrastructure that has become repurposed as a space for poly- and pluri-valent processes of decolonisation in Mexico’s indigenous communities.
A popular theme throughout media is the relationship between technology and art. While art is often bolstered and disseminated through technology, discussions arise of how technology both positively and negatively affects content. Caroline Sinders’ exhibition Within the Terms and Conditions explores the way content has been spread online.
Iva Hladis was born in Czechoslovakia in 1965.
In 2005 her attention turned to the issue of global warming and world destruction with a new series of artworks titled “Origins Extinct”; assemblages of used computer chipboards, real botanicals, bugs, Czech glass beads, found objects, wires and pearls.
“Most people can’t imagine a futurist Africa,” says Ethiopian photographer Aïda Muluneh. She challenges this in her project, Water Life, exploring real-world issues with an otherworldly twist.
Muluneh went to Dallol, Afar, Ethiopia, an extreme landscape where it is dry and hot to capture the essence of water to life. Through her work, Muluneh highlights how water scarcity is mainly a burden on women.
This demonstration was in response to a new law (as of June, 2012) imposing fines for unauthorized protest of up to $20,000 for organizers and $10,000 for participants. After activists were turned down for a more traditional protest, Lyudmila Alexandrova and others set up small dolls, teddy bears, and figurines with demonstration slogans. Two mini protests took place in January 7 and January 14, 2012.
Zoo Portraits is a humorous photo series by Barcelona-based photographer Yago Partal that matches animal heads with human bodies. Partal amazingly matches animals to appropriate human bodies and even manages to match their personalities and styles.
We set up a gazebo and table in a public park. The gazebo had two notice boards in the shape of trees where reflections were encouraged. We had a sign with the name of the action "Fall in Love With Nature" painted upon it. On the table were resource lists for the public to take away with links to books and websites on the topic of forest bathing and connecting with nature.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
If fashion is a reflection of the times it is little wonder that the current round of shows have often felt discombobulating.
Gucci’s show on Sunday night was particularly surreal, opening with a series of models being propelled along a conveyor belt catwalk, staring bleakly ahead, wearing a high fashion take on straitjackets.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
In the early 1970s, Denmark was hit by the energy crisis sweeping the globe. A rise in the price of oil led by the nations of OPEC (Organisation of Petroleum Exporting Countries) led to a global economic slow-down, especially in industrialised nations.