Projects tagged "Performance"

SORT Random (lowest)Random (highest)Date (lowest)Date (highest)Views (lowest)Views (highest)Social shares (lowest)Social shares (highest)Favorited (lowest)Favorited (highest)Post date (lowest)Post date (highest)

The group known as Kalpulli Yaocenoxtli, which practices Mexican Nahua dance, song and drumming, is a frequent presence at Black Lives Matter protests in Minneapolis and St. Paul. Its dancers first took to the streets in solidarity with the movement after the death of Jamar Clark, who was shot and killed by Minneapolis police in 2015.

It was 1974 when Beuys arrived in New York City, ready to tackle a whole new challenge and create what was to become one of the most famous works of art of the time. Upon arrival, his assistants wrapped him in a large piece of felt and transported him, by ambulance, to the René Block Gallery in SoHo. There, awaiting the artist, was a live coyote. Beuys spent three consecutive days, eight hours at a time, locked up with the wild animal.

"In 2006 members from a coalition of environmental groups posed as a government agency—the Oil Enforcement Agency—that should have existed, but didn’t. Complete with SWAT-team-like caps and badges, agents ticketed SUVs, impounded fuel-inefficient vehicles at auto shows, and generally modeled a future in which government takes climate change seriously."

The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.

From 2008 to 2010 Bronson and Hobbs performed Invocations of the Queer Spirits, bringing together small groups of men—in Banff, New Orleans, Winnipeg, Manhattan, and Fire Island—in a secret group ritual that was different every time and yet always the same.

Sublevarte, a Collective of Mexican artists, was born out of the ENAP (National School of Fine Arts) of UNAM (the National Autonomous University of Mexico), during the student strike of 1999-2000, the longest student strike in history.

From 1995 to 1997, Colombian families reunited in front of the TV to watch Quac: El Noticero, a comedy newletter performed by the comedian Jaime Garzon and the actor Diego Leon Hoyos. It has been the only space in which the Colombian society was allowed to see a well made newsletter about the reality of the country and their politicians from a comedy perspective.

In September 2003 the news went out nationwide: Karlsplatz, one of Vienna's main squares, is soon to be renamed Nikeplatz. Apart from the new name, it appears that a huge monument in the shape of Nike's famous "Swoosh" logo will be built in Nikeplatz. Needless to say, it is all fake.

Museums and art galleries are not usually the sites of feminist political protest. Yet over the past couple of years, before the lockdown, gallery visitors all over the UK had noticed a small, determined activist whose modus operandi is “Small signs, big questions, fabulous wardrobe”.

New York performance artist Matthew Silver is at it again. In his most recent stunt he reminded people that self love can't be achieved through commodities. Chanting "You don't need stuff to love yourself" in his underwear at Columbus Circle he created a spectacle that attracted more and more people to his message.

During the 1600’s the Iroquois Indian Nations, a group of several indigenous tribes in North America, engaged in warfare with many other tribes. The men controlled when and against whom they declared a war. Tribal Iroquois women decided that they wanted to stop unregulated warfare, and thought of a way to convince the Iroquois men to give them more power in deciding issues of war and peace.