I was born in the 90s, but I’m not a Born Free; it was before South Africa became a democracy. Many believe that my generation doesn’t have anything to protest against. Given that police threw stun grenades at a student protest outside parliament last month, that is far from the truth.
"Gardens Speak is an interactive sound installation containing the oral histories of ten ordinary people who were buried in Syrian gardens. Each narrative has been carefully constructed with the friends and family members of the deceased to retell their stories as they themselves may have recounted it. They are compiled with found audio that evidences their final moments.
On Sunday morning, a puffy, Michelin Man-like figure trudged through Times Square in New York, panting from the exertion of trying to move while wearing 27 hazmat suits.
Inside the white cocoon was Zhisheng Wu, a Chinese artist who staged the street performance to criticize China’s unrelenting zero-Covid policy.
In August 2015, Weston-Super-Mare - a sleepy seaside town in Somerset, England - suddenly became the top destination for the metropolitan elite, welcoming celebrity guests like Brad Pitt, Jack Black and Mark Ronson. Overnight this quaint town, just 18 miles from Bristol, was transformed by anonymous street artist Banksy when he opened his very own dystopian Disneyland style theme park called ‘Dismaland’.
Alley Cat Books, located in the heart of San Francisco's Mission District, is ordinarily a quiet space for book lovers to peruse multicolored shelves for their next literary adventure. But on Sunday, the small bookstore buzzed with energy as a group of leggings-clad Bay Area residents protested Donald Trump's presidency in the form of a sweaty cardio workout.
Officials in Thailand had an unorthodox approach to deal with visitors who left a tent filled with litter in a national park: mail the trash to the offenders.
The collective Ndaku Ya La Vie Est Belle, a group of Kinshasa street performers turn their bodies into living sculptures, and use them to political ends. Among the artists is Jared, who regularly takes to the streets dressed as Robot Annonce. The costume, made from broken radio parts, is designed to raise awareness of fake news. “People receive so much incorrect information and many inaccuracies are spread. I want to fight this,” says Jared.
At the end of June of this year, as France sweated through record high temperatures, a group of men took a moment to escape the heatwave and compete in the inaugural Mr Triton France competition.
Organised by Merman Ludo, the event – which organisers believe might be the first of its kind in the world – saw ten competitors from all over the country face off in a battle to be the best merman France has ever seen.
Michael Landy made an inventory of every single thing he owned: every item of furniture, every book, every work of art, every article of clothing and one Saab car. Cataloguing all his possessions took a year to complete and the final list comprised 7,227 items.
UndocuNation, a performance and visual art conglomeration, took place this past Friday at International House. The Center for Race and Gender at Berkeley, CultureStr/ke, and the Theater and Dance Performance Studies department here at UC Berkeley helped put on the show specifically for Berkeley students. The show’s main focus was on the complex issues of undocumented immigration, and what that can mean for students especially.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
“I performed at Tiananmen Square in 1989, 15 days before the crackdown. I sang A Piece of Red Cloth (一块红布), a tune about alienation. I covered my eyes with a red cloth to symbolize my feelings. The students were heroes. They needed me, and I needed them. After Tiananmen, however, authorities banned concerts. We performed instead at “parties,” unofficial shows in hotels and restaurants”.
For FX Harsono, art is activism. Over the past four decades, performance, sculpture, and painting have become his means of nonviolent protest against government autocracy and ethnic strife in Indonesia.
La Casa Negra is a moving artist squat that occupies houses destined for demolition as temporary venues for site specific performance art in Barranco (Lima, Peru). Artists use all of the available rooms (kitchen, bathrooms, stairs, backyard) to enact a series of critical art pieces, while using the space as a demonstration of artist resilience in an increasingly gentrifying neighborhood.
The protagonism of the body in the dramatization of marginalized groups is also central to Emilio García Wehbi's Proyecto Filoctetes, an urban intervention staged November 15, 2002, on the streets of Buenos Aires. The project consisted in placing twenty-five lifelike latex mannequins in central, highly trafficked locations around the city in varying positions of injury, physical distress, and abandonment.
Melissa is a down-to-earth, friendly woman in her 50s, and it seems that she has always met life with a certain amount of courage. She grew up on another continent, and after early motherhood, then divorce and a first career in business, she moved to the UK with her second husband. She then built another career working with survivors of domestic violence, before setting up a climate emergency centre in Abingdon, Oxfordshire.
Adrian Piper disguised her identity, changing her race, sex, and social class in order to experiment in public situations and gauge people’s reactions. She investigated how outwardly visible identity markers (like skin color) impacted others’ perceptions of her character. By manipulating her (apparent) identity to produce reactions, she demonstrated the power and influence of stereotypes (Piper, 1996).
A collective resistance movement dedicated to reasserting communal ownership of common spaces, Reclaim the Streets staged its first action on Camden High Street in 1995, when activists closed the road to vehicle traffic to make way for a street party. Combining the tactics of non-violent direct action with 90's UK rave culture, organizers kept the location secret until the last moment to preempt police interception.
Introduction: The Ambulatory Free States of Obsidia
The Ambulatory Free States of Obsidia is a tiny, Matriarchal, Micro-nation located at the confluence of feminism and geography.
Grand Marshal Yagjian's Great Vision for The Ambulatory Free States of Obsidia came in 2015 when its land claim was 'liberated' from a former lover’s house for a greater purpose.
Zhuang Huan invited more than 40 men - laborers, fishermen, construction workers––who had recently migrated to Beijing from other areas of China to participate. Zhang Huan said, “In order to find these workers, I visited many of the shacks where they live.”
https://www.netflix.com/title/80220000
http://www.indiewire.com/2018/02/the-push-netflix-review-ending-derren-b...
Article from IndieWire
by
Steve Greene
Contra-Tiempo’s first Miami dance performance will bring Ana Maria Alvarez back to her roots. Her father’s family settled in Miami after leaving Cuba in the early ’60s. Most of them, including his four siblings and their spouses and children, still live here, and Alvarez expects much of the clan to attend her show.
Buenos Aires in Argentina is the only city in the world where streets named Palestine and Israel intersect on the city grid. Taking advantage of this situation, The Errorist Movement decided to protest against the conflict in Gaza in that location in Buenos Aires.
Vermin Supreme is an American performance artist, anarchist and activist who is known for running as an alternative candidate in various local, state, and national elections in the United States since 1988. Supreme is known for wearing a boot shaped hat and carrying a large toothbrush. Vermin Supreme's four-plank platform is simple, yet elegant:
1) Mandatory tooth-brushing laws.
2) Zombie preparedness.