Projects tagged "Performance"

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UndocuNation, a performance and visual art conglomeration, took place this past Friday at International House. The Center for Race and Gender at Berkeley, CultureStr/ke, and the Theater and Dance Performance Studies department here at UC Berkeley helped put on the show specifically for Berkeley students. The show’s main focus was on the complex issues of undocumented immigration, and what that can mean for students especially.

During the 1600’s the Iroquois Indian Nations, a group of several indigenous tribes in North America, engaged in warfare with many other tribes. The men controlled when and against whom they declared a war. Tribal Iroquois women decided that they wanted to stop unregulated warfare, and thought of a way to convince the Iroquois men to give them more power in deciding issues of war and peace.

T.I.E. is a residential, 24-hour, intensive experience during which participants will be: introduced to aesthetics of Immersive Theatre, guided through a practical exploration of these strategies, and mentored in the creation of an immersive, theatrical experience about a social justice issue -- a piece that can be shared at the end of the workshop with an invited audience of their choice

ONGOING ORGANIZATION: CALLED: Iranti [pronounced írantì] is the Yoruba word for ‘memory’. Largely found in South West Nigeria and parts of Benin Republic, the Yoruba people consider memory a prized form of intelligence which determines how often one remembers what they see and hear.

The statistics in regards to older men marrying young girls is mind boggling and disgusting. Every day 33,000 girls are married to older men, denied their rights to education and opportunity and robbed of their childhood. Many countries around the world find this practice normal, thankfully we do not find it normal here in the United States. More than 91 countries allow girls as young as six-years-old to be married. This is a problem.

Megumi Igarashi—who goes by the name Rokudenashiko, or "good-for-nothing" in Japanese—is known as a "vagina artist" in her native Japan. Among the pieces she's created are a vagina chandelier, a remote-controlled vagina car, and a 3-D-printed kayak modeled after her vulva, which she actually rowed in 2014 "as a metaphorical image of life springing from it," she told Glamour through a translator.

A site-specific art intervention intended as a call to action in response to Brazil's water crisis. Strategically planned to coincide with UN World Water Day, Gota D'Agua gathered onlookers around an abandoned Olympic size swimming pool at the foot of Edificio Raposo Lopes, a towering luxury condominium building situated on a steep incline overlooking Rio de Janeiro.

"I collected 83 images of disappeared women from Chinese social media. I printed them out, cut them, organized them, and made them into a tarot deck called "Missing Persons Notice.'"

As the audience enter, Olivier de Sagazan is pacing the stage, deep in thought. A slight, barefooted figure dressed in suit and tie, he circles in and out the shadows, head bowed, sometimes muttering to himself. As the audience settle and hush, his footsteps gradually become more audible (the floor is mic-ed) and begin to pound like a calling drum.

There were still bloodstains outside the Midwood Mobil gas station on Friday night; a fresh sign taped to a lamppost read “A Hate Crime Happened Here.” This is the place where, less than a week prior, 28-year-old O’Shae Sibley, a gay Black dancer and choreographer, made a pit stop with friends after a Jersey beach day.

The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.