Projects tagged "Performance"

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On March 21, just days after eight people, including six women of Asian descent, were killed in the Atlanta-area shootings, thousands gathered at Columbus Park in Manhattan for a rally against anti-Asian violence. Activists took turns addressing the surge in hate crimes and hate incidents toward the Asian American and Pacific Islander (AAPI) community, when an 8-year-old stepped onto the stage. “Stop the hatred!” Chance yelled into the mic.

In May of 1977, artist Suzanne Lacy mapped every reported rape in LA for a period of three weeks. This project, aptly named "Three Weeks in May", was part of an extended performance which Lacy utilized as a means to expose LA's problem of violence against women. As a centerpiece for this project, Lacy used a large map where she recorded every reported rape in the area with the word RAPE.

Beginning in the early 1970s, the Los Angeles-based multi-media arts collective Asco (from the Spanish word for nausea) created performances, street theater and conceptual art that satirized the emerging styles of Chicano art and pushed the boundaries of what it might encompass.

Since the 1980s, revitalizing the economy has always been the country's development strategy. Although China's economy has grown rapidly in just twenty years, attracting worldwide attention, environmental destruction has also become a problem. For example, the Fu Nan River in Chengdu, like many rivers nationwide, is severely polluted.

In 1984, a group of women in New York gathered outside the Museum of Modern Art as part of a protest. A group show, An International Survey of Recent Painting and Sculpture, was showing 165 artists, 152 male artists exhibited alongside just 13 women. Outraged, they attended the protest, bringing placards and chanting outside the museum. But a handful of women within the larger crowd learned something.

Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.

Oh, to be a crow. Maligned as scavengers that torment their dead brethren. Portrayed as aerial killers in the 1963 Alfred Hitchcock classic, “The Birds.” In France, though, the wily crow is getting a makeover. Puy du Fou, a historical theme park in the Loire region about four hours from Paris, has trained six crows to pick up cigarette butts and bits of trash and dump them in a box. Mon Dieu! Are the pigeons of Paris next?

A troupe of approximately thirty women and men of various ages, sizes, ethnicities and performance backgrounds marched through the performance art space of SESC-Vila Mariana in Sao Paulo and then through the streets of downtown Sao Paulo, silent, blind folded, dressed in business attire, and covered completely with a gray mud. The performances walked slowly in unison at turtle's pace.

Ten couples covered in body paint wearing only their underwear have celebrated their “naked weddings” at Hangzhou Paradise amusement park in Zhejiang province. The couples, some of whom have been married for many years, said they were rejecting modern Chinese values, which place greater value on money than love. In China, a naked wedding involves a couple marrying without owning a house or car.

From Public Delivery: Kacey Wong has a knack for creating art that investigates the space between people and their surrounding environment. Paddling Home, which was performed on the Hong Kong Victoria Harbor, was a star feature in the Hong Kong contemporary art scene.

WEST PALM BEACH, Fla. — Supporters of the LGBTQ+ and arts communities in West Palm Beach are protesting the closure of two popular spots for creatives in the city.

Six months before Hurricane Maria wreaked havoc in the Caribbean, a group of Puerto Rican artists were invited to participate in a residency program in Miami by local art organizations. The artists were offered abandoned storefronts-turned-studios at a historic downtown mall, where they’d exhibit their work during Miami Art Week in December to engage an art world that often overlooks the island territory.