Made by Danish filmmakers Lotte Løvholm, Karen Andersen & Nanna Nielsen, Lagos in the Red follows Nigerian performance artist Jelili Atiku. Atiku uses his body as a prop as a means of sensitizing people to the problems that Nigeria - both as a people and a country - face.
Eva Koťátková is one of the most outstanding contemporary artists of the Czech Republic, working in the interdisciplinary art genre, emphasizing themes of the human body, society, and psychology. Her art often occupied the space of the thorny, tangled, and complicated human environment and did not remain indifferent.
"I was the mystery of an anatomy, a question asked but not answered," says poet Lee Mokobe, a TED Fellow, in this gripping and poetic exploration of identity and transition. It's a thoughtful reflection on bodies, and the meanings poured into them.
This talk was presented at an official TED conference, and was featured by our editors on the home page.
Norwegians raised their voices in unison on Thursday to get under the skin of admitted mass killer Anders Behring Breivik. An estimated 40,000 people turned out in central Oslo's Youngstorget square to sing "Children of the Rainbow," a Norwegian version of "My Rainbow Race," written by American folk singer Pete Seeger.
Massimiliano Martigli Jiang was born in Wenzhou, China but moved with his parents to Italy when he was still a child. The 29 year-old grew up in Italy and considers himself as much Italian as Chinese.
It all started when a 70-year-old fish market stall owner nicknamed “Booghy” was grooving in public, in violation of Iranian law.
A new form of protest against the government is rocking Iran: a viral dance craze set to an upbeat folk song where crowds clap and chant the rhythmic chorus, ‘oh, oh, oh, oh.’
In March 2013 we started a grassroots boycott movement against Coca-Cola for exploiting legal loopholes to kill off container deposit recycling in the Northern Territory. We simply used the same successful strategy as the ANZ Out of Order action, putting out of order signs on Coca Cola vending machines and posting the photos on social media.
On Tuesday morning, when Google CEO Sundar Pichai testified before the House Judiciary Committee about his company’s data collection practices, there was a familiar mustachioed face in the crowd. To most people, this person — also wearing a monocle and toting a bag of cash — is none other than the famous board game character most commonly known as Monopoly Man.
The project associating the contemporary movement of the people with the Gilgamesh journey focuses on the contemporary global crisis of the political systems and humanistic values, with the goal to contribute to the prevention of radicalization of our respective societies mobilized around recent conflicts, enhancement of the wellbeing of immigrants, through opening a space for creative expression and questioning the role of culture in contemporary polit
In 2012, the 24-year-old feminist activist Xiao Meili launched the "Beautiful Women's Rights Walk" anti-sexual assault activity. She set off from Beijing in mid-September and passed through Zhengzhou, Wuhan, Changsha and other cities along the way to reach the destination Guangzhou. She took 114 days and reaches more than 2500 kilometers in this tour.
Officials in Thailand had an unorthodox approach to deal with visitors who left a tent filled with litter in a national park: mail the trash to the offenders.
The work of a radical theater and puppetry collective, known as Papel Machete, produces and performs throughout Puerto Rico and the United States. Papel Machete was established on May 1, 2006 during protests responding to the government shutdown and political and economic crisis prompted by Puerto Rico’s status as a United States colony.
"Rainer’s early choreography celebrated, among other things, ordinary movements: the expressive capacities of kneeling, of shaking your head, of rolling on the floor. And when she went through periods of sickness, those movements became an even more important part of her repertoire. In her 1966 Hand Movie, an 8mm film she shot on her sickbed, we see a dance she choreographed for just her hand, while her body rests.
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
The work of South African artist Mary Sibande tells the tale of her alter-ego Sophie, a domestic worker who finds refuge in dreams where she emancipates herself from the ghoulish realism of an ordinary existence, cleaning other people's homes.
Exploring the construction of identity within post-apartheid South Africa, Sibande's work probes the stereotypical contextualisation of the black female body.
Circus Amok is a New York City based circus-theater company whose mission is to provide free public art addressing contemporary issues of social justice to the people of New York City.
A set of strategies to highlight the high cost of medicine and lack of transparency in the pharmaceutical industry including a funny and disturbing satirical website, video, and press conference to promote their fake organization, the Association of Honest Pharmaceutical Representatives.
In September 2003 the news went out nationwide: Karlsplatz, one of Vienna's main squares, is soon to be renamed Nikeplatz. Apart from the new name, it appears that a huge monument in the shape of Nike's famous "Swoosh" logo will be built in Nikeplatz. Needless to say, it is all fake.
This print is one of several works documenting a performance Schneemann made at Women Here and Now, an exhibition of paintings accompanied by a series of performances, in East Hampton, New York in August 1975. In front of an audience comprising mainly women artists, Schneemann approached a long table under two dimmed spotlights dressed and carrying two sheets. She undressed, wrapped herself in a sheet and climbed on the table.
The crisis is here, let the party begin! April 30, 2009. At first the crisis was just a state of being, a kind of social sadness that paralyzed everything. To break this atmosphere we couldn’t think of anything better than to throw a party. The first thing you need for a party is a good location, so we set out to find a place where social sadness and fear were extremely present. It didn’t take us long to find one: an unemployment office.
On Thursday, two climate protesters dressed in suits smeared paint on the case and pedestal of Edgar Degas’s sculpture Little Dancer Aged Fourteen sculpture at the National Gallery of Art in Washington, D.C.
A troupe of approximately thirty women and men of various ages, sizes, ethnicities and performance backgrounds marched through the performance art space of SESC-Vila Mariana in Sao Paulo and then through the streets of downtown Sao Paulo, silent, blind folded, dressed in business attire, and covered completely with a gray mud. The performances walked slowly in unison at turtle's pace.
The Prometheus Project is a partnership between the American Repertory Theater and Amnesty International to bring the theater arts to the service of human rights advocacy.