The global response to COVID-19 has made clear that the fear of contracting disease has an ugly cousin: xenophobia. As the coronavirus has spread from China to other countries, anti-Asian discrimination has followed closely behind, manifesting in plummeting sales at Chinese restaurants, near-deserted Chinatown districts and racist bullying against people perceived to be Chinese.
On November twelfth, 2008, over 80,000 copies of a replica of the New York Times were distributed in several cities around the United States. The paper included 14 pages of “best case scenario” news set nine months in the future.
See the The New York Times Special Edition website.
On Friday night, as U.S. television screens burned with images of peaceful protests turning violent, Nike released a new socially conscious ad calling on Americans to do something quite different than the brand’s usual call to “Just Do It.” Instead, one of the nation’s leading athletic apparel companies called on individuals to not turn their back on the painful issue of racism in the United States.
The Arte Útil archive presents a growing archive of over two hundred case studies that imagine, create and implement beneficial outcomes by producing tactics that change how we act in society.
The new wave of hip-hop has arisen a woke generation. From it, Xiuhtezcatl — seventeen-year-old Indigenous rapper and activist — has emerged, stirring the comatose with his music.
From performing at the Standing Rock encampment with Immortal Technique and Nahko to leading the Youth v. Gov. lawsuit against the Federal Government, Xiuhtezcatl’s actions show his music is more than words.
The Center for a Stateless Society (C4SS) is an anarchist think-tank and media center. Its mission is to explain and defend the idea of vibrant social cooperation without aggression, oppression, or centralized authority.
In August 2015, Weston-Super-Mare - a sleepy seaside town in Somerset, England - suddenly became the top destination for the metropolitan elite, welcoming celebrity guests like Brad Pitt, Jack Black and Mark Ronson. Overnight this quaint town, just 18 miles from Bristol, was transformed by anonymous street artist Banksy when he opened his very own dystopian Disneyland style theme park called ‘Dismaland’.
The purpose of this project was the permeate stock images with more depictions of Black people. Stock images are usually easily found and utilized, showcasing people doing everyday activities or scenes. To boost representation of Black people in this particular image field, were left out, so the artist chose to recreate popular stock images with Black models to showcase representation and shed light on the lack of diversity in these photos.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.
El Anatsui, a visionary originally from Ghana, blends discarded materials into breathtaking sculptures that, in themselves, advocate for change and prompt us to reimagine our relationship with the environment.
Activists poured porridge and jam on a marble bust of Queen Victoria and sprayed fire extinguishers filled with soup onto a large bronze statue of the monarch during two recent protests in Glasgow, Scotland.
The group, called This Is Rigged, claimed responsibility for the two protests, which took place inside the Kelvingrove Art Gallery and Museum at noon on March 3 and at George Square at 10:45 am local time on March 4.
The Tel Aviv Museum of Art is joining the countrywide judicial overhaul protests planned for Thursday, March 23, and will darken the halls and galleries of the museum, closing exhibits to the public and canceling planned tours and lectures.
The only exhibit that will be open to the public, for free, is the exhibit of Israeli art from the museum’s collection, “Material Imagination: Center of Gravity,” which has been open for a year.
This protest installation was first used in 2016 at Standing Rock when the community banded together to protect the Missouri River from a Dakota Access Pipeline.
In an endeavor to raise awareness at the local and international level, Razia organized the Mifohaza Masoala (Wake Up Masoala) music and environmental festival, which took place at the edge of the Masoala Rainforest in October 2011. The concert featured some of Madagascar’s most thrilling performers, and the festival was a tremendous success, with over 10,000 people in attendance.
The questions that London-based collective One Of My Kind (aka OOMK) explore are those of identity and belonging—issues that are experienced by everyone regardless of whether they grew up defining themselves based on the music they listen to, the hobbies they enjoy, or the religion they practice.
When award-winning architect David Rockwell started spending time in playgrounds with his young children, he was disturbed by the lack of imagination and variation in the way kids interact with standardized playground equipment. He spent five years developing the Imagination Playground, seeking private-public partnerships to see it realized.
In state capitals and street protests, women’s rights activists have been wearing red robes and white bonnets based on “The Handmaid's Tale,” the 1985 novel that is now a series on Hulu.
Silent, heads bowed, the activists in crimson robes and white bonnets have been appearing at demonstrations against gender discrimination and the infringement of reproductive and civil rights.
Local artist fnnch wants San Francisco to decriminalize certain types of art.
You’re not seeing things: A whopping 450 “honey bears”—variations on the immediately recognizable and widely imitated bear-shaped honey bottles sold in seemingly every store in America--appeared all over SoMa late Sunday night, from the Embarcadero to Fifth Street.
Without having been commissioned—or even given legal permission at all—Haring set out to create Crack Is Wack on the wall of an abandoned handball court in a park at 2nd Avenue and East 128th Street on June 27, 1986. Upon the completion of the mural, Haring was arrested by the New York City Police Department for vandalism of city property and faced potential jail time in addition to heavy fines.
Creative Time, a public art fund, invited artists to make online comics that addressed contemporary issues. Every month for two years a new artist presented their comic strip online. At the end, there were a total of 24 comic works that were archived online and also released as a publication in 2010.