Forensic Architecture's Cloud Studies is a project that investigates the impact of toxic clouds on colonised and oppressed communities. The clouds, originating from sources like tear gas, industrial emissions, chemical weapons, and forest fires, often go unaddressed due to doubt and denialism.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
On April 7, 1973, some 400 cyclists chanting “Bikes don’t pollute” rode through midtown Manhattan in a “Bike-In” that called for separate lanes to encourage bicycling and provide safety on city streets.
The ZAD (zone à défendre, or “zone to defend”) in Western France is 4000 acres of wetland, farmland and forest that was originally intended to be built into an airport in 1965 but is now an autonomous territory occupied by 40 different collectives looking to reclaim the land. There are around 200 people living permanently on the zone, in addition to some 2,000 people coming and going.
Whether your family’s traditional dress is a Mexican huipil, an Indian saree, or a Scottish kilt, where do you usually wear these clothes?
In Ukraine, the traditional attire is a vyshyvanka. Typically made of cotton or linen, these shirts feature embroidered patterns along the front, collar and sleeves.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
“Thank you!”
That’s how comedian Michelle Wolf answered Sean Spicer’s declaration that her headlining stand-up set at the the White House Correspondents’ Association dinner was “a disgrace.” Her response is instructive: To Wolf, an insult from Spicer is an accolade – and accolades, surely, would be an insult. She’s right.
In Drumpf Files #3, Presidential-elect cousin Davey Drumpf tackles fracking, the EPA, and immigrants. They all get away. Maybe he's too busy rewriting John Lennon and rooting for Bernie for President of Denmark? Check it out, then kick its starter! https://youtu.be/LW2zLzgnf9o
In the 1970s, Jaime Lerner, the former mayor of Curitiba, Brazil, transformed six blocks of the main downtown shopping street into a pedestrian zone in 1972, despite fierce objections from the merchants. He quickly accomplished this change in just three days by installing paving, lighting, planters, and furniture. The once-resistant merchants were impressed by the increase in their business and soon demanded an expansion of the traffic-free district.
You’ll find Johanna Toruno on the streets of NYC plastering pictures of her flower-filtered poetry, Kendrick Lamar, and Selena on blank walls, street lights and buildings. When I came across The Unapologetically Brown Series on Instagram I was intrigued not only by the name but by the concept of being unapologetic and brown as the premise for a body of street art.
Do we need to crowdsource a new Australian Constitution? Does anything matter more than the environment? Should Australia become a republic with an Australian head of state? Should whistleblowers be protected? Is representative democracy antiquated? Controversial artist Carl Scrase is asking these questions in a new project that mixes street art posters with political activism and aims to go viral through social media.
What is Art for Social Change?
There are many ways of defining art for social change. In each of these cases, art for social change strives toward effective engagement with social issues that integrate and celebrate imaginative thinking, helping people to find new ways to see and be engaged in the world. In the context of the ASC Project, three types of art for social change are considered:
A new exhibition at The Shed in New York is a colour-soaked, eye-opening look into Yanomami life – an Indigenous culture in the heart of the Amazon rainforest
FEBRUARY 13, 2023
TEXT: Violet Conroy
During the 2020 and 2021 social protests in Chile, Colombia, and Peru, Latin American fans of K-pop, Korean popular music and culture that mixes rhythms, styles, dance routines and has a defined aesthetic, went from using social networks to support their favorite artists to using them to sabotage the hashtags of conservative influencers that discredited the mobilizations.
Working in a grocery store has earned me and my co-workers a temporary status. After years of being overlooked, we suddenly feel a sense of responsibility, solidarity, and pride. On a private Facebook group page for my company, Trader Joe’s, one employee from Washington State posted a picture of a company-issued work shirt hanging from the ceiling of the store. A sign attached to the shirt read not all heroes wear scrubs.
In August 2015, Weston-Super-Mare - a sleepy seaside town in Somerset, England - suddenly became the top destination for the metropolitan elite, welcoming celebrity guests like Brad Pitt, Jack Black and Mark Ronson. Overnight this quaint town, just 18 miles from Bristol, was transformed by anonymous street artist Banksy when he opened his very own dystopian Disneyland style theme park called ‘Dismaland’.
Last August, as protesters marched in Ferguson, Missouri, after the death of Michael Brown, the 18-year-old unarmed teen shot by a police officer, another group of activists began thinking about how to incorporate the creative community into the movement. The result is Manifest:Justice, a free pop-up art show taking place in Los Angeles.
Nanfu Wang feels safe in New York. Surveillance, that essential preoccupation of the documentarian in America, is a chokehold from which she has been temporarily released. From her Brooklyn apartment, the Chinese filmmaker prepares for the release of her debut feature documentary, Hooligan Sparrow.
Fashion designers from L.A. to Milan are picking up their shears in solidarity to do their part to prevent the spread of COVID-19 to at-risk patients and primary care providers.
Ai Weiwei is a Chinese artist and activist. He has been vocal and openly critical of the Chinese government’s stance on democracy and human rights. His work has captured global attention and served to bring attention to social injustices, human rights violations and systemic violence. Ai never shies away from saying what he truly feels and he encourages people to state exactly what they want.
The Joseph A. Labadie Collection contains posters which have been acquired over the past 100 years. This database consists of images of those posters covering social protest movements such as Anarchism, Civil Liberties, Colonialism, Communism, Ecology, Labor, Pacifism, Sexual Freedom, Socialism, Women, and Youth/Student Protest. Some are from the first half of the 20th century, but the majority are from the 1960s and later. Many are undated.
Palestinian and Israeli flags flutter in pro-Irish and pro-UK neighbourhoods in Northern Ireland, tapping into its own history of conflict and division that still affects everyday life despite a 1998 peace deal that largely ended violence.