https://www.netflix.com/title/80220000
http://www.indiewire.com/2018/02/the-push-netflix-review-ending-derren-b...
Article from IndieWire
by
Steve Greene
The Democracy Machine! is a performative sculpture that gives participants the opportunity to experience the thrill of democracy in action, in a competitive game that challenges people to work together toward understanding a better society. Using the spectacle and play of performance drawn from Las Vegas Casinos, gambling machines and game shows, The Democracy Machine!
Both shows are supported by funds from New York State Council on the Arts, New York City Department of Cultural Affairs in partnership with the City Council, and Materials for the Arts (MFTA).
"Printing Lost Culture of Ukraine" November 13 – December 15, 2023
Monday – Friday, 10 am – 7 pm, free admission
Ukraine House New York, 360 Merrick Road, 3rd Floor, Lynbrook, NY 11563
Stickers imitating the Land O Lakes Butter packaging are being placed in grocery stores over the original packaging. The packaging has been altered to say "Land O Rape - Culture" by street artist Recycled Propaganda.
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine*
For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level.
In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
Since the beginning of Bulgaria's transition to democracy, the monument’s meaning and future has been the subject of heated debates. Opponents to the monument aren’t happy about the presence of such a dominating foreign army monument in the country that is situated higher and more central than national symbols. In recent years, the monument has turned into a canvas for anonymous political statements on multiple occasions.
Student loan debt in the US today totals over 1.7 trillion dollars and is collectively borne by more than 44 million Americans, including artist kelli rae adams. With her installation Forever in Your Debt, adams converts this abstract burden into a tangible volume. She has crafted hundreds of wheel-thrown vessels, sized to collectively hold the average individual student debt —$37,000—in the form of coins.
The Strangers Project is a celebration of the stories we’re surrounded with every day—both from the strangers we share our space with every day, and our own stories we carry. It’s about a connection with ourselves, with people around us, and with something greater than ourselves.
A new series of video commentaries with Davey Drumpf, The Donald's long-lost third cousin, twice removed. His views are several degrees to the Left of the Don's. First installment: Co-housing vs. Weaponized Xenophobia.
Artist Nathaniel Ruleaux leads a community project called “To See If I Could Go Home: A True History Paste-Up” at the Union for Contemporary Art in Omaha on Thursday. His son, Luca, 3, walks away after handing Ruleaux a print to use to demonstrate the project. A member of the Oglala Lakota Nation, Ruleaux often uses his art to bring attention and activism to Native stories.
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
UNLESS by Stephanie Cardon is a vibrant floor-to-ceiling installation that fills the main entryway of Boston’s landmark Prudential Center. Commissioned by Boston Properties and curated and produced by Now + There, UNLESS explores sustainability, climate justice, and how taking action together can create positive change.
About: Hundreds of people came out to attend a decolonization tour of one of New York’s most popular museums.
Written by Elena Goukassian on October 10, 2017
Users on the social media app TikTok are claiming some credit for the disappointing turnout at the president's rally in Tulsa, Oklahoma, over the weekend, after a weeks-long campaign to artificially inflate the number of people registered to attend. The prank may have helped lead the Trump campaign to boast about more than a million people seeking tickets for the rally — while only about 6,200 ended up filling seats.
LONG BEFORE WOMEN finally — though incompletely — won the right to vote in the United States in 1920, they were finding ways to influence politics. In late 18th-century New England, colonial women would make muster cakes — spiced, doorstop-heavy confections flecked with candied fruit and soaked in alcohol — for soldiers being gathered (or “mustered”) to fight in the Revolutionary War.
“Thank you!”
That’s how comedian Michelle Wolf answered Sean Spicer’s declaration that her headlining stand-up set at the the White House Correspondents’ Association dinner was “a disgrace.” Her response is instructive: To Wolf, an insult from Spicer is an accolade – and accolades, surely, would be an insult. She’s right.
The Haitian Creole word "konbit" denotes the idea of similar talents joining together to work towards a common goal. The founders — a group of photographers, educators, and artists — came up with the idea for Fotokonbit a few years ago to "empower Haitians to tell their own stories and document their community", but it was the 2010 earthquake that gave the group new urgency.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.