In 2015, Walter Scott fled for his life, stalked by a policeman who then cold bloodedly shot him in the back. We all saw the video and in response to this murder I made the artwork, “A Man Was Lynched by Police Yesterday.” This simple banner, printed with the eponymous words, is an update of an iconic flag that the NAACP flew from their national headquarters window in New York in the nineteen-twenties and thirties the day after someone was lynched.
Founded 19 years ago, the Beijing Queer Film Festival (aka Love Queer Cinema Week) is one of the grassroots film festivals in China focusing on independent queer film screenings and cultural exchange activities. We aim to expand public discussions on sexuality / gender identity / gender expression, we aim to give a platform to sexual and other minorities in China and the World, and we celebrate diversity.
In 1900, Montgomery, Alabama had passed a city ordinance to segregate bus passengers by race, and conductors were empowered to assign seats to achieve that goal. The first four rows of seats on each Montgomery bus were reserved for whites, and buses had "colored" sections for black people generally in the rear of the bus, although blacks composed more than 75% of the ridership.
“My image was inspired by the #MeToo Revolution, my personal experiences with the male gaze and a healthy amount of frustration and repulsion. What I hope to convey in this image is the sense of verbal, physical and energetic male ownership that is placed on women in society.”
— Beata Kruszynski is a freelance illustrator and art teacher in Ontario, Canada.
publicly displayed posters feature the portraits of women, along with a quote relaying their experiences with street harassment. Fazlalizadeh hopes the captions speak directly to offenders by placing the posters outside in public spaces where harassment happens.
El Rey de la Ruina (The King of the Ruin) has become an act of powerful recognizable symbolism throughout Madrid. In terms of his popular heart symbolism, the artist chose the organ, a heart, as one of his favorite symbols because he was diagnosed when he was little with cardiomegaly, an abnormal increase in the volume of the heart, which is what inspired this organ as his prize art symbol.
A woman dressed in western clothes and a hijab is a common sight across Europe’s capital cities – a fact now reflected on the catwalk at Milan fashion week.
Halima Aden, a Somali-American model, is fast becoming fashion’s face of 2017, currently stealing the show at fashion week from the catwalk superstar Gigi Hadid.
Several nights of Halloween celebration in Shanghai provided a vivid, if indirect, commentary this week on the malaise gripping the world’s second-largest economy.
For Women’s History Month 2024, Hysterical Collective presented: Hysterical: Radical Creativity – the third instalment of the annual charity art exhibition and cultural programme taking place in March each year. Co-founded and curated by Eliza Hatch of Cheer Up Luv and Bee Illustrates, Hysterical is a queer and feminist-led exhibition and event showcase; centred around community, collaboration, and activism.
A major exhibition by Ai Weiwei this autumn features a new series of monumental sculptural works in iron, cast from giant tree roots sourced in Brazil during research and production for last year’s survey exhibition, ‘Raiz’, at the Oscar Niemeyer-designed OCA Pavilion in Ibirapuera Park, São Paulo.
In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
Indigenous designers often use fashion to celebrate their culture and raise awareness around key issues affecting their community. Now, the spirit has come to the modeling world. Haatepah Clearbear is a full-time model, based in Los Angeles, who is using his platform to uplift his people. The 22-year-old’s personal Instagram page serves as a hub for his activism work, where he highlights everything from climate change to indigenous rights.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
Vem Pra Rua is a nonpartisan, democratic, and pluralist movement that emerged in response to society’s fight for a better Brazil. Brazilians of all regions, social classes, and ages began mobilizing at the end of 2014—building on the 2013 marches that protested corruption, inequality, and other socio-economic and political problems.
We are sitting at a dhaba – a roadside tea-shop in Pakistan often frequented by lower-to-middle income men. At our table: four women and camera crew. The reporter from ‘one of the most globally viewed’ [read: western], mainstream British outlets looks me in the eye: “So, how safe do you feel at the moment? We were just surrounded by a group of little boys [because of the cameras], do you think the situation can ever turn on you?"
Through the use of mythical and archetypal iconography, Bourgeois translated her encounters into a very individualized symbolic imagery, employing things such as swirls, arachnids, cages, surgical equipment, and sewed appendages to represent the feminine mind, beauty, and mental agony.
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
During the public vacation of May Day, also called International Workers’ Day, “For People, Food is the First Necessity: Qiu Zhijie’s Writing in a Market” was launched at the crowded Sanyuanli market in Beijing.
MEXICO CITY — Tens of thousands of women vanished from streets, offices and classrooms across Mexico on Monday, part of a nationwide strike to protest the violence they suffer and to demand government action against it.
The women’s absence from public spaces was intended to be a reminder that every day, 10 women in Mexico are killed — and so disappear forever, organizers said.
The Hungarian artist, undercover as an oligarch, infiltrated Manhattan’s ultra-luxury high-rises with her fake husband, Zoltan, for a book of intentionally unartful photos.
Inspired by the Laughing Farmers of Karnataka, protesters in New York make Carlos Slim's visit to New York uncomfortable while he appears on a "Live From NYPL" program. This excellent video summarizes the action.
BEIJING — Like many art students, Zou Yaqi often worried she’d be unable to afford to live in Beijing after graduation. So, earlier this year, she decided to set herself a daunting challenge: Survive in the city for three weeks without spending a single yuan.
It turned out to be a piece of cake.
Cassils has used clay, fire, photography, urine and the musculature of their own body as mediums to provoke, challenge and excite whoever experiences their singular creations.
Mis(s)placed Women? (2009-2022), is a collaborative art project, consisting of performances, performance series, performance art workshops and delegated performances, including contributions by over 180 individuals from six continents. Many of them are artists, mainly identifying themselves as women from diverse backgrounds. Mis(s)placed Women?
Tina Piña, better known as Mother Pigeon (@motherpigeonbrooklyn), is an artist and self-described “high priestess of the pigeon religion,” whose passion for New York City’s often-overlooked bird has helped her carve out a unique creative niche centered around pigeons—as well as a lifestyle geared towards helping New Yorkers appreciate the misunderstood creatures.