At first, you don’t know what you’re looking at. A gray expanse of uneven geometry surrounded by undulating brown. Shift your perspective a bit and it might be a close-up of a distressed textile, with subtle hues and textures surfacing as your eyes adjust.
And then the horizon comes into focus. Now you know where you are. In the distance are the classic jutting buttes of Monument Valley, familiar to anyone who’s ever seen a John Ford Western.
Released as a single on 23 December 1966, Buffalo Springfield’s For What It’s Worth became the short-lived but talent-packed band’s biggest hit, reaching No.7 on the Billboard Hot 100 chart in the spring of 1967.
A woman dressed in western clothes and a hijab is a common sight across Europe’s capital cities – a fact now reflected on the catwalk at Milan fashion week.
Halima Aden, a Somali-American model, is fast becoming fashion’s face of 2017, currently stealing the show at fashion week from the catwalk superstar Gigi Hadid.
Indigenous designers often use fashion to celebrate their culture and raise awareness around key issues affecting their community. Now, the spirit has come to the modeling world. Haatepah Clearbear is a full-time model, based in Los Angeles, who is using his platform to uplift his people. The 22-year-old’s personal Instagram page serves as a hub for his activism work, where he highlights everything from climate change to indigenous rights.
The Folded Map Project is a project by Tonika Lewis Johnson, a photographer and community activist from Chicago. The project aims to investigate and change the racial and economic segregation that affects the city and its residents.
A black Michigan lawmaker was escorted to the state Capitol by armed guards Wednesday, after protestors carrying long guns descended on the building last week to rally against the state’s extension of stay-at-home orders meant to stop the spread of the coronavirus.
Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.
The Mirror Casket project is a sculpture, performance, and visual call to action designed and orchestrated by a collaborative of St. Louis community artists in response to the shooting death of Michael Brown on August 9, 2014 in Ferguson, MO.
For Women’s History Month 2024, Hysterical Collective presented: Hysterical: Radical Creativity – the third instalment of the annual charity art exhibition and cultural programme taking place in March each year. Co-founded and curated by Eliza Hatch of Cheer Up Luv and Bee Illustrates, Hysterical is a queer and feminist-led exhibition and event showcase; centred around community, collaboration, and activism.
Shackles. Cotton. The Big House.
Americans tend to think of slavery in terms of chattel slavery. Plantation Slavery. Slavery where human beings are bought, sold, and owned. The kind outlawed in the United States by the Emancipation Proclamation in 1863.
Slavery as a relic of the 19th Century.
“Six of us lived, worked, slept in a 10-by-10 (foot) room without a bed, bathroom, or clean water,” Nasreen Sheikh remembers.
Activists gate-crashed a retirement dinner for outgoing HMRC boss Dave Hartnett in Oxford, presenting him with flowers and a fake award for allowing large companies to avoid paying tax.
Decades of institutional corruption, elitist exploitation, and social abuses have been sewn into the political fabric of Iran’s dictatorial Islamic republic and have moulded Kermanshah-born fine art painter Nicky Nodoumi’s satirical motifs.
When Rage Against the Machine arrived in Philadelphia to play their 15-minute set as part of Lollapalooza ’93, the Los Angeles band knew they had a problem. Zack de la Rocha, the band’s incendiary frontman who was as outspoken on the mic as he was loud in his cadence, had no voice. A month of playing shows on a tour to support their self-titled debut album released the previous November had taken its toll on the frontman’s vocal cords.
Indigenous people in Minneapolis supporting Black Lives Matter cite similar struggles
Jingle dress dancers held a ceremony at the intersection of 38th Street and Chicago Avenue in Minneapolis on Monday, the place where George Floyd was killed by police last week.
From October to December 2020, Chinese university students nationwide launched a viral movement to install “menstrual pad mutual aid boxes” in women’s restrooms—free, wall-mounted containers stocked with disposable pads on a take-one, replace-one basis. Nearly 250 campuses joined within weeks. Some sustained their boxes for over a year, while others saw them vanish after bureaucratic pushback, logistical hurdles, or dwindling volunteer resources.
Inspired by the Laughing Farmers of Karnataka, protesters in New York make Carlos Slim's visit to New York uncomfortable while he appears on a "Live From NYPL" program. This excellent video summarizes the action.
When Tracey Emin aired her dirty laundry in the 1999 Turner Prize exhibition at Tate Britain, she set a new standard for confessional art. She conceived of the installation, titled My Bed (1998), after a long, bedridden bender following a bad break-up. When Emin finally left her sheets, she examined the mess she’d created.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
A major exhibition by Ai Weiwei this autumn features a new series of monumental sculptural works in iron, cast from giant tree roots sourced in Brazil during research and production for last year’s survey exhibition, ‘Raiz’, at the Oscar Niemeyer-designed OCA Pavilion in Ibirapuera Park, São Paulo.
"WILD: Act I" is a film demonstrating the power of creativity in constraint. Using moving choreography performed by Elijah Lancaster and vivid imagery displayed on three walls in a mock cell, Jeremy McQueen gives voice to young Black and Brown men caught in the criminal 'justice' system.
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
Following her sensational first ablum dedicated to the Black queer community via house and dance music, act i: RENAISSANCE, Beyonce released act ii: COWBOY CARTER in late March . The album is speculated to have come from her 2017/2018 performance of "Daddy Issues" at the Country Music Awards with the Dixie Chicks where the artist felt "unwelcomed".
Empathy may be the cornerstone of any Global Justice movement, but how do we cultivate the conditions for empathy to thrive?
The wheelbarrow symbolises something universally useful, practical and pleasingly straightforward. A space to deliver things in an efficient and direct manner - no packaging and completely people powered.