Force: Upsetting Rape Culture is a group of creative activists who seek to raise awareness about rape culture and promote consensual sex. They "create art actions to generate attention and get millions of people talking," in hopes that sex can become an empowering act rather than one of violence.
The Kodaikanal Won't video by Chennai artist Sofia Ashraf, asking Unilver to 'clean up their mess' in connection with the Kodaikanal mercury dumping, has gone viral with over 783,533 views at the time of writing this, in just over two days. It has been shared on social media by prominent personalities such as Nandita Das, Varun Grover, Vishal Dadlani and was even praised by Nicki Minaj, on whose song Anaconda, the rap is based on.
The Vulvatron was created specifically for Burning Man 2014. A multi-sensory experience, the Vulvatron attempts to communicate to those whom interact with it a distinctly feminine mystery. What is woman? In a world that has politicized, exoticized, sexualized, objectified, made their stake in women, what remains? Creating a gigantic object inspired by female anatomy in a world surrounded by phallic objects is a medicine story in itself.
Activist Boniface Mwangi on confronting corruption in his homeland, and director Sam Soko on recording his campaign
Kenyan director Sam Soko’s debut documentary feature, Softie, opens with the film’s protagonist, Boniface Mwangi, sourcing 1,000 litres of pigs’ blood. “I’ve found a van for you. When do you want it? When are you getting the blood?” Mwangi asks.
Catcalls of NYC is an organization that uses Instagram and everyday intervention as a platform of raising awareness about street sexual harassment. The group receives direct messages from people who have been catcalled on the street. The group goes to the location of the harassment and writes the catcall on the sidewalk in chalk. The Instagram account CatcallsofNYC then posts on their account a picture of the chalk writing.
This performative art took place at a series called SUBLIME at the Brooklyn Museum, curated by the collective SAWCC (pronounced saucy)- South Asian Women's Creative Collective.
"is a conceptual documentary project in which I photographed every Mom and Pop-style cornershop on the island of Manhattan as quickly as possible, as I walked each block in the city ( CLICK FOR A MAP of my route). I fear these veritable microcosms of NYC will be swallowed in the presently swelling wave of corporate homogeny.
Earlier this year Chinese dissident artist Ai Weiwei recorded a gangnam style video, dancing handcuffed, sending a message to the Chinese authorities who responded by banning the video as soon as it came online. British-Indian artist Anish Kapoor
One film to change the world. Curated every month.
BURDEN OF PEACE follows Guatemala’s first female Attorney General Claudia Paz y Paz in her fight against impunity.
Throughout April 2018 a global audience came together to watch BURDEN OF PEACE, and to dig deep into the issues of women in power with our action kit, bonus features and Impact Talks podcast.
Waterpod™ was a floating, sculptural, eco-habitat designed for the rising tides. It launched in the summer of 2009, navigate down the East River, explore the waters of New York Harbor, and docked at several Manhattan piers on the Hudson River before continuing onward. The Waterpod™ demonstrated future pathways for water -based innovations.
SERIE A players are once again doing their bit to raise awareness for a campaign against violence to women.
They have teamed up with Italian organisation WeWorld Onlus, and will promote the cause at all ten Serie A matches this weekend.
Players will have red stripes on their cheeks as they play their matches.
The striking look seeks to promote WeWorldOnlus' Red Card to Violence campaign.
A coalition of more than twenty national arts funders has launched an emergency relief fund that will provide millions of dollars to artists struggling financially in the wake of the COVID-19 outbreak in the United States, which has more than 400,000 confirmed cases of the virus. The Andrew W.
Najah al-Bukai cannot forget.
As an accomplished artist in Syria before the war, Mr. Bukai had long thought his photographic memory was his greatest asset, allowing him to recreate scenes on his sketch pads and canvases days, months and even years after he witnessed them. But now, after he has survived two stretches in the Syrian government’s notorious detention centers, his sharp memories only serve to haunt him.
Time as currency is an interesting economic model related to artistic practice.
According to the creators of Time/Bank, Julieta Aranda and Anton Vidokle, the project "is a tool by which people or a group of people can create an alternative economic model where they exchange their time and skills, rather than acquire goods and services through the use of money or any other state-backed value."
"Jenna has designed an efficient, sub-irrigated system for growing
energy-packed plants (microgreens) in small, urban spaces. Her aim: to
provide healthy greens to extraordinary people with ordinary incomes.
As an urban agricultural design project, she envisions a way to
grow food in an anthropogenic landscape for all strata of citizens, but
as an art project, she hopes to facilitate conversations about
Sirens of the Lambs
By Banksy
A slaughterhouse delivery truck touring the meatpacking district and then citywide for the next two weeks.
http://www.banksyny.com/#
Video here:
http://www.youtube.com/watch?v=WDIz7mEJOeA
The term “Afrofuturism” was coined in the 1990s by the cultural critic Mark Dery, who recognized a preoccupation with the future in the work of a number of black artists. Ever since, it has remained a term that is retrospectively applied to seemingly disparate artists, from Missy Elliot to Toni Morrison. What unites the movement is a shared fascination with the black experience, particularly in America.