A series of performances orchestrated by Lila Roo, to bring awareness to the past, present and future issue of the physical and energetic violence against the First Nation of the native buffalo and peoples of the United Sates of America in the past few hundred years. Lila worked alongside activists, the buffalo and First Nation musicians and spiritual leaders to create multi-sensory blessings for the blood spilt.
Mattress Performance (Carry That Weight) (2014–2015) was a work of endurance/performance art which Emma Sulkowicz conducted as a senior thesis during the final year of a visual arts degree at Columbia University in New York City.[1]
A site specific intervention аs part of the group exhibition Sculptural, organized and partly financed by the Museum of Contemporary Art, Skopje. The text INVEST IN FUTURISM is a quotation of a gaffe uttered by the Macedonian PM on public TV stating his plans to incorporate contemporary art in their right wing populist programme and the infamous project Skopje 2014.
Daniel Arzola, a digital artist and activist originally from Maracay, Venezuela, began his series, 'No Soy Tu Chiste' ('I Am Not A Joke') in 2013 intent on combating the stereotypes and cruelty so often facing LGBT identifiers; youth in particular. The project went viral in 2014, around the same time it teamed up with the It Gets Better Project based in the United States.
Started by UK resident Laura Bates, The Everyday Sexism project is an open forum for women to record their stories of experienced sexism. The project was started as a means to show that gender inequality and sexism pervade contemporary society.
Chilean students ran for 1,800 consecutive hours around Chile's presidential palace, La Moneda, from June 13 to August 27, 2011 to protest the cost of education. The 1,800 hours stand for the 1,800,000,000 Chilean pesos, or approximately US$4 million which would cover the cost of higher education for 300,000 students. They carried Chilean flags and signs with "Free Education Now" written on them.
What happens to explicitly political art when it’s placed inside of the White Cube? Paint the Protest, a group show curated by Nancy Spector at Off Paradise self-consciously poses this question, and further aims to reveal the place and purpose of activist art in general.