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The odd spaces exiting under bridges and viaducts around the world are often left aside, urban spatial residues mostly abandoned or occupied informally by homeless people drug users etc. The former pro boxer Nilson Garrido saw the space under the Alcantara Machado viaduct (in the Mooca neighborhood of Sao Paulo) as an opportunity to create a Boxing Academy.

My skin is black,” the first woman’s story begins, “my arms are long.” And, to a slow and steady beat, “my hair is woolly, my back is strong.” Singing in a club in Holland, in 1965, Nina Simone introduced a song she had written about what she called “four Negro women” to a young, homogeneously white, and transfixed crowd.

Over the course of 3 years, from 2006 until 2009, the production team behind the film Wasteland (2010), also known as "Lixo Extraordinário" followed Brazilian, Brooklyn-based mixed-media artist, Vik Muniz, as he traveled back to Brazil to create self portraits with the catadores (tr. garbage pickers) of Jardim Gramacho, one of the largest city dumps in the Americas.

This piece draws on the agit-pop theatre tradition of a short pop-up provocative & disruptive intervention in familiar spaces. The purpose of Punch & Judy style short piece is to inform and raise awareness Ireland’s failure to meet its carbon emission targets and to emphasise the inadequacy of our government’s N.M.P. (National Mitigation Plan).

Zero Abuse Project is a 501(c)(3) organization committed to transforming institutions in order to effectively prevent, recognize, and respond to child sexual abuse.

The creative fusion of art and activism in urban spaces has propelled the British collective Led by Donkeys into the spotlight, garnering millions of views for their interventions on social media. Their critical visual occupations - whether billboard messages during the day or large-scale projections at night - raise a compelling question: which medium holds the greater persuasive power?

Bombay Underground: Publishing the Revolution

Chanel Miller is a Palo Alto–born artist and writer. She first came into the public eye as “Emily Doe,” the victim of a 2015 Stanford University sexual assault whose impact statement presented in court went viral. Miller relinquished her anonymity in 2019, when she published the acclaimed memoir, “Know My Name.” "I was, I am, I will be" is Miller’s first commissioned artwork for a museum and is on view through February 2022.

"Las Carpetas looks at the bureaucratic residue of a 40-year-long secret surveillance program that aimed to destroy the Puerto Rican Independence Movement. Through still-lives, archival appropriation, and investigation, Christopher Gregory-Rivera provides a counter-history to the way many understand this period of time and its aftermath.