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She seeks to utilize her feminist art to spread awareness on mental health issues. Sravy is a nomad in her own right, and throughout her experiences in Asia she has noticed that there are stimas surrounding women's autonomy and how they handle mental health struggles.

During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.

Moving Chains is a monumental 110-foot long kinetic sculpture that evokes the hull of a ship, built from steel and Sapele, a tree native to West Africa commonly referred to as African Mahogany. Inside of the sculpture, nine chains run overhead: rotating on a maritime sprocket system, eight of the chains represent the pace of the currents in New York Harbor, while a ninth central chain moves more quickly, mimicking the pace of a ship in transit.

SAY NO TO AI Artstation is a showcase of an artist's industry-relevant ability. AI generated imagery dilutes appreciation for the art that it mimics, and devalues the work of the artists it exploits. There are no regulations for the way that AI utilizes scraped data from the net and no recourse for artists who have uploaded their work freely for the enjoyment of others.

Thousands of Indigenous activists and environmentalists have converged in one of the Amazon’s biggest cities to voice their hopes and fears about the future of the world’s biggest rainforest. The Brazilian city of Belém will this week host a two-day conclave bringing together the presidents of eight Amazon nations including Brazil, Colombia, Peru and Venezuela.

This weekend 41 Artists took to the streets across 3 Australian cities for the nation’s largest unsanctioned art campaign #BushfireBrandalism.

Private Dinner Party: Clothing Not Allowed The Füde Dinner Experience gathers those who want to meet, eat and drink — only after leaving their clothes at the door.

“Artist Andrea Bowers creates powerful works addressing immigration, gender violence, and environmental justice. Her large-scale drawing ‘No Olvidado’ memorializes migrants who died crossing the U.S.-Mexico border, calling attention to the human cost of border policies.”

Debuting at Cleveland Triennial for Contemporary Art, July 14 – September 30 for FRONTart 2018 is ‘The American Library’ by Yinka Shonibare MBE, a celebration of the diversity of the American population. It aims to be an instigator of discovery and debate. The thousands of books in this art installation are covered in the artist’s signature Dutch wax printed cotton textile.