“I am very, very happy to announce that for the first time, Dow is accepting full responsibility for the Bhopal catastrophe. We have a $12 billion plan to finally, at long last, fully compensate the victims, including the 120,000 who may need medical care for their entire lives, and to fully and swiftly remediate the Bhopal plant site,” said the supposed Dow Chemical spokesman, Jude Finisterra, on Dec. 3, 2004, during an appearance on BBC World.
Utilizing Tumblr, Peyton Fulford crafted Abandoned Love as a participatory art project with other users on Tumblr's social network. Asking her followers "to send phrases from their diary, text messages, and anything else they personally have written in their own words", Fulford noted how an overwhelming majority of the written responses were concerned with the theme of love.
Un hombre trajeado viaja en el Metro. Utilizando frases clásicamente asociadas a la mendicidad, las invierte. En vez de anunciar precariedad económica y un estado de necesidad, afirma ser un banquero, sin cargas familiares, que no está perseguido por la justicia. Ofrece monedas a los viajeros, diciendo que si las cogen, ello le hará sentir mejor.
A troupe of approximately thirty women and men of various ages, sizes, ethnicities and performance backgrounds marched through the performance art space of SESC-Vila Mariana in Sao Paulo and then through the streets of downtown Sao Paulo, silent, blind folded, dressed in business attire, and covered completely with a gray mud. The performances walked slowly in unison at turtle's pace.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
Located within Boston’s historic (brick) core, and using the history of Boston as example, this kinetic, site-specific, public art installation is a humorous commentary on our use and trust of the internet for learning.
A year after the revolution, Egypt is still in conflict, still grasping for a catalyst to solidify its society and bring unity and peace to the people. Violence, poverty and unemployement are still rampant, and the voiceless still seek a voice.
As was the case in 2011, Hip Hop has reemerged as a voice for the Egyptian youth for 2012, with new challenges and frustrations countering their struggle for freedom and equality.
At the end of 2005, Liu Boln was living in Beijing and working as an artist’s assistant. Beijing’s art world at this time was thriving. On November 16, 2006 when Suo Jia Cun was forcibly demolished, Liu decided to use his works to make a stand against this atrocity. He wanted to show the state of artists in society, that their living and working places had not been protected.
In 2013, and again in 2014, PCI Media Impact partnered with Professor David Gere and the UCLA Art & Global Health Center, to design and facilitate a 5-week communications workshop, entitled Soap Operas for Social Change. Throughout this intensive course, students designed and produced an Entertainment Education (E-E) serial drama in response to the growing concerns about sexual assault on campus.
From Black Power to Migrants’ Power
BY Robin Cembalest POSTED 01/22/13
As ’60s activist art enters museums, a new generation is creating an iconography of protest for today
Imagine affecting the global cultural Landscape through art and technology use. Imagine one-mile long installation in 100 city locations worldwide, each mile-long install is of 250 bronze plaques of different Peacemakers. Then imagine its own App that when any smartphone is pointed at one of the plaques an entire timeline biographical history of that peacemaker becomes available.
The notorious, wanted, and merciless leader of the Sinaloa drug cartel in Mexico,"Jouquin "El Chapo" Guzman, was captured by Mexican Marines last month. This marked a small victory for Mexico's fight to rid the country of its corrupted drug trade. How did this happen? Through intelligence of course, but let us remember Anonymous in Mexico.
On September 27, 2022, a song by Iranian musician Shervin Hajipour ‘broke’ Persian social media. Hajipour posted a video on Instagram of himself singing a song for the mass protests that began in Iran following the death of Jina (Mahsa) Amini. Its lyrics were composed of tweets from members of the Iranian Twittersphere explaining what the protests meant to them, what they were fighting for and what was at stake with the hashtag #برای (for the sake of).
hat’s it like to be black at Harvard? Students at the Ivy League university are offering a picture of their experiences there with a play and a photo campaign called “I, Too, Am Harvard,” a nod to the famous Langston Hughes poem.
Australian recycling initiative MobileMuster, a free mobile phone recycling program that accepts all brands and types of mobile phones, teamed up with artist Chris Jordan and college students from Melbourne, Australia to create a public installation. The installation, which is composed of over 8,000 discarded mobile phones, was presented in Melbourne during the Sustainable Living Festival, which takes place in February.
As she puts the finishing touches to her habit, Sister Clarita, a Mexican immigrant living in Los Angeles, tells me that there are more than 3,000 LGBT+ nuns around the world. They’re part of the Sisters of Perpetual Indulgence, an international network of activists who identify as secular nuns.
By NAZANIN LANKARANI
PARIS — Five years after his rise to the top of the Chinese contemporary art market, Yue Minjun has something new to smile about.
Best known for his large-scale paintings depicting his own smiling face, Mr. Yue, who is based in Beijing, has long been a star of the Chinese contemporary art scene, having achieved commercial success through a highly singular aesthetic.
Birds Watching I, 2018 was created for Storm King Art Center's Indicators: Artists on Climate Change, in partnership with NRDC, which ran from May–Nov 2018, and featured 100 U.S. climate-threatened species derived from Audubon's first report. That work was reinstalled as a public sculpture in Chicago on the elevated 606 Bloomingdale Trail between St. Louis Ave. and Kimball Ave. and is fully-accessible via the Spaulding Ave. ramp.