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An Exhibition by talented Artists, giving an insight into their experience of life with Borderline Personality Disorder (BPD)

TEL AVIV Thousands of people took to the streets in Israeli cities Saturday for a fifth straight week to protest the government of Prime Minister Benjamin Netanyahu concerning proposed judicial reforms. Demonstrators from non-governmental organizations, lawyers, and technology sectors staged the protests/ Police closed roads leading to squares in Tel Aviv during the day and took security measures in the surrounding area.

Flushing Creek is so hidden by industrial sites and highways, it’s almost invisible to those passing through the Flushing neighborhood of Queens. “I lived in Flushing my whole life and didn’t know that I lived near waterways until I was 20 years old,” Cody Ann Herrmann told Hyperallergic.

Together with a group of homeless New Yorkers, Wodiczko constructed the Homesless Vehicle as an instrument of survival for urban nomads. A modified shopping cart that facilitates refundable bottle and can collection, it also provides temporary shelter. As a house on wheels intended for New York City sidewalks, the Homeless Vehicle embodies Wodicko’s practice of ‘Interrogative Design’.

“Semiotics of the Kitchen” is a feminist video art that examines the symbolism of women's confinement within domestic spaces, utilizing the framework of a televised cooking show. In this piece, Rosler assumes the role of an "anti-Julia Child," wielding a series of kitchen utensils in alphabetical order, some archaic and peculiar, assigning them arbitrary names before forcefully miming their use.

What is Art for Social Change? There are many ways of defining art for social change. In each of these cases, art for social change strives toward effective engagement with social issues that integrate and celebrate imaginative thinking, helping people to find new ways to see and be engaged in the world. In the context of the ASC Project, three types of art for social change are considered:

At the peak of her career in 1976, Georgia O’Keeffe refused to lend her work to a pivotal exhibition in Los Angeles, “Women Artists: 1550 to 1950.” It was one of a wave of all-female shows — some 150 — that decade to spotlight artists largely ignored by major museums and galleries. But O’Keeffe, the most famous female artist of her day, saw herself in a different category — “one of the best painters,” period.

"Formerly incarcerated people, activists and family members of people detained on Rikers Island released dozens of white balloons into the air from the base of the Rikers Island Bridge. The balloons, each one representing someone who had died at Rikers, transversed the heavily guarded bridge that separates the island from mainland Queens, disappearing out of sight.

The TRANSummer Camp on the Croatian coast inspired members of the Croation trans community to become creative activists, and led to a public media campaign, video series and event advertising the “opening” of a (fake) clinic for trans health. The project included an ambitious survey on the healthcare experiences and needs of trans and gender variant people in the Balkans in multiple languages.