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Beauty in Transition is an artistic project created by multi-media artist Jody Wood, that established a pop-up mobile hair salon providing beauty services including a hair wash, cut, color and/or style service to willing participants living in homeless shelters. By provoking face-to-face dialogue in a calming recuperative salon environment, this project aims to facilitate empathetic understanding and to unravel the reductive label of homelessness.

This week, I got to make history. At 18 years of age, I received an honorary doctorate from the University of London for my work in climate justice, making me the current youngest holder of the award globally.

On Sunday, April 29, dozens of protesters occupied the Beaux-Arts Court at the Brooklyn Museum as they reiterated demands for a decolonization commission, about which the art institution has remained silent. The calls for the commission come after the criticisms that followed the appointment of two white curators to the museum, including in the field of African art.

It’s almost no surprise that the Supreme Court overturning of Roe v. Wade happened this past week. Since its enaction in 1973, there have been numerous occasions where politicians and people alike have tried hacking away at its success in reaffirming a women’s right to choose.

A beauty contest for landmine victims challenges normal concepts of beauty. The search for beauty takes many forms. The traditional beauty pageant might be thought to be one of the less acceptable, concentrating as it does on conventional ideas of female perfection. Miss Landmine is a challenge to normal concepts of beauty. It is a beauty pageant held in Angola, a country ravaged by war and its aftermath, for women who have lost limbs from landmines.

Zanele Muholi, the self-proclaimed visual activist and photographer, investigates the fraught relationship between post-apartheid South Africa and its queer community, who, despite being constitutionally protected since 1996, remain a constant target of abuse and discrimination.

In a visually captivating public art venture, the Audonon Mural Project seeks to raise awareness for species of birds threatened by climate change in a rather unconventional way—street art. A collaboration between the National Audubon Society and Gitler &_____ Gallery, scatterings of stunning avian themed murals are cropping up throughout John James Audubon’s old Manhattan neighbourhood.

You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C

It was a classic summit protest at the height of the anti-globalization movement. Thirty-four heads of state from across the Americas were gathering in Québec City to negotiate the Free Trade Area of the Americas (FTAA), a sweeping trade deal with deeply anti-democratic provisions.