Ali Ferzat, the daring political cartoonist from Syria, fearlessly wields his pen as a powerful weapon against oppressive regimes. His illustrations pierce through the fabric of authoritarianism, revealing the raw truth that lies beneath. Despite facing unimaginable brutality, Ferzat's indomitable spirit remains unyielding.
Pink seesaws were installed along the United States/Mexico border. The project, created by two professors sought to unite both sides of the fence by creating an activity that required a participant on either side. The seesaws were installed so there is one seat in El Paso, Texas and one in Ciudad Juárez, Mexico with the border fence acting as the fulcrum.
Over the course of 3 years, from 2006 until 2009, the production team behind the film Wasteland (2010), also known as "Lixo Extraordinário" followed Brazilian, Brooklyn-based mixed-media artist, Vik Muniz, as he traveled back to Brazil to create self portraits with the catadores (tr. garbage pickers) of Jardim Gramacho, one of the largest city dumps in the Americas.
The questions that London-based collective One Of My Kind (aka OOMK) explore are those of identity and belonging—issues that are experienced by everyone regardless of whether they grew up defining themselves based on the music they listen to, the hobbies they enjoy, or the religion they practice.
National Public Radio (NPR):
There's no historical marker outside Jacob Lawrence's childhood home in New York City's Harlem neighborhood.
But Khalil Gibran Muhammad, director of the Schomburg Center for Research in Black Culture, has an idea of what it might say: "Here lived one of the 20th century's most influential visual artists, a man named Jacob Lawrence, who was a child of southern migrants."
The "I'm Not A Joke" campaign from Daniel Arzola is a series of images inscribed with compelling truths about human diversity that encourages individuals to live as their authentic selves. He wants the images to eventually appear on buses and subways, exposing audiences to the realities of queer experiences in an attempt to break down prejudice in a form of activism that he calls "Artivism."
Concept
1. This is a participatory art action initiated by Action Office, aiming at questioning current democratic elections in Singapore and shaping an alternative possibility.
2. Design the pocards to resemble ballots, inviting people to fill out election results and mail them to the corresponding country’s polling stations or current government.
By Will Potter
Multiple states have considered “Ag Gag” bills that criminalize investigators who document animal welfare abuses on factory farms. Iowa and Utah are the latest to approve them. These bills, lobbied for by Big Ag groups, are part of a long line of attempts to blame activists for exposing abuses, rather than hold corporations accountable.
In Pittsburgh, Memphis and Los Angeles, massive billboards recently popped up declaring, “Birds Aren’t Real.”
On Instagram and TikTok, Birds Aren’t Real accounts have racked up hundreds of thousands of followers, and YouTube videos about it have gone viral.
Last month, Birds Aren’t Real adherents even protested outside Twitter’s headquarters in San Francisco to demand that the company change its bird logo.
Grey wolves have had a tumultuous relationship with their human neighbors in the Pacific Northwest for more than a hundred years. From nearly being wiped out from the continent, Canadian grey wolves started being reintroduced to the wilderness in the U.S.'s Northern Rockies as early as 1995. The wolves were (and continue to be) placed in areas dense with wilderness and potential prey.
In February , two leaders of a guerrilla movement here traveled to the financial district carrying a wooden container that contained three pigs, each painted yellow from snout to tail.
Sheep stormed into Paris’ iconic Louvre museum on Friday (March 28) as farmers protested against reforms to the common agricultural policy (CAP).
A dozen sheep ran into the museum’s entrance underneath its famous glass pyramid, baffling tourists and aggravating museum staff.
ZERO1 is thrilled to commission artist Chico MacMurtrie/Amorphic Robot Works(ARW) Border Crosser during the week leading up to SB50. Rising 40 feet from the ground and arching across an imaginary border before forming a bridge and touching down on the “other side,” Border Crosser is the first of a series of large-scale inflatable robotic sculptures that poetically explore the notion of borders by artist Chico MacMurtrie/ARW.
Last month Amina Tyler, a 19 year old Tunisian blogger, posted a nude photo of herself as a protest; she is now under death threat. In her defense, the Ukrainian group Femen [13] staged a global "topless jihad" [14] on April 4, causing widespread debate [15] about nude protests [16], freedom of expression, and Femen's politics. [17]
On a sidewalk in the Village in downtown Manhattan, an African-American woman leans on her elbows and knees, wearing only black underpants. Scrawled in black marker all over her body are the words "Ain't I a Woman?"
Across the street, another woman lies face down, sunbathing on a large sheet of tinfoil. The sentence "White Supremacy Is Terrorism" is inked across her white skin, which is turning pink under the hot sun.
Object Orange (formerly Detroit. Demolition. Disneyland. is an artistic project in Detroit, Michigan which seeks to draw attention to dilapidated buildings by painting them orange.
A climate activist smeared pink paint on a Tom Thomson artwork at the National Gallery of Canada as part of activities this week drawing attention to demands for a national firefighting service.
A video uploaded to Facebook by the group On2Ottawa appears to show Kaleb Suedfeld, 28, splashing paint onto Thomson’s 1915 landscape Northern River, kneeling and gluing his hand onto the floor before pulling a written speech from his pocket.
On a damp and rainy Sunday in October of 1935, Munro Leaf sat down to write a story. He had been eager to work with his friend – the illustrator Robert Lawson – for some time and so he decided to pen a book which he felt might suit the illustrator’s skills. Lawson was a master at drawing animals but horses, dogs, cats, rabbits and mice had all been done a thousand times already.
Sing for Hope is bringing its renowned Sing for Hope Pianos back to the streets of New York City this summer. From June 5-25, as a celebration of the work Sing for Hope does in communities year-round, 60 Sing for Hope Pianos will be placed in parks and public spaces in high traffic locations across all five boroughs in New York for anyone and everyone to play.