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Black Lives Matter has pushed the national conversation on race—but the trauma and pain behind the fight against systemic racism can weigh heavily on black organizers and the communities they serve. This was the case for Kleaver Cruz, a 27-year-old writer and community organizer at Black Lives Matter: NYC. A few days after Thanksgiving, he woke up deeply saddened, physically unable to move.

On 17 June 2007, a horrific vision was offered to the viewers of the Czech morning program Panorama: instead of idyllic hills, the image of a mushroom cloud was broadcast by a weather camera installed in the Krkonoše mountains, which caused a brief moment of panic in a country that is regularly agitated by debates on nuclear power. The panic wasn’t justified.

from ahramonlineby Sara ElkamelAn indelible link has materialised between artistic expression and revolution. Maybe it is the features they share: freedom, deviance and fluidity, which bring them so close together. In any case, Egypt’s January 25 Revolution undeniably led to a surge of creativity across the country; a rebel’s passion merges with an

Local artist fnnch wants San Francisco to decriminalize certain types of art. You’re not seeing things: A whopping 450 “honey bears”—variations on the immediately recognizable and widely imitated bear-shaped honey bottles sold in seemingly every store in America--appeared all over SoMa late Sunday night, from the Embarcadero to Fifth Street.

“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.

A This flash mob was designed to deliver a message to raise awareness and deepen understanding about the immediacy of the climate change problem. By subverting the lyrics of the Rattlin’ Bog, we appealed through music to the hearts of participants. The Irish song, the Rattlin’ Bog, is a well-loved traditional cumulative song, with a short chorus, and is easily learned. The word Rattlin’ means ‘splendid’.

‘Since Plotinus’, writes Joseph Tanke (2019, p. 486), ‘Western art has been consecrated to beauty, and beautiful art has been understood as the achievement of good form’. But alongside this interest in beauty and form, art has been committed to politics and perspectives, equity and rights. Consequently, and particularly since the start of the modern era, artists frequently initiate or participate in ‘difficult conversations’.

UK photographer Alicia Bruce collaborated with Zero Tolerance, a Scottish non-profit to end GBV, to produce a new version of the Violence Unseen campaign, launched for the first time in the 1990s and created by Franki Raffles. The new one was launched in 2018, 25 years after the original iconic Zero Tolerance campaign, shot by the late Franki Raffles.

Black Cinema House hosts screenings and discussions of films by and about people of the African diaspora, and offers video classes to neighborhood youth, teaching the next generation to make their own films and tell their own stories.