The New York City subway is many things, but clean isn’t necessarily one of them.
It doesn’t exactly smell great, either.
While the MTA hedges on solutions (and continues to debate whether eliminating trash cans from the stations actually solves sanitary issues), the artist and School of Visual Arts student Angela H. Kim is waging a personal guerilla war against the olfactory offensiveness of it all.
Sojo Studios, a new entertainment company, made plenty of headlines this week with its first social game, WeTopia. The studio is gaining plenty of attention with news of its $8 million arsenal, a roster of partnerships with non-profits like Save the Children, Children’s Health Fund and buildOn, consumer brand advertisers, and Ellen DeGeneres as one its business investors and partners.
On February 19, 2012, the Chinese young feminism leaders, included Maizi Li and Churan Zheng, initiated an activity, "Occupy the Men Bathroom." The protesters occupied the male public restroom and invited the women waiting for the women restroom to use the male one.
A watermelon filter on TikTok is allowing users to raise funds to support civilians in Gaza, where more than 11,000 people have been killed since Israel began an offensive military attack on the Gaza Strip in October, after a Hamas attack killed 1,400 people in Israel and saw roughly 200 civilians taken hostage.
I Wish This Was is a participatory public art project that explores the process of civic engagement. Inspired by the limited dynamics of community meetings where the loudest people ruled, as well as the volume of abandoned buildings, Chang posted thousands of “I wish this was ___” stickers on vacant buildings across New Orleans to invite residents to easily share their hopes for these spaces.
Operation Christmas was a campaign launched by the Colombian military during the Christmas season to encourage FARC guerrillas to demobilize.[1] The military selected nine 75-foot trees along paths the insurgents used and decorated them with Christmas lights and a message encouraging them to come home.
Exhibition visitors have expressed feelings of uneasiness or even pain and nostalgia when seeing Colored Vases by Ai Weiwei1. The 51 vases that make up the artwork are originally treasures from the Neolithic Age (5000–3000 BCE) and the artist has dunked them in common industrial paint.
Why did Ai Weiwei do it?
For some, International Women’s Day is a day for the celebration of the social, cultural, and professional achievements of women. Many others, on the other hand, believe that we are not yet at the point of celebration, arguing that with gender inequality and gender-based violence rampant worldwide, celebrations are not what International Women’s Day should be about.
This month marks ten years since the start of the Syrian Civil War, an ongoing conflict that has cruelly cut the lives of hundreds of thousands short, and irrevocably changed the course of millions more. An estimated 5.6 million have fled the country over the past decade, mostly to the neighbouring countries of Turkey, Lebanon and Jordan, with many settling in camps they’ve since to come to call their permanent homes.
Decades of institutional corruption, elitist exploitation, and social abuses have been sewn into the political fabric of Iran’s dictatorial Islamic republic and have moulded Kermanshah-born fine art painter Nicky Nodoumi’s satirical motifs.
When I watched them kill Elijah McClain, I couldn’t make any art for days. It had been week after week after week of gut-wrenching stories of Black lives taken from this earth too early. I wasn’t sure if I could handle another one. After seeing the way Elijah pleaded for his life while walking home from the convenience store, it was so hard for me to watch and process.
From this article: https://www.bbc.com/news/magazine-27632527
A campaign by one of Brazil's biggest football clubs to encourage fans to become organ donors has led to a massive rise in the number of life-changing transplants and reduced waiting lists for organs in the area almost to zero.
John Wood and Paul Harrison are renowned British artists whose collaboration has led to the merging of video art with performance and conceptual art. Their works usually reside on the relationship between human beings, objects, and the environment, with humor and wit attached to them. They are well in place to make the artworks thought-provoking and entertaining. One such has to be 'Device'.
“Mapping skin deep” is an audiovisual public installation consisting of portraits with testimonies from refugee/undocumented immigrants currently residing in Montreal and elsewhere. Their bodies have been scarred in post-production tracing the route they took from their homeland to Montreal, hence mapping them skin deep.
The prints exhibited June 2013 at Firestorm in Asheville NC, will comprise two separate bodies of work; Chelsea Ragan’s combination screen print / woodblock print / painting / drawings graphically detail police shootings of young black males from across the country, and Adam Void’s hand-painted screen prints state the facts of important national news stories that have been swept under the rug of mainstream corporate media.
"The thing about this is that sculptures like these in art history were for the male gaze. Photoshop a phone to it and suddenly she’s seen as vain and conceited. That’s why I’m 100% for selfie culture because apparently men can gawk at women but when we realize how beautiful we are we’re suddenly full of ourselves…" —Kiyun Kim
I’m pretty sure I wasn’t the first guy to give socks to homeless people. But I can almost guarantee no one has handed out socks to as many homeless people in as many cities and countries as I have. In the last ten years, I have traveled to over 300 cities and eight different countries handing out socks and making new homeless friends.
Asian Americans standing up for themselves, the Black Lives Matter movement, and their home: New York City
In 2020, as COVID-19 flared through New York City and NYC hospitals saw a spike of nearly 200,000 patients, Asian and Pacific Islanders (APIs) faced an added threat: blame, racism, and xenophobia.