SAO PAULO, May 16 (Reuters) - At one of Latin America's largest commuter bus terminals in Brazil's gritty downtown Sao Paulo, 84-year-old Rerizenil de Paula Santos waits on a bus decorated with neon lights and bright graffiti amid the hustle and bustle of rush hour.
2020 was the year of when protest music blared everywhere. For a long period, Black people struggled against police brutality and in the uproar of George Floyd's murder, BLM protests instantly swept over the country. Of the many protest music that was released that year, trumpeter Ambrose Akinmusire wrote a song that would spearhead raging sentiments towards racial injustice beyond just jazz.
Last week, Tunisia's tallest minaret went under the brush of the country's hottest muralist. On the Jara Mosque in his hometown of Gabes, 31-year-old eL Seed painted a verse from the Quran preaching tolerance, a message meant for Salafist Islamists who protested "provocative" pieces at an art exhibition earlier this summer.
In 2013, a group of ten women incarcerated at York Correctional Institution in Connecticut, calling themselves “Women of York,” created this work of art inspired by Judy Chicago’s The Dinner Party. The installation includes six entry banners and ten place settings arranged on a triangular table, each dedicated to a woman of personal significance to the artist.
Slippery When Wet proposes a wet ontology of Hong Kong—a city in ongoing transfiguration shifting into an uncanny vision of itself. Hong Kong secretes, leaving a trail of ink, tears, humidity, logistic flows, and leaks.
PERIPLUS is a transoceanic route through community arts (music, performing arts and interdisciplinary projects) across five continents. It aims to disseminate knowledge and enhance the visibility of education, social and artistic initiatives by critically analysing the synergies which arise from connections in these three fields.
It was a quick turnaround for federal employers to recognize Juneteenth as a new federal holiday. But some cities were ready with new statues honoring George Floyd, whose killing by police in Minneapolis last year sparked a nationwide racial justice movement.
Artist Michael Landy catalogued, inventoried, and systemically destroyed all of his possessions for the 2001 public installation Break Down, commissioned by British arts organization Artangel. It took him three years just to itemize the 7,227 objects included in the project.
"State Names" is a painting by Jaune Quick-To-See Smith. You immediately recognize the outline of the United States, but at the same time, that map is obscured and made difficult to read. It’s at once recognizable and not recognizable. She describes her use of icons as a ploy, as something that brings the viewer closer, and they think they know what they’re going to see.
Anthony Papa was arrested for a drug crime and with no prior offenses was sentenced to 15 years to life in prison for violating New York's harsh drug laws. While in prison, Papa began to document his inner struggles via painting and ultimately earned a pardon from New York governor and has gone on to actively fight the drug war in his years since release.
ART COLLECTIVE LUZINTERRUPTUS has created an installation made up of 100 glowing “radioactive” figures for the Dockville Festival in Hamburg.
The human-size figures appear to be wearing special white protective clothing and marching, heads down, across the landscape. The eerie structures contain a number of lights which make them appear to glow ominously in the dark.
In this solo work, Gómez-Peña tests brand new material dealing with radical citizenship and what he terms “imaginary activism,” combining live art, literature, theory, and pedagogy in a wonderfully strange mix. Not one solo performance is ever the same.
How a Dating App Helped a Generation of Chinese Come Out of the Closet
Blued, one of the biggest gay dating apps in the world, has succeeded because it plays by the ever-shifting rules for L.G.B.T.Q. China — bringing together a minority community without activism.
By Yi-Ling Liu
March 5, 2020, 5:00 a.m. ET
“What Is Missing?” is a multi-sited memorial created by Maya Lin to raise awareness through science-based artworks about the present sixth mass extinction of species, connect this loss of species to habitat degradation and loss, and emphasize that by protecting and restoring habitat, we can both reduce carbon emissions and protect species.
Megumi Igarashi—who goes by the name Rokudenashiko, or "good-for-nothing" in Japanese—is known as a "vagina artist" in her native Japan. Among the pieces she's created are a vagina chandelier, a remote-controlled vagina car, and a 3-D-printed kayak modeled after her vulva, which she actually rowed in 2014 "as a metaphorical image of life springing from it," she told Glamour through a translator.
An Egyptian-born activist was arrested yesterday for spray-painting subway billboards that call enemies of Israel “savages” — amid a wave of vandalism unleashed on the inflammatory ads, which have divided the city.
Mona Eltahawy, a self-described “liberal Muslim,” strolled up to one of the signs at the crowded 1/2/3 train mezzanine at the Times Square station and sprayed pink paint on the ads.
Circus Amok is a New York City based circus-theater company whose mission is to provide free public art addressing contemporary issues of social justice to the people of New York City.