Two design students were awarded the Futurapolis prize last Wednesday for their project to adapt the Furan (underground river) , a response to the migration crisis.
Artist Zoran Naskovski continued his project "Mandala and Cross / farewell to arms” with analysis of media representations of social processes in 2015, that resulted with a new installation: “Mandala and Cross / blackness, refugees and economic gamble”.
Spanish street artist El Rey de la Ruina uses murals and installations to critique inequality and government policies. His works, especially during the pandemic, voiced concerns over healthcare, housing, and public resources in Madrid’s urban spaces.
Spanish citizens held the first hologram protest in history in order to protest without violating the new draconian guidelines of the National Security Act, the new amendments to the Penal Code and the Anti-terror law. Thousands of people marched past a Spanish parliament building in Madrid over the weekend weekend to protest the new law that they say endangers civil liberties. But none of them were actually there.
Trampoline House is a user-driven refugee justice community center located in the center of Copenhagen, where refugees, asylum seekers, and migrants can meet with Danish citizens and other residents of Denmark and share experiences, learn from one another, and work to create a more just and sustainable refugee and asylum policy.
An exhibition of textile-based work by disabled artists, organised in protest at the inaccessibility of an exhibition by a popular artist, when it came to Leeds.
Cassils' Becoming an Image confronts issues of queer and trans visibility, bodily violence, and the politics of witnessing. The performance uses a powerful blend of media—including live action in darkness, flash photography, clay sculpture, and sound—to explore how trauma and resilience are physically and symbolically inscribed onto the queer body.
A television report written, directed and produced by Enmedio members Leónidas Martín and Xavier Artigas. Collective projects that see art as a kind of social relationship. Artistic interventions that target consumption, media guerrilla tactics, creative mobilisations and protest, critical projects brimming with humour and disobedience, new narratives capable of changing the existing symbols and codes.
“Potholes!” That’s what Nikola Pisarev, a co-founder of the Contemporary Art Center (CAC) in North Macedoniona responded with when asked what sort of impact creative activism can have. Nikola went on to explain what he meant, describing a series of actions that they had staged in small towns and municipalities across the nation. As is the case in many countries, Macedonia is plagued with official corruption.
Encarnación Aragoneses Urquijo (886-1952), commonly known by her literary pseudonym Elena Fortún, was a Spanish writer who focused in children and teenagers literature.
She was born in Madrid, where she studied Philosophy and Humanities. In 1908 she married Eusebio de Gorbea y Lemmi, a member of the republican army. They left the country after the Civil War to live frist in France and then in Argentina.
Tate Modern considers activists' wind turbine for art collection: Liberate Tate, an art collective who object to BP sponsorship, have offered the 16 metre turbine blade to the gallery
A 1.5 tonne, 16.5 metre-long wind turbine blade carried last month to the Tate Modern by artists objecting to the gallery's sponsorship by oil company BP is being considered for the national art collection.
In France, abstention, vote of protest, lassitude or violent reactions rise from all over the crisis of our "representative democracy ».
What about thinking the other way round ? What if we reappropriate the iconography of the election?
Luzinterruptus turns their art activism towards the overabundance of dog doo littering the city’s streets.
The studio inflated 500 poop-scoopin' plastic bags and placed a lightbulb inside each one.
Installation lasted nine hours.
The artist I chose to focus on personally is the photographer Cristina Garcia Rodero. I used photos from her photography essay España Oculta, in which Rodero traveled to small villages in Spain to document the resident’s lives. Our group's main focus is on gender issues, and I personally wanted to focus on activism involving women and representation. Rodero uses photos of rituals and activities among those outside of the majority population.
Street activity to encourage small actions to help the bees at a local level that can impact on a global scale. By engaging the public in badge making we aimed to connect the head, hands and heart. We did this by providing a leaflet with information about the bees, badge making and encouraging people to take small actions. We did this as part of the Creativity and Change course, for more information on the course see below.
During a cold January morning in 2020, Animanaturalis, a nonprofit group focused on ending the suffering of animals across Spain and Latin America gathered to protest the use, production, and sale of fur in Spain. In a blog post on their website, the group discusses the horrid living conditions on fur farms as well as statistics and alternatives related to fur sales (Animanaturalis, n.d.).
Zoo Portraits is a humorous photo series by Barcelona-based photographer Yago Partal that matches animal heads with human bodies. Partal amazingly matches animals to appropriate human bodies and even manages to match their personalities and styles.
An advertising agency creates a one-time action for traffic safety, then uses documentation to generate awards and free promotion for their company. Did traffic fatalities actually drop after this was done once? Their Press Release doesn't make mention.
From McCann's Press Release:
At age twenty-eight, Waltraud Hollinger changed her name to VALIE EXPORT, in all uppercase letters, to announce her presence in the Viennese art scene. Eager to counter the male–dominated group of artists known as the Vienna Actionists—including Günter Brus, Otto Mühl, Hermann Nitsch, and Rudolf Schwarzkogler—she sought a new identity that was not bound by her father's name (Lehner) or her former husband's name (Hollinger).
Pablo Picasso painted Guernica in just five weeks in the spring of 1937.
Then living in Paris, Picasso, fifty-five, was already well-known. Born in Spain in 1881, he went to Paris in 1900; he had visited Spain in 1934 but would never return.
The project associating the contemporary movement of the people with the Gilgamesh journey focuses on the contemporary global crisis of the political systems and humanistic values, with the goal to contribute to the prevention of radicalization of our respective societies mobilized around recent conflicts, enhancement of the wellbeing of immigrants, through opening a space for creative expression and questioning the role of culture in contemporary polit
This work addresses inequalities and disparities experienced specifically by LGTBIQ peoples in Spain. In the heart of this picture are six individuals dressed in queer fashion walking and linking arms. This is a powerful depiction. Usually, especially in a global context, it is unsafe for queer people to brave the streets alone. Here in Pozo’s work this represents pride without fear.