DOHA — In an interview with the Paris Review in 1993, the late Toni Morrison once said,
I think of beauty as an absolute necessity. I don’t think it’s a privilege or an indulgence. It’s not even a quest. I think it’s almost like knowledge, which is to say it’s what we were born for.
As massacres, civil wars, and violence permeated communities, people have searched for asylum in other countries. Due to its location and relative safety, Spain has become a common destination for immigrants seeking a better life. Female immigrants in particular tend to experience much more arduous journeys in that they frequently are subjugated to sexual abuse.
Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.
In the Democratic Republic of Congo or DRC, sexual violence is a community-wide problem. Rape, in the DRC has been used as a weapon of war and sadly continues to increase even after. According to the peacebuilding NGO Search for Common Ground or SFCG, it is estimated that there are over 400,000 surviving rape victims living in the DRC today. In this environment violence against women has become normative behavior.
Dressed head to toe in plastic, Modou Fall is a familiar sight in Dakar. But however playful his costume, his goal couldn’t be more serious: ridding the capital of the scourge of plastic bags.
In Cape Town, South Africa the design firms Design Indaba Trust and Thinking have teamed up with artist Faith47 to help raise funds to bring more light to their urban city. Their goal is to raise funds to light up 700 meters of Manwabisi Park, which will ultimately reduce the crime rate in the area through more light. In order to get the community involved in the project, they have combined street art with community engagement.
At the age of just 30, Palesa Ngwenya is helping transform these areas through her position as development coordinator of Maboneng Township Arts Experience. “We turn homes in the townships into art galleries,” says the young South African woman, who grew up during apartheid. “It’s about showing people that you can use what you have to do things that can change your life."
The “Perceiving Freedom” glasses sculpture on Cape Town’s Sea Point promenade looking towards Robben Island, commemorates late President Nelson Mandela and the values of freedom and equality.
Drama Queens Ghana's “MoonGirls” is an Afrofuturistic graphic novel series. Through an Afrofuturistic lens, “MoonGirls follows the adventures of 4 African "supersheroes" with varying superpowers to save the world from a diverse range of forces; from patriarchy, rape culture to pollution and global warming.
The Uganda National Contemporary Ballet (UNCB) presented a new powerful and moving production advocating for the child soldiers all over the world at the National Theatre in Kampala.
Olafur Eliasson's latest project Little Sun was first debuted at the World Economic Forum on Africa in 2012. The global initiative is bringing tiny, sunburst shaped, plastic solar powered LED lights to the most marginalized regions of the world. Elliasson calls Little Sun, "A work of art that works in life."The lights are also capable of self renewable energy, which makes them practical and portable to those without proper electricity.
In a lively room in Kibera, Nairobi’s largest slum, a group of women have gathered to discuss how to keep the upcoming Kenyan election free from violence. The women are not politicians, election officials or campaigners – they are grassroots activists, working with their communities to keep the peace on August 8.
SUNO is one of the few luxury fashion brands that has been born out of a social cause. Max Osterweis and designer Erin Beatty launched their first collection in the spring of 2009, " after post-election violence threatened to damage the economy and industry in Kenya."
While the clothes is mostly produced by local artisans in Kenya, Suno has since expanded its business to include production in Peru, India, and NY.
Made by Danish filmmakers Lotte Løvholm, Karen Andersen & Nanna Nielsen, Lagos in the Red follows Nigerian performance artist Jelili Atiku. Atiku uses his body as a prop as a means of sensitizing people to the problems that Nigeria - both as a people and a country - face.
Fespaco is a meeting place put to good use to promote the development of black cinematography. From 1973, topics of discussion are introduced at each edition.
As part of the commemoration of this year’s World Art Day (April 15), Ghanaian-based Tapioca Foundation and Imposters Art Collective have embarked on a campaign to educate the public about environmental sustainability.
The project, which was launched in Ada in the Greater Accra Region, is intended to use art pieces to highlight issues relating to environmental protection and climate action to boost awareness in local communities.
In 2019, Adeyemi Emmanuel began collecting bits of discarded plastic and used them to make a backpack. Seeing a way to raise environmental awareness in fashion-conscious Nigeria, Emmanuel in November launched a line of bags, wallets and gift boxes made of 20% leather and around 80% plastic waste, called ECO. He collects chips of used plastic by hand, such as leftovers from picture frames, primarily from craft workshops.
Born in Nigeria in 1975, Péju Alatise, is a multimedia artist focusing on the experience of women and girls, particularly in her native country but with resonance across the world.
In February , two leaders of a guerrilla movement here traveled to the financial district carrying a wooden container that contained three pigs, each painted yellow from snout to tail.
Step into the captivating world of Zanele Muholi, the activist and masterful photographer from South Africa. Through their lens, they unveil the realities found within LGBTQI+ stories, challenging norms and reshaping perceptions of beauty. Each intimate and evocative portrait captured by Muholi becomes a vessel for social change, dismantling stereotypes, and amplifying the voices of those historically silenced.
When can fashion be considered an act of social activism — even subversion?
The streets of Brazzaville, Republic of the Congo’s capital (Congo-Brazzaville), have seen plenty of violence and suffering over the years. But a group of local fashionistas known has “sapeurs” are lifting spirits and celebrating life by following a simple commandment: Dress to impress.
One of the most pressing questions before us in the United States now is how to resolve the tension between our personal visions and needs, on the one hand, and the demands of being a member of a community, on the other.
Photographer Thapelo Motsumi is one of many young South Africans who has worked with the Umuzi Photo Club to develop his artistic skills and engage his community. Now this “drop out” has had two exhibitions in London and has been entrusted with Mandela’s football jersey. By GREG NICOLSON.
Not far from the Burkina Faso capital of Ouagadougou, approximately 30 kilometers, lies Operndorf Afrika, a village that’s governed by art and a global exchange of culture.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.