Notice Nature was a public engagement action undertaken by participants in the Erasmus+ funded training 'Creativity and Change: Empathy 2 Action - nurturing response-able global citizens' which took place in Cork from 8th - 13th April 2017. The team members were Marie-Michele Tessier, Aoife Dare, Ann Foulds, Zsofi Toth and Claire Faithorn.
Charged with participating in demonstrations against the Islamic Republic of Iran, Soudabeh Ardavan was held for eight years (1981-1989) in Iran’s notorious Evin Prison. She found sanity and solace through the forbidden activities of drawing and painting, secretly producing paint from flower petals and tea, using brushes made from toothpicks and human hair.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
"The Scream: 21st Century Edition" was created by New York-based artist Jim Costanzo in response to the Iraq War. The piece is directly inspired by Edward Munch's painting, "The Scream." Costanzo expresses anger and frustration at the illegal American war and the attack on our civil liberties.
A young Black boy, wearing deep red livery with gold trimming, a gold earring, and red-and-white turban secured with a jeweled brooch, stares out at the viewer. Standing before a ship at sea, he hands a letter, addressed to “Monsieur le chevalier de Rohan, captain of the King’s ships at Rochefort,” to an older white man, dressed in regal-looking steel armor.
Kheris Rogers, an 11-year-old entrepreneur from Los Angeles, has made history at New York Fashion Week as the youngest fashion designer ever to present. Kheris became an internet sensation earlier this year after her sister posted photos of her promoting her unapologetic Flexin' in My Complexion apparel line.
“It could have been me,” Jean-Michel Basquiat would say at the mere mention of the untimely death of Michael Stewart. Stewart, a 25-year-old artist, was allegedly drawing on the walls of the subway on 15 September 1983 when he was approached by transit cops who then placed him under arrest.
The duo Libia Castro (b. 1970) & Ólafur Ólafsson (b. 1973) are the recipients of the Art Prize 2021 for their collective performance with the Magic Team In Search of Magic - A Proposal for a New Constitution for The Republic of Iceland.
‘‘HAMILTON,’’ the new musical biography of Alexander Hamilton created by and starring Lin-Manuel Miranda, kicks off with a doozy of a question. The houselights rise on Aaron Burr, the third vice president of the United States and, infamously, the killer of Hamilton in a duel in 1804. Burr steps to center stage and reels off several lines of verse:
Four months ago, I was in a multifaith brainstorm for the People’s Climate March when someone said, “What if we had a giant ark?” I think we all had the same reaction: Great … but how do you build an ark?
In May 1992, a series of 24 billboards displaying an identical image began appearing throughout New York City. They featured a giant close-up black-and-white photograph, without text, of a rumpled bed, pillows still indented from the heads that had rested there.
When dancer Sheen Jamaal saw a video of protestors doing the Cupid Shuffle in New Jersey, inspiration struck to do something similar in New York. He immediately called his friend and collaborator Allison “Buttons” Bedell, and the seed for the Dance For George protest was planted.
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
Palestinian and Israeli flags flutter in pro-Irish and pro-UK neighbourhoods in Northern Ireland, tapping into its own history of conflict and division that still affects everyday life despite a 1998 peace deal that largely ended violence.
Now What? project has just finished a series of interactive workshops, where global citizens came together to reflect on the global sustainability issues, got inspired and empowered to imagine the world anew through poetry and imagery.
With the focus on the community and climate action, the project is live on social platforms and soon to be a collective street art too.
Photo taken on Oct. 15, 2020 shows a "comfort women" statue in Berlin, capital of Germany. The statue was built to commemorate the more than 200,000 girls and women from 14 countries and regions, so-called "comfort women," who were sexually enslaved by the Japanese military during World War II. (Xinhua/Shan Yuqi)
"This is the video that Coca-Cola, PepsiCo, and Nestlé don’t want you to see.
The big brands want you to believe they are taking steps to reduce single-use plastic BUT they are actually working hand in hand with the fossil fuel industry to produce even MORE!
Watch now to learn that the actual “Story of the Bottle” has devastating effects on our health, planet, and communities!
“Judy Chicago: Herstory” will span Judy Chicago’s sixty-year career to encompass the full breadth of the artist’s contributions across painting, sculpture, installation, drawing, textiles, photography, stained glass, needlework, and printmaking. Expanding the boundaries of a traditional museum survey, the exhibition will place six decades of Chicago’s work in dialogue with work by other women across centuries in a unique Fourth Floor installation.
"Many people have criticized Barbie dolls for their unrealistic proportions, claiming that they give young girls a warped idea of what beauty should be. To tackle this problem, Nikolay Lamm created digital visualizations of a regular-sized “Barbie” doll, hoping to promote realistic beauty standards.
Artist: Félix González-Torres
Media: Candies in variously coloured wrappers, endless supply, ideal weight of 175 lb
Date & Location: 1991
Where can I find this item?: Art Institute of Chicago, Contemporary Art, Gallery 293
Source: Wikimedia Commons (Creative Commons)
In this article, author Caroline Choi highlights different grafiti artists and their stories. These artists use their talent to tell their stories, ones that might not get to be told otherwise. She goes into the history of grafiti, and how it ties into how rich and white the art world has become.
Yazan Halwani is a young Beiruti artist who paints murals of revered Lebanese and Arab figures on prominent walls in a bid to help overcome sectarianism in this fragmented city. “What I try to do,” he explains down a fuzzy line from Beirut, “is write the stories of the city, on its own walls – creating a memory for the city.”
At a gallery within a shopping complex in the South Korean capital, a couple saw paint cans and brushes at their reach and use next to what was actually a finished portrait worth hundreds of thousands of dollars. Thinking the available paint and brushes was a signal to be a part of the art, they ended up technically vandalizing the artists' work.
In the portrait Bester I, Mayotte, the sitter’s eyes stare directly at the camera, practically boring a hole in the lens. Their lips are painted white, their hair and ears adorned with clothespins. The self-portrait of Zanele Muholi is striking on its own, but it does not stand alone.