Environmental activist Ella Daish has created a giant tampon applicator as part of a protest against single-use plastic. The piece is made out of period plastic found polluting beaches, waterways, and local ecosystems in the UK. Daish sourced 1,200 applicators from 15 different locations across the United Kingdom. Of the plastic applicators collected for the project, 87.5 percent came from one brand, Tampax.
Mending Baghdad is a four-and-a-half-by-six-and-a-half-foot quilt memorializing Baghdad as it looked during the American bombing on the first nights of the Iraq war. The purpose of the project is to bring people together to do something symbolically curative for Iraq. The artist, Clare Wainwright, worked up the image in about two days, but left it deliberately unfinished.
“So dramatic, so strong, so visual,” artist Stéphan Gladieu said of his first encounter with the revival of an ancestral folk art movement in Kinshasa, Democratic Republic of Congo. Kinshasa is the capital of Congo but also one of the many places American and European countries send their waste.
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
Judy Chicago, the pioneering feminist artist who made the iconic 1970s work The Dinner Party, has enjoyed a long and illustrious career rife with critical approval. Now, in anticipation of Earth Day 2020, Chicago is launching a new project called Create Art For Earth, wherein people from all over the world can submit their own creations to the campaign via a corresponding hashtag. “This is no time for abstractions,” the call for art reads.
In July and August 2013, O Teatrão, a Coimbra based theatre company, presented the project Arruinados, comprising three theatre performances in three abandoned spaces (‘ruins’), one in each of three cities in the Centre region of Portugal located along the Mondego River:Coimbra, Montemoro Velho, and Figueira da Foz.
Brian Larney is an AI.tivist or American Indian artist. He is also an Artivist where he performs Artivism, a concept that includes art as a form of activism.
Sitting at a folding table in the basement of Trinity Episcopal Church in downtown Columbus, Monica Jacobo used a felt tip marker to write the words “No means no!” on a white bandana.
Beginning in February 2014, the New Museum will present the first US museum exhibition devoted to the work of Polish artist Paweł Althamer. The exhibition “The Neighbors” will include a new presentation of the artist’s work, Draftsmen’s Congress, originally presented at the 7th Berlin Biennial (2012).
The Ogden Ar(t)chives Mailbox is a community project that was initiated by Ogden poet, Angelika Brewer. The project involves a metal sculpture of a mailbox, which has various decorative elements such as a typewriter, a birdcage, and a heart. The mailbox serves as a platform for the public to submit their creative works such as poems, drawings, letters, or anything that can fit in an envelope.
David Černý has been called "l'enfant terrible" of Czech art. Since 1991, Černý continues to produce some of Czech Republic’s most famous political sculptures. His grand sculptures are almost always mocking the system through humor. Many of his well-known pieces remain as public art and have sparked much conversation. Examples of these can be found littered around Prague.
For one day, a group of artists known as the INDECLINE Artist Collective turned a hotel room in New York City's Trump International Hotel into a single jail cell for Donald Trump without the hotel's knowledge. The inside the jail cell was a Donald Trump impersonator in a suit and a "Make America Great Again" hat and at his feet were McDonald's food wrappers and live rats.
It’s the radiant baby, the barking dog and the dancing man; the badges and the t-shirts; the unmissable mural spelling out CRACK IS WACK. Keith Haring’s career was short but spectacular, and he leaves behind a lasting legacy. From his chalk drawings in city-wide subway stations, to his collaborations with the superstars of his day, Haring’s life was founded on a belief in the power of people to change the world.
By Maha ElNabawi
It was a landmark day when prominent women’s rights activist Doria Shafiq bravely led a march of 1,500 women to storm the gates of Parliament on 19 February 1951. After several hours of unrelenting protest, Shafiq was finally received inside the office, where the council agreed to consider the demands of Egyptian women.
#NYTIMES Why are there no U.S. anti-slavery monuments? http://antislaverymonument.org project is an answer.
Standing 60 feet tall, corten steel of two hollow chain links the upper one broken.
DOHA — In an interview with the Paris Review in 1993, the late Toni Morrison once said,
I think of beauty as an absolute necessity. I don’t think it’s a privilege or an indulgence. It’s not even a quest. I think it’s almost like knowledge, which is to say it’s what we were born for.
"Many people have criticized Barbie dolls for their unrealistic proportions, claiming that they give young girls a warped idea of what beauty should be. To tackle this problem, Nikolay Lamm created digital visualizations of a regular-sized “Barbie” doll, hoping to promote realistic beauty standards.
At the Eighth Avenue subway station, sewer alligators are not an urban legend.
Anyone who’s been through the 14th St./Eighth Ave. station has probably seen the bronze gator sculpture — and probably wondered what it means and why it’s there.
The underground gators — along with dozens of other whimsical creatures — are part of the permanent art installation housed at the intersection of the A,C,E, and L lines.
This month’s blast of arctic air may have roused climate-change skeptics. But the composer Laura Kaminsky and the painter Rebecca Allan were unfazed. Holed up in their apartment in Riverdale in the Bronx on one of the coldest days in decades, these longtime artist-activists were doing what came naturally: fighting the planet’s warming.
A young man melting into a puddle of himself is something you don’t see everyday, much less in a busy public square. Yet this humourous but surprisingly effective spectacle is the latest effort by the Red Cross of Argentina to raise awareness about climate change.
"Myanmar has been engulfed in protest since February 1, when Burmese army general Min Aung Hlaing seized control of the government in a military coup, refusing to accept to the landslide election victory of the National League for Democracy and its leader, Aung San Suu Kyi.
For an art project about the effects of white privilege and the disturbing ways in which its effects are built into our society, Risa Puno’s The Privilege of Escape is a surprisingly fun, even enjoyable experience.