ODBK is an activist organization that aims to create a more equal, diverse, inclusive, transparent and democratic art world. ODBK seeks to do this by diversify and increase the number of people who understand and engage with contemporary art.
A disability / textile arts project, challenging assumptions about disabled artists & highlighting shoddy treatment of disabled people by current government:
https://shoddyexhibition.wordpress.com/
On this International Women’s Day, we wanted to celebrate the commitment of a very special human being. Her name is Zaria Forman, a leading artist in contemporary art with a cause. She is not only an exceptional human being; she is also an incredible American drawer who uses art to convey the emergency of climate change.
Since the fall of the Berlin Wall on November 9th, 1989, the cement segments that remain have stood as something more symbolic than just a wall. With installations in every continent, except for Antarctica, the East Side Gallery is the most authentic existing part of the Berlin Wall.
Artist Maya Lin first burst onto the scene in 1981, when her design was selected for the Vietnam Veterans Memorial while she was still a senior at Yale. Since then, Lin has turned her focus to environmental issues, with her most recent show at Pace Gallery investigating Manhattan’s landscape and environmental history.
Created by and for women, Broccoli is an independent print magazine based in Portland, Oregon. Although intended for cannabis users, Broccoli is an art and lifestyle magazine that bills itself as “playful, informed, eclectic, and thoughtful.” It encourages the discovery and appreciation of cannabis through explorations of art, culture, and fashion.
Will Work for Empty Wallets is a community outreach project dedicated to the millions of unemployed United States Citizens. Over 3,000 empty wallets were collected nationwide with the help of the Georgia Department of Labor to construct an 11'x21' American flag. Over 1200 wallets were used in the construction; each containing a unique empty wallet story about economic hardships.
In a visually captivating public art venture, the Audonon Mural Project seeks to raise awareness for species of birds threatened by climate change in a rather unconventional way—street art. A collaboration between the National Audubon Society and Gitler &_____ Gallery, scatterings of stunning avian themed murals are cropping up throughout John James Audubon’s old Manhattan neighbourhood.
The first solo exhibition in a New York museum by the globally renowned contemporary artist El Anatsui, this show will feature over 30 works in metal and wood that transform appropriated objects into site-specific sculptures.
"This is the video that Coca-Cola, PepsiCo, and Nestlé don’t want you to see.
The big brands want you to believe they are taking steps to reduce single-use plastic BUT they are actually working hand in hand with the fossil fuel industry to produce even MORE!
Watch now to learn that the actual “Story of the Bottle” has devastating effects on our health, planet, and communities!
Grey wolves have had a tumultuous relationship with their human neighbors in the Pacific Northwest for more than a hundred years. From nearly being wiped out from the continent, Canadian grey wolves started being reintroduced to the wilderness in the U.S.'s Northern Rockies as early as 1995. The wolves were (and continue to be) placed in areas dense with wilderness and potential prey.
Seeking to use war-time waste for social good, Saught was set up by Pamela Yeo, Adeline Heng and Ng Sook Zhen in December 2010. Based in Singapore, the company uses the metal from de-activated landmines to create pieces of jewellery. The organisation employs citizens from conflict-ravaged regions, offering a source of employment for those who may have lost as a result of the fighting in their nation.
Four prominent Australian artists – Aretha Brown, Claire Martin, Kaff-eine and Jane Gillings – will gather in Canberra this Sunday, to discuss their art, activism and ideas, marking the closing weekend of Kambri’s HERE I AM festival.
The Art Activism by Great Women Conference is a day-long event, involving artist talks, Q&A sessions, panel discussions, afternoon tea, wine tasting and networking.
The series "No Violence Against Women" depicts famous cartoon couples transformed into victims of abuse. The women are left bloodied and with black eyes with the slogan "What Kind of Man are You?" above. The images are a commentary on domestic violence and were released in honor of International Women's Day
The Origins of Totalitarianism:Donald Trump reads Hannah Arendt
AI video and sound. 2024, 24:30mins
YouTube link: https://youtu.be/RzWi51prZlA?si=hTUP4F-_nOSijbba
The term “Afrofuturism” was coined in the 1990s by the cultural critic Mark Dery, who recognized a preoccupation with the future in the work of a number of black artists. Ever since, it has remained a term that is retrospectively applied to seemingly disparate artists, from Missy Elliot to Toni Morrison. What unites the movement is a shared fascination with the black experience, particularly in America.
Croatian artist Sanja Iveković started Women’s House (Sunglasses) in 1998 in collaboration with a women’s shelter in Zagreb and later with women’s shelters elsewhere in Europe and Asia. Iveković organised workshops with women in these shelters to produce plaster casts of their faces, as well as to give them the space to write their life stories.
Transfixed by racial, political, and socioeconomic tensions saturating the news, movement artists Jon Boogz and Lil Buck, enveloped by the art of Alexa Meade, switch off the TV and release their emotion into a stirring dance that is both a lament and a spirited call to action.
The Confined Hearts Project is creating 1468 terracotta anatomical human hearts, one for each person seeking asylum in Australia but being held in detention on Manus Island and in Nauru. Hundreds of people of all ages, backgrounds and cultures have been involved in making the hearts to date.
The Neistat Brothers first attracted public attention in 2003 with their blatantly critical work, iPod’s Dirty Secret. After being refused a replacement battery for an 18-month old iPod, [they] took to the streets of Manhattan on their bikes to sabotage iPod’s omnipresent advertising.
In the portrait Bester I, Mayotte, the sitter’s eyes stare directly at the camera, practically boring a hole in the lens. Their lips are painted white, their hair and ears adorned with clothespins. The self-portrait of Zanele Muholi is striking on its own, but it does not stand alone.