"An atmosphere of fear and anger spread across Myanmar this week as millions of people awoke to find out the military had taken control, ousting the elected government.
But how do you fight back in a country where protests have been violently suppressed before?
For some, it has meant putting pen to paper and taking the battle online.
MEXICO CITY — Of the half-dozen pieces that form Tania Bruguera’s series “Tatlin’s Whisper,” the one that the Cuban government silenced may have resounded most.
Located off the west coast of Scotland are the Outer Hebrides, an island chain where Finnish artists Pekka Niittyvirta and Timo Aho decided to install their piece, Lines. The installation is composed of lines of light wrapped around buildings or hovering on a grass field. At high tide, the lights turn on, illuminating the serene landscape, and marking the height of future sea-level rise on the low-lying archipelago.
The Brat Summer movement can be directly traced back to the release of Charli XCX's album "Brat" in 2024. Known for her boundary-pushing pop sound and fierce persona, Charli XCX used "Brat" as a platform to explore themes of defiance, self-empowerment and the rejection of societal expectations.
ART COLLECTIVE LUZINTERRUPTUS has created an installation made up of 100 glowing “radioactive” figures for the Dockville Festival in Hamburg.
The human-size figures appear to be wearing special white protective clothing and marching, heads down, across the landscape. The eerie structures contain a number of lights which make them appear to glow ominously in the dark.
Italian street artist Blu was recently in Mexico to participate at the ManifestoMX Street Art Festival where he completed this intense and politically charged mural in opposition to the Mexican authorities.
A young Black boy, wearing deep red livery with gold trimming, a gold earring, and red-and-white turban secured with a jeweled brooch, stares out at the viewer. Standing before a ship at sea, he hands a letter, addressed to “Monsieur le chevalier de Rohan, captain of the King’s ships at Rochefort,” to an older white man, dressed in regal-looking steel armor.
Today’s Bad Bitch Award goes to Karmenife Paulino, a 22-year-old graduate of Wesleyan University. Raped at a fraternity during her freshman year, she reasserted her sexual agency in a photoshoot entitled “Reclamation,” where she poses as a dominatrix on fraternity grounds.
On Sept 21, 2017, the professional committee of dementia and related diseases of China geriatric health association, together with many caring enterprises, jointly launched a public welfare activity entitled "no longer forget", hoping to call on the public to pay attention to Alzheimer's disease and promote early screening.
Jenny Hozler has mined declassified U.S. government documents for the series Redaction Paintings meticulously silk-screened works that depict blacked-out handprints of American soldiers accused of committing crimes in Iraq.
It may have been a while since you’ve set foot in an internet cafe, but a pop-up one on the Lower East Side offering free tea on top of free wifi is well worth a visit for a lesson in online freedoms.
Collective Creativity in the Beginning
Project Row Houses (PRH) is, and has always been, a unique experiment in activating the intersections between art, cultural and historic preservation, affordable and innovative housing, community engagement and development, neighborhood revitalization, and human empowerment.
Urban Landscape as Canvas
During the Black Lives Matter protests in Richmond, VA, the two fourteen-year-olds posed in a powerful photo in front of Confederate General Robert E. Lee’s statue. Ava had originally arranged an appointment with photographer Marcus Ingram, but as she and Kennedy posed in front of the graffiti-covered monument with their fists firmly jutted in the air, several photographers began snapping pictures.
Through her work, South African art activist Athenkosi Kwinana aspires to deepen the understanding of Albinism in her native country, where she has faced discrimination in most aspects of her life from childhood days on. Working with both drawing and printmaking, Kwinana creates large self-portraits that aim to constructively reimagine the representation of Albinism in the country’s black communities and African contemporary art as whole.
In his ongoing street art series “The Living Wall,” Russian artist Nikita Nomerz brings life to decrepit buildings in Russia by painting faces on them. Nomerz travels extensively around Russia and makes an effort to paint a character in each place he visits. He talks about his art in this interview with Global Street Art.
This is continued exploration of some work I recently had published for a culture jam project in response to the documentary "The Corporation". There are a lot of layers working here. There are thoughts about food deserts, how multinational corporations prey upon them, and finally how particular images regarding development are used to sell the idea of what hunger should look like.
Chinese artist and activist Ai Weiwei has recreated the image of drowned infant Alan Kurdi that in 2015 became the defining symbol of the plight of Syria’s refugees.
For the recreation, Ai lay on a pebbled beach on the Greek island of Lesbos. His pose was similar to that of Kurdi’s lifeless body, which washed up on a beach near the Turkish town of Bodrum and was captured in a September 2015 photo.
Lynn Neuman, director of New York City–based Artichoke Dance, became preoccupied with single-use disposability after she started wondering about waste and who was responsible for it. For some of her performances, she has collected massive quantities of discarded plastics, like bags and six-pack rings, and invited community members to contribute their own. “There’s a real aha moment when people see how quickly plastic amasses,” she says.
On Friday night, a painting by the anonymous street artist known as Banksy sold at Sotheby’s auction house in London for $1.4 million. But as soon as the auctioneer dropped the gavel, something unexpected happened: a beeping alarm went off and the frame began eating the painting, spitting half of it out the bottom in what may be the first instance of a self-destructing painting, reports Scott Reyburn at The New York Times.
The resistance to Trump’s ICE militia is strong and is documented in the online art exhibition, “ABOLISH ICE” https://sites.google.com/view/abolish-ice/home The participating artists-activists are from New York, Connecticut, Pennsylvania, New Jersey and California.
“The Grace Period” is a live blogging platform with seven anonymous contributing bloggers called: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday. Through, videos, writings, and visuals they present multiple perspectives of landing/creating a meaningful job after school in a country where personal and national debt is high and jobs are few. In this environment, will our creative spirits be resilient?
A juried exhibition of fiber art created by the Artist Circle Alliance to protest the Trump administration’s actions and policies.
This is a traveling exhibition to 13 venues across the U.S. All work in the exhibition, as well as the nearly 560 pieces submitted for jurying, are shown on our website.
Last week, Tunisia's tallest minaret went under the brush of the country's hottest muralist. On the Jara Mosque in his hometown of Gabes, 31-year-old eL Seed painted a verse from the Quran preaching tolerance, a message meant for Salafist Islamists who protested "provocative" pieces at an art exhibition earlier this summer.
I am a visual activist. Most of what I have done over the years focuses on black LGBTQIA+ and gender-non-conforming individuals from South Africa and other neighbouring countries. It’s about making sure we exist in the visual archive. I call myself a visual activist — or, rather, a cultural activist, because this work is not only about the arts; I’m focusing on education, I’m dealing with culture in a way that confronts a number of issues.