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2016
CaroTimm

Projects tagged "Visual Arts"

Street Art and Activism With 'The Slumlord Project' In Baltimore
Practitioner:
The Slumlord Watch
Date:
Oct 9 2013
In a twist on the Broken Windows Theory, street artists are using their skills to combat urban blight in Baltimore with "The Slumlord Project". By drawing the attention of neighbors to abandoned and vacant properties and giving pertinent ownership information to take action on, 17 artists are spray painting and wheat-pasting in a D.I.Y.
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1
Can’t Help Myself
Practitioner:
Sun Yuan and Peng Yu
Date:
Dec 29 2016
In 2016, the Guggenheim Museum commissioned its very first robotic artwork called Can’t Help Myself (Wannmann, 2016). The artwork is created by two of China’s most controversial artists Sun Yuan and Peng Yu and can be described as a robotic arm that has one specific, life-long duty: to prevent the deep-red, bloodlike liquid, which constantly oozes outwards, from straying too far (Weng, n.d.).
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5
100 'Radioactive Figures' Haunt Hamburg Landscape
Practitioner:
Luzinterruptus
Date:
Aug 28 2011
ART COLLECTIVE LUZINTERRUPTUS has created an installation made up of 100 glowing “radioactive” figures for the Dockville Festival in Hamburg. The human-size figures appear to be wearing special white protective clothing and marching, heads down, across the landscape. The eerie structures contain a number of lights which make them appear to glow ominously in the dark.
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2
Homeworkers
Practitioner:
Margaret F. Harrison
Date:
Jan 1 1977
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
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8
In Tamir Rice's death, artists found inspiration to carry on his legacy
Practitioner:
Cleveland Museum of Art
Date:
Jun 25 2016
Samaria Rice, left, and Terrence Spivey welcome the crowd at the Tamir Rice Sweet 16 event to raise funds for a new youth oriented cultural center Thursday, June 14th, 2018, at the Cleveland Museum of Art in Cleveland, Ohio. Photo by Tim Harrison/Special to The Plain Dealer Inspired to carry on Tamir's legacy
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2
I Am My White Ancestors: Claiming the Legacy of Oppression
Practitioner:
Anne Mavor
Date:
Oct 6 2016
This installation of 13 photographic self-portraits explores European-American heritage, my family and their role in the history of racism, colonization, genocide, and classism. The ancestors, real and imagined, span over 2000 years from the Celtic Iron Age to the present day. The life size portraits are accompanied by audio diaries from the perspective of each character.
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4
The Democracy Wall in Carroll Gardens
Practitioner:
CG CORD/Carroll Gardens Coalition for Respectful Development
Date:
Mar 25 2017
The "Democracy Wall" in the Carroll Gardens section of Brooklyn, New York was established in 2009. This wall is a long-term, community art activist project that is part wall mural, part past information archive.
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8
The Dollar Menu
Practitioner:
Justin Quinn
Date:
May 13 2015
Ever get to thinking about how a food desert can pop up in the middle of a major city? One major reason is corporate fast food and manufactured goods. Food deserts are defined as urban neighborhoods and rural towns without ready access to fresh, healthy, and affordable food.
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0
Oriental Grocery
Practitioner:
Stephanie H. Shih
Date:
Nov 28 2018
Stephanie H. Shih is a Brooklyn-based ceramist who explores Asian American identity through clay interpretations of grocery items. The ceramicist has created life-size painted clay Sriracha bottles, Pocky cartons, soy sauce gallons, and instant ramen as part of a series Shih conceived in 2018 called Oriental Grocery, to explore nostalgic foods of the Chinese American diaspora.
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0
Abortion rights and Body Vulnerability
Practitioner:
Maria Maria Acha Kutscher
Date:
Jul 10 2019
The rise in feminism and feminist advocacy has changed history forever in terms of how women are viewed and treated in society. Though great progress has been made, women are still fighting for their rights even today. Abortion and body vulnerability are just two issues that are still being confronted and fought for in the public view.
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5
Activism Through Art by an Angry Feminist Whale
Practitioner:
Moule
Date:
Mar 3 2020
Inspired by the ecological disaster unfolding across the planet and driven by empowering underrepresented people, Moule, a painter, illustrator, and graphic designer, creates art that makes a statement. Dressed in a magenta blazer and wearing bright pink lipstick, she is as colourful and spirited as one of her illustrations.
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2
Butterflies for Bealtaine
Practitioner:
Amelia Caulfield, Sinead Cullen & Margaret Organ
Date:
May 1 2020
*We would like to thank everyone who who participated in a very successful first Butterflies for Bealtaine* For the month of May, we invited all ages to creatively respond to the theme of The Butterfly and to share a change they wish for on a personal, community or global level. In Ireland as in many parts of the world we have been in a quarantine situation because of the global pandemic. This environment informed our project.
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9
The “Radical Edits” of Alexandra Bell
Practitioner:
Alexandra Bell
Date:
May 4 2017
The artist Alexandra Bell‘s “Counternarratives” series highlights journalism’s tendency toward obfuscation and slant.
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4
Up Against the Wall: Art, Activism and the AIDS Poster
Practitioner:
Donald Albrecht, Jessica Lacher-Feldman, William M. Valent
Date:
Mar 6 2022
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
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6
Gay, Black, and Revolutionary: The Importance of 'Moonlight'
Practitioner:
Barry Jenkins
Date:
Nov 18 2016
The latest Academy Award for Best Picture was earned by a film depicting the story of a poor, gay, black boy in South Florida. Moonlight, by director Barry Jenkins, has achieved great recognition for its beautiful and honest depiction of a storyline which challenges itself at every turn.
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4
The Root-Systemic Racism
Practitioner:
Danielle Cook
Date:
Jul 5 2020
"When it comes to the effects of the virus on black lives, the roots run deep. ⠀⠀ This is one of the hardest illustrations I’ve ever done. Not because of the tree - but because of the overwhelming nature of the subject at hand. Seeing headlines like “Blacks are Dying at Higher Rates from Covid-19” SHOOK me! ⠀⠀
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3
This Woman Turned Her Collection of Unsolicited Dick Pics into an Art Show
Practitioner:
Whitney Bell
Date:
Apr 2 2016
Ah, the unsolicited dick pic. Technology has made it all too tempting for men's penises to pop up on a woman's phone while she's reading on the train or walking home from work. This is a fairly recent invention, because who would've taken their rolls of film to the local drug store to get their dick pics developed?
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2
Study of Perspective (& Stools)
Practitioner:
Ai Weiwei
Date:
Jan 1 2014
The son of an exiled political dissident, Chinese artist and activist Ai Weiwei’s work is inherently political. Since 1995 Ai Weiwei has been traveling the world, photographing himself flipping off iconic monuments of power in his Study of Perspective series.
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3
Menstruation Terrorism
Practitioner:
Kashafa Khan
Date:
Feb 7 2006
Menstruation Terrorism is the act of frightening folks with the visibility of menstruation.
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3
Myanmar coup: How citizens are protesting through art
Practitioner:
Myanmar's citizens
Date:
Feb 7 2021
"An atmosphere of fear and anger spread across Myanmar this week as millions of people awoke to find out the military had taken control, ousting the elected government. But how do you fight back in a country where protests have been violently suppressed before? For some, it has meant putting pen to paper and taking the battle online.
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2
Guerilla Girls, Do Women have to be naked to get into the Met. Museum?, 1989
Practitioner:
Guerilla Girls
Date:
Jan 1 1989
The Guerilla Girls are a group of feminist activist artists, who use facts, humor, and outrageous visuals to expose gender and ethnic bias and corruption in politics, art, film, and pop culture in their artworks. In 1989, they designed this billboard for the Public Art Fund (PAF) in New York, aimed to criticize the museum institutions for under-representing female artists and objectifying women.
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4
52 Shades of Greed: An Illustrated Education
Practitioner:
Alternative Banking, Marc Sheff
Date:
Sep 4 2012
After being contacted by a member of the Occupy Wall Street Alternative Banking group , illustrator Marc Scheff agreed to do a few drawings for a deck of cards depicting some of the people and institutions responsible for causing the Great Recession.
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4
"Save the Bees" Street Art
Practitioner:
Louis Masai
Date:
Apr 23 2015
Colony collapse disorder is a colossal issue – and artist Louis Masai wants you take notice. His street art project “Save the Bees” aims to catch your attention by covering the walls of London with bees. Bees are extremely important to agriculture as they pollinate plants - yet entire colonies are disappearing without a solid reasons (there are theories, mostly about pesticide ingredients).
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5
Yoko Ono, Add Colour (Refugee Boat) presented by the Tate Modern
Practitioner:
Yoko Ono
Date:
Apr 6 2024
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.
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5
The Value Menu
Practitioner:
Justin Quinn
Date:
Jun 1 2015
This is continued exploration of some work I recently had published for a culture jam project in response to the documentary "The Corporation". There are a lot of layers working here. There are thoughts about food deserts, how multinational corporations prey upon them, and finally how particular images regarding development are used to sell the idea of what hunger should look like.
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5

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