Fuck. Damn. Shit. Ass. Everybody curses. Don’t say you don’t. Everyone does it when they’re mad, upset, happy, or excited. It’s human nature. Is it that the words are sinful? Offensive? Violent? Nobody really knows but we as a society do not like them in the slightest. People associate cursing with a stigma of being uneducated, uncultured, and lazy. But boiled down, language is one of the strongest tools and assets that we have. Language is power.
The Dove Campaign for Real Beauty is a worldwide marketing/public relations campaign launched in 2004 that includes advertisements, video, workshops, sleepover events and the publication of a book and the production of a play. The principle behind the campaign is to celebrate the natural physical variation embodied by all women and inspire them to have the confidence to be comfortable with themselves.
Shirin Neshat’s Women of Allah is a photographic series exploring the complex identities of Muslim women in post-revolutionary Iran. Combining black-and-white portraits, Persian calligraphy, and symbolic elements such as guns and veils, Neshat interrogates themes of martyrdom, violence, femininity, and resistance.
If, like me, you spent the days after Trump’s election in a depressed stupor wondering what – if anything – would change, look no further than Good Trouble. Set up by former Dazed editor Rod Stanley, it’s a new collective arts platform dedicated to celebrating the culture of resistance and grassroots activists promoting positive change.
An intervention created by the April 25 2015 Queer Crisis Collective organized by the Helix Queer Performance Network (HQPN), and part of an ongoing queer resistance project mentored by Avram Finkelstein. Over a period of 2 weekends, 8 artists met at the Hemispheric Institute of Performance & Politics to design a creative intervention during Pride month in NYC.
The Creativity Movement (formerly known as the World Church of the Creater) is a self proclaimed white supremacist organization with factions across the United States. In 2004, a high ranking leader of the Montana based faction defected from the group, but not before donating over 4,000 of the group's bibles called the 'RAHOWA' (acronym for racial holy war) to the Montana Human Rights Network.
John Heartfield began to make photomontages as a member of the Berlin branch of international Dada around 1920. Schooled in graphic arts and having worked briefly in animated film, Heartfield (who had anglicized his given name, Helmut Herzfeld, in 1917 as a protest against wartime nationalism) subsequently developed a cinematic effect in montages that he made for book illustration.
In the past few years we have seen a growing awareness and concern with Internet freedom and privacy, fuelled by Edward Snowden’s revelations of the vast U.S.
When Agnes Gund, the 77-year-old philanthropist and president emerita of the Museum of Modern Art, got the call, she thought: “That’s odd. What’s that got to do with someone like me?”
When Fran Lebowitz, the 65-year-old author, got the call, she said, “I thought it was a joke.”
Women's collectives and feminist groups occupied the National Commission of Human Rights demanding results to several neglected, open investigations of feminicide in the country. During the occupation, they interviewed the portraits of historical "national heroes" with spray-paint, glitter, markers, and liquid paint.
Flushing Creek is so hidden by industrial sites and highways, it’s almost invisible to those passing through the Flushing neighborhood of Queens. “I lived in Flushing my whole life and didn’t know that I lived near waterways until I was 20 years old,” Cody Ann Herrmann told Hyperallergic.
On July 4, 2012, several members of MicCheckWallSt, a subsidiary group of Seattle's larger Occupy Wall Street that formed in December, 2011, anonymously checked into a room at the historic Roosevelt Hotel in Downtown Seattle.
The Partnership for Drug-Free Kids, a national nonprofit dedicated to reducing substance abuse among adolescents, launched a new multimedia campaign for teens that uses emojis to communicate the challenges of negative influences, empowering them to live Above the Influence.
Seattle Times:
In 1921, just four years after the Bolshevik Revolution, American journalist Albert Rhys Williams wrote: “The visitor to Russia is struck by the multitude of posters — in factories and barracks, on walls and railway-cars, on telegraph poles — everywhere.”
Imagine if back in the 1960s, creators Jack Kirby and Stan Lee had found inspiration for The Avengers in Yoruba mythology. Instead of Iron Man, we'd have the warrior Oxaguiã. Taking the place of the blue-eyed, blonde-haired Norse god Thor would be the equally strong and black-skinned Xangô, the ruler of justice — who also happens to carry a hammer.
From Glasgow to Brighton the streets of the UK looked a little different the morning of Monday 5/12/14. In 10 cities around the UK guerrilla install crews have been swapping over 300 ads with art works, creating the largest advertising takeover in world history.
Unleashed by anxiety over the pandemic, the nationwide rise in anti-Asian hate has served as a call to action for many Asian American artists to take a stand: To actively challenge the historic negative stereotype of the vice- and disease-ridden Yellow Peril; to dismantle the pernicious and divisive myth of the model minority that pits achievements by Asian Americas as judgements against other communities of color; and to advocate for social justice, eq
The New York-based artist has created a free-to-download poster in support of the ESEA community. Produced in response to the Covid-related surge in anti-Asian hate crimes, it can be used in a variety of ways to raise awareness and support the cause.
On a damp and rainy Sunday in October of 1935, Munro Leaf sat down to write a story. He had been eager to work with his friend – the illustrator Robert Lawson – for some time and so he decided to pen a book which he felt might suit the illustrator’s skills. Lawson was a master at drawing animals but horses, dogs, cats, rabbits and mice had all been done a thousand times already.
Reading the introduction to Animal Farm by Christopher Hitchens a few years ago, I was stunned to learn that George Orwell, then a struggling writer in London, worked by letter with a group of refugees to publish the novel in Ukrainian in the displaced persons camps of postwar Europe.
Between the late 1960s and 1970s numerous alternative printshops were set up across the UK, with the founding objective of producing, providing or facilitating the cheap and safe printing of radical materials. They were started by libertarians, aligned and non-aligned Marxists, anarchists and feminists, and as such were constitutive of the fractured and fractious politics of the post-1968 left.
Kwentong Bayan: Labour of Love is a community based comic book project, created by Toronto-based artists Althea Balmes (Illustrator) and Jo SiMalaya Alcampo (Writer) in close collaboration with caregivers and supporters, about the real life stories of Filipina migrant workers in the Live-in Caregiver Program.
UK design students focusing on the use of design that moves beyond exclusivity, wealth, entitlement, and privilege, have created a coat that is also a shelter. The functional pocketed coat that converts into a tent and a sleeping bag, is intended for Syrian refugees. The students under the guidance of Dr.
Better Cotton Initiative (BCI) was registered in 2009 and headquartered in Geneva, Switzerland. It is a non-profit international membership organization with representative offices in China, India, Pakistan, and London. It has more than 400 member organizations around the world, mainly including cotton growers, cotton textile enterprises, and retail brands. The group aims to promote what it calls "Better Cotton" around the world.