Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
It’s been a historic year for women. There are more serving in Congress than ever before, and a record number are currently running for president in 2020. But even with these significant gains, women—both in the U.S. and around the world—can still find gender equality elusive.
The author behind ‘The First Paradise of Fang Siqi,’ a novel that Han described as ‘a young girl falling in love with her rapist,’ has sent shockwaves through Taiwanese society.
On April 27, aspiring Taiwanese author Lin Yi Han committed suicide, leaving behind only her first, and sadly last, novel. The story, entitled “The First Love Paradise of Fang Siqi,” concerns the mental struggles of a young girl who is raped by her teacher.
Homeworkers 1977 is the central piece of a multidisciplinary project that comprised photographs, interviews, news clippings and a large canvas documenting the situation of non-unionised women doing manual work at home.
User @ArmoredSuperHeavy on Twitter recently posted a master document detailing their explorations into bookbinding, fanfiction preservation, and the online gift economy. Their bookbinding venture, named Dead Dove Publishing, is a project that seeks to preserve and legitimize fanworks and celebrate the fandom gift economy. The document explains their actions and the work they have done since they began two years ago.
On your doorstep, or in their neighbourhood hotel, or the local tea shop, the media bring to you a world full of troubles. But along with that, they’ve had some consideration for your funny bone and give you a daily dose of laughter by publishing the work of some of the finest cartoonists in the country. “
On May 5 – World Cartoonist Day – here’s bringing you a glimpse of your favourite illustrators and what keeps them going.
EP Unny
An oversized facsimile of Rush poppers, tipped over, pouring out its viscous contents: this example of underground gay iconography blown up to almost belligerent proportions perfectly represents the aims of Party Out of Bounds: Nightlife as Activism Since 1980, a new exhibition at La MaMa’s La Galleria. The group show, curated by Emily Colucci and Osman Can Yerebakan, gathers together works by a small yet distinct menagerie of queer artists.
"The walls of the streets of downtown Santiago are covered with stickers, art, words and posters.
The messages are varied and range from "Feminist power" to "All cops are bastards". They have taken over the walls of Zona Cero (Ground Zero), the name given to the area around Plaza de la Dignidad, where anti-government protests have been held - and at times brutally repressed by police - since 18 October.
Marking the six month anniversary of September 11th, a poster designed by artist Hans Haacke appeared on scaffolding and media walls throughout New York City. The poster itself was blank and white, consisting only of die-cut silhouettes of the World Trade Center towers. The posters effectively reminded the pubic that September 11th created a ubiquitous filter through which everyday realities have become measured or seen.
Comic artist Huda Fahmy has been breaking down walls with her hilarious comic "Yes, I'm Hot in This."
In her own words, "What started as my therapeutic way of dealing with the Islamophobia and prejudice I encounter on the daily has now turned into this amazing opportunity to tell the story of the American hijabi."
I must first come clean, I studied fine arts in high school from years nine to 12. Since my studies were concluded, I had never held a paintbrush again.
The Vivienne Foundation exists to honour, protect and continue the legacy of Vivienne's creativity and activism.
Since the start of her career in the 1970s, Vivienne was renowned not only for her fashion design, but also her activism. Vivienne always utilised her platform of prestige to make the world a better place.
Do we need to crowdsource a new Australian Constitution? Does anything matter more than the environment? Should Australia become a republic with an Australian head of state? Should whistleblowers be protected? Is representative democracy antiquated? Controversial artist Carl Scrase is asking these questions in a new project that mixes street art posters with political activism and aims to go viral through social media.
Last September, Fusion commissioned artist Tatyana Fazlalizadeh, 29, to travel to Mexico City and create an installation of her highly-acclaimed art project protesting street harassment, “Stop Telling Women to Smile.” Fazlalizadeh’s visit to Mexico was her first to the country; it was also the first time the STWTS project — for which Fazlalizadeh papers city streets with hand-drawn portraits of women pushing back against their street harassers — had eve
This is a prime example of the marriage of art and activism. The Silence = Death poster is simple but extremely powerful representation of the obstacles the AIDS movement was facing (suppression of gay people + their problems, lack of awareness surrounding the pandemic).
This week, I got to make history. At 18 years of age, I received an honorary doctorate from the University of London for my work in climate justice, making me the current youngest holder of the award globally.
Up Against the Wall: Art, Activism, and the AIDS Poster is the traveling version of the first major exhibition devoted to the University of Rochester's collection of HIV/AIDS-related posters. It illustrates to a broad audience that "AIDS affects everyone" and through the use of language and imagery, shows how messaging and information around HIV is shared to different groups, audiences, and people throughout the world.
In the portrait Bester I, Mayotte, the sitter’s eyes stare directly at the camera, practically boring a hole in the lens. Their lips are painted white, their hair and ears adorned with clothespins. The self-portrait of Zanele Muholi is striking on its own, but it does not stand alone.
This work addresses inequalities and disparities experienced specifically by LGTBIQ peoples in Spain. In the heart of this picture are six individuals dressed in queer fashion walking and linking arms. This is a powerful depiction. Usually, especially in a global context, it is unsafe for queer people to brave the streets alone. Here in Pozo’s work this represents pride without fear.
Racist adverts promoting hatred against Muslims are currently being run on buses in San Francisco - but someone has started covering them up with anti-hatred messages from Marvel's première Muslim superhero, Ms. Marvel.
Godfrey Mwampembwa, popularly known as Gado, has been holding politicians accountable for nearly 30 years. Now, his concern has shifted to the coronavirus.
In a quiet office on the third floor of a building in Nairobi’s central business district, the cartoonist known by his pen name, Gado, was sketching a satire about the coronavirus.
The mischievous posters began appearing all over London in the past two months.
On the side of an East London bus stop, one of them shows Elon Musk, the world’s richest man, emerging from a Tesla’s roof with his hand pointing upward in a straight-armed salute. “Goes from 0 to 1939 in 3 seconds,” the ad reads. “Tesla. The Swasticar.”
Leilei Zhang was harassed on a public bus when a man gripped her hand, glared at her and refused to let go. With the determination to raise public awareness, Leilei began a crowd-funding campaign to raise money for what could have been China's first public anti-sexual harassment advertisement. She approached the authorities of her home city, Guangzhou, but it did not want to take on the advertising for fear it would panic the public.