On the small island of Teshima in Japan’s Seto Inland Sea, Multibasket – No One Wins invites visitors to reconsider competition, collaboration, and the intersection of art and play.
(Honoring our Origins, Ourselves and our Dreams) is an all-womyn and womyn-identified crew from the northeast San Fernando Valley dedicated to creating awareness through public art.
NAME OF PROJECT: ‘CHILDREN SHOULD BE SEEN AND HEARD’
TEAM MEMBERS: Caroline, Yasir, Sile, Audrey & Mary
GLOBAL CHALLENGE: To give children a voice and create empathy
among adults for children
♯childrenshouldbeseenandheard
In 2010, the College Republicans used tens of thousands of dollars from student fees to bring Ann Coulter to speak at the University of Wisconsin-Milwaukee.
A new exhibition titled “Afrofuturism: A History of Black Futures” will debut at the National Museum of African American History and Culture (NMAAHC) to examine Afrofuturist expression and culture as it relates to music, activism, art, and more.
Architect Didier Faustino strips a billboard down to its skeleton, repurposes it as a swing set, and names it Double Happiness. This "urban reactivation device" needs to become a world wide phenomenon. Imagine billboard swing sets waiting at every destination. The climb looks worth the view.
Topic: Displaced people
Concept: Explore and communicate some of the issues around displacement in a global, European and Irish context.
Date of action: 11th March 2.30 to 4.20 pm
Place: Emmett Place, Cork City, Ireland
At 12:00 noon (New York time) on November 19, 2016, Chinese artist Ning Kong, wearing a wedding dress with hundred dove, appeared at the 911 site in New York. Even though the theme of performance art is calling for peace, the police banned it and showed the handcuffs because doing performance art was not allowed at the 9/11 site. So Kong Ning turned to Times Square, New York, successfully completing her performance art.
In response to shootings across the United States, and in sympathy with students’ demands for more gun control, artist Jenny Holzer wrote text that animates issues of the firearms industry and gun violence. Her hyperactive black-and-white writing flashed on mobile LED screens, with text popping in quick succession like free-association poetry, and sometimes in the awful rapid-fire of semi-automatic weapons.
With a grand total of 0 permanent residents and an average winter temperature of --56.2°F, Antarctica is a bit more than your average “no man’s land.” This didn’t deter artist duo Lucy + Jorge Orta, however, who took an expedition to the territory in 2007 on commission from The End of the World Biennale. Nine years later, the duo’s cumulative work created during the program is finally on display in NYC at Jane Lombard Gallery.
Legendary activist and artist Ed Bereal will be able to have his work displayed again in the newly reopened Portland Art Museum. He is a complex figure, gaining fame in LA in the 1960s for his abstract works and radical performances. His work also includes critiquing politicians in a satirical way.
The two Puerto Rico-based artists Jennifer Allora and Guillermo Calzadilla have worked together to make captivating artworks. Allora and Calzadilla are known for their interactive art pieces in public, often addressing social and political issues and engaging questions of history, geopolitics, and culture.
Mona Haydar knows the way some people feel about Muslims in the wake of recent terrorist attacks.
Just weeks after the horrific San Bernardino, Calif., shooting in December, where Islamic extremists killed 14 people and wounded 22 others, Haydar was at an airport looking to buy frozen yogurt. Suddenly, a man came up to her and whispered menacingly in her ear, "You killed my people."
HONG KONG — It started when a single box of free sanitary pads appeared in a middle school classroom in October. Then a plastic container with pads was attached to the walls of four bathrooms in a university in Shanghai. By Monday, boxes and bags of individually wrapped pads had popped up outside bathrooms in at least 338 schools and colleges across China. Each carried a version of the same instructions: “Take one, then put one back later.
For three days, Ruben Santiago installed, without any official authorization, a hydro-massage shower in a public bathroom in the Gothic Quarter of Barcelona. The installation also made available to users bath gel, shampoo and towels that were regularly replaced.
“I am a silkworm.” Liang Shaoji has repeatedly used this phrase to describe his work, underscoring his preoccupation with the materiality of silk and the technology of sericulture, or silk farming. For more than twenty-five years, Liang Shaoji has raised silkworms and trained them to spin silk onto different objects in his Nature series.
The Bed-Stuy “aquarium” is back.
The neighborhood’s beloved sidewalk fish pond was resurrected this week — in an act of defiance that comes just five days after the city cemented over the original and left the neighborhood’s goldfish to die.
Pink seesaws were installed along the United States/Mexico border. The project, created by two professors sought to unite both sides of the fence by creating an activity that required a participant on either side. The seesaws were installed so there is one seat in El Paso, Texas and one in Ciudad Juárez, Mexico with the border fence acting as the fulcrum.
Denes's project "Tree Mountain-A Living Time Capsule" in Finland is a monumental earthwork involving the planting of 11,000 trees by 11,000 people on a reclaimed gravel pit. It's designed to grow over the next 400 years, serving as a testament to environmental stewardship and the potential for regeneration.
If the way to one’s heart really is through the stomach, Rirkrit Tiravanija must have more than his share of admirers. Now at GAVIN BROWN, the Buenos Aires-born artist with a history of dishing out tasty edibles in his exhibitions invites viewers to enjoy a bowl of soup in his interactive show, Fear Eats the Soul.
The Repellent Fence is a social collaborative project among individuals, communities, institutional organizations, publics, and sovereigns that culminate with the establishment of a large-scale temporary monument located near Douglas, Arizona and Agua Prieta, Sonora. This 2 mile long ephemeral land-art installation is comprised of 26 tethered balloons, that are each 10 feet in diameter, and float 100 feet above the desert landscape.
Rice University’s O’Connor Building for Engineering and Science now houses an immersive public art installation titled “Climate Parliament,” a thought-provoking work by Mexican-Canadian artist Rafael Lozano-Hemmer. Commissioned by Rice’s Moody Center for the Arts for the Rice Public Art collection, the interactive artwork engages visitors with a dynamic experience that addresses the growing global climate crisis.
When Fred Wilson did an installation at the Maryland Historical Society in 1992, he shook up the museum world. Co-sponsored by the historical society and the Contemporary Museum, Mining the Museum did not involve artwork made by the artist; rather, it involved reinstalling items from the historical society's collection in such a way as to make us reconsider them.
In 2009, conservative Prime Minister Silvio Berlusconi demoted the publicly-funded Italian Theatre Insitute (or ETI) to "disposable" status, hacking funding for the arts considerably. ETI promoted Italian companies abroad, managed the Teatro della Pergola in Florence, the Duse theatre in Bologna, and Rome's Teatro Valle--the oldest theatre in Rome, located between the Pantheon and Piazza Navona, Campo dei Fiori and the Senate.