During the economic crisis of 2008, bankers in Spain took advantage of the economically disadvantaged, and the artwork La Fiera en Sevilla, or the Wild Animal in Sevilla in English, brings attention to this money-centric act from the bankers. La Fiera refers to the bankers at the time that used predatory methods in their actions to forcibly evict poor people from their houses.
During 2008-2009, when the United States was entering a recession, the idea of the Homeless Art Gallery was popping up across Staten Island, New York City's least populated borough and biggest underdog. This is an example of art intervention, disrupting space to question the economic and political systems of capitalism. It was also an excellent community building project.
As part of an international workshop (10-11 October 2015) with the Center for Artistic Activism, 17 trans activists and artists from 13 European countries developed a creative campaign to mark some of the spaces in Berlin which have symbolic significance for trans people.
On his way to work on a construction site, Khaleel Seivwright surveyed the growing number of tents lining an intercity highway and in parks with increasing discomfort. How would these people survive Toronto’s damp, frigid winters, let alone the coronavirus, which had pushed so many out of overcrowded shelters?
He remembered the little shanty he had once built out of scrap wood while living on a commune in British Columbia.
The inspiration for the creation was the Common Snapping Turtle. A big shout-out to local member, Kristin Rubin and local college students, Sarah Lockhart and Alanis Gonzalez, for their assistance in the construction of the artwork.
February 24, 2023 will mark one year since the Russian invasion and occupation of Ukraine began. Russia is attempting to take over Ukrainian territory and destroy its rich, vibrant culture. Ukrainians are fighting for their country and right to exist as free, independent people. For months, Ukrainians have endured relentless bombardment, destruction, and hardship.
You enter a narrow corridor where backlit Plexiglas panels offer three compelling narratives about whiteness and blindness: Nelson Mandela’s imprisonment and hard labor in Robben Island’s limestone quarry under a blinding sun; Bill Gates’ purchase of the Bettmann and United Press International archives, consisting of 17 million images, and their subsequent burial deep underground in a limestone vault for the sake of preservation, after Gates’s company C
Empty chairs were laid out in Sarajevo today in honour of the 11,541 people killed in the city during the Bosnian war which began exactly 20 years ago.
The seats - lined up along the city's main street - were left empty in memory of the victims of the 44-month Serb siege of the city.
Hundreds of the chairs are small representing the children slain in the conflict.
The Globe and Mail Inc.
Written by SUSAN KRASHINSKY
MARKETING REPORTER
TORONTO
PUBLISHED JUNE 25, 2015
UPDATED MARCH 25, 2017
This is one persnickety refrigerator.
Molson Coors Brewing Co.'s newest instalment of a now two-year campaign is attempting a new take on national pride in time for Canada Day.
The Couple in the Cage documents the travelling performance of Guillermo Gómez -Peña and Coco Fusco, in which they exhibited themselves as caged Amerindians from an imaginary island. While the artists’ intent was to create a satirical commentary on the notion of discovery, they soon realized that many of their viewers believed the fiction, and thought the artists were real “savages”.
In the 1980s, Holzer and Lady Pink used New York as a backdrop for their artworks: Holzer wheatpasted posters and slogans on walls throughout Manhattan, and Lady Pink spray-painted graffiti on buildings and subway cars. The two also collaborated on a series of paintings on canvas, such as this work, for which Holzer composed phrases and Lady Pink did the painting.
The Fundred Dollar Bill Project, initiated by artist Mel Chin, is a collaborative art project aimed at raising awareness and mobilizing action against the environmental and health threat of lead contamination. It encourages individuals to create their own unique interpretations of $100 bills, symbolizing the value of human lives and the need for a lead-free future.
SAO PAULO, May 16 (Reuters) - At one of Latin America's largest commuter bus terminals in Brazil's gritty downtown Sao Paulo, 84-year-old Rerizenil de Paula Santos waits on a bus decorated with neon lights and bright graffiti amid the hustle and bustle of rush hour.
Bellefaire JCB, an organization that provides care, education, and advocacy to better the emotional, physical and intellectual well-being of children, young adults and families has launched Take A Closer Look, a campaign which aims to raise public awareness about the issues surrounding homeless and missing youth and educate communities on how they can help.
The project consists of a small mobile workspace and a micro artist residency program composed by two tiny art studios founded in Oakland. Studio 1 is a solar powered art studio which was built on the back of a flatbed trailer and Studio 2 was built in collaboration with students at Stanford University, both spaces are composed of second-hand materials.
Neighbors in modern cities have less and less communication, and they all go about their business as soon as they close the door. In Switzerland, a woman dies every week as a result of domestic violence, so in an effort to get everyone to act, the charity has put up an interactive billboard in a shopping mall that shows a man in a family doing violence to a woman.
In response to Spain's increasingly restrictive legislation limiting access to abortion in the country, a group of art activists known for their bold, disruptive flair are taking action.
A school may be made of bricks and mortar, but when one closes, the loss can feel like a death in the family.
So, when Philadelphia started to close 31 public schools three years ago, there was an outpouring of protests, grief and tears — emotions captured in “reForm,” a show that opened on Friday and focuses on one shuttered school and its neighborhood.
A disability / textile arts project, challenging assumptions about disabled artists & highlighting shoddy treatment of disabled people by current government:
https://shoddyexhibition.wordpress.com/
In Borrando la Frontera (Erasing the Border)", Ana Teresa confronted the fence between the United States and Mexico by putting on her black dress and heels and painting the fence sky blue.