Zheng Xi 郑熹, a Ph.D. candidate with a focus on gender studies at Zhejiang University in Hangzhou. Zheng has launched a campaign asking city governments around China to display anti-sexual-harassment logos, complete with a groper’s “salty-pig hand” visual (etymological context here), alongside other commonly displayed public safety logos on places like subway trains and buses.
A couple of weeks ago, a group of activists working with Rainforest Action Network’s Energy and Finance campaign hit the streets of San Francisco to bring a little truth about Bank of America’s misdeeds to its customers—not in the lobbies of the bank’s local branches, but at its ATMs throughout the city.
An installation by architecture studio Rael San Fratello, which connected children in the US and Mexico via a trio of seesaws slotted into the countries' border wall, has been crowned the Design of the Year.
Dubbed the Teeter-Totter Wall, the project was in place for only around 40 minutes in July of 2019 and hoped to foster a sense of unity at the divisive border, which was highly politicised under the Trump administration.
Injustice is an interactive VR experience themed around racially motivated police brutality. Guests witness an act of racial discrimination in front of them, forcing them to make moral and ethical decisions on the spot. Injustice is an experience aimed at exploring the emotional impact of VR space vs. traditional film.
Omelia Contadina was born out of the concern of JR and director Alice Rohrwacher for the difficulties encountered by many small farmers and inhabitants of the Alfina plateau, in Italy.
It took 17 high schoolers, eight mentors from Kansas City and a 1967 Volkswagen Karmann Ghia to create the first ever social media powered car.
The concept was to bring MINDDRIVE to life with tweets, posts, shares and likes which were monitored by an Arduino device. This open-source, single-board microcontroller triggered the vehicle’s motor based on the number of tweets and posts about the project.
On Sunday April 3rd, Art Not Oil coalition member group BP or not BP? occupied the Great Court of the BP-sponsored British Museum with a 'disobedient exhibition'. Called 'A History of BP in 10 Objects', the exhibition featured artifacts submitted by frontline communities around the world who are fighting back against the impacts of BP's operations.
CNN
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Five years after first appearing on the cobblestones of Wall Street, the “Fearless Girl” statue – a petite but controversial symbol for gender equality – is taking on a new digital form.
In the summer of 2011, squatters take over an unused building, once an animal shelter, and begin renovating it into a social and cultural center for a neighborhood on the outskirts of Amsterdam. They call it Op de Valreep ("in the nick of time").
A 20ft by 9ft scoreboard that reads "Capitalism Works For Me!" and allows visitors to vote on whether Capitalism works in their lives by pressing a button for True or False.
Over the past twenty-five years or so, ever since her spectacular New York début at the Drawing Center, in 1994, the now forty-four-year-old artist Kara Walker’s visual production—sculptures, cutouts, drawings, films—has been diaristic in tone.
"100 Questions About Sex from Children" is an annual touring sex education exhibition founded and curated by Se A, a leading advocate of inclusive sex education in China. Since its launch in 2021, the exhibition has been held in major cities such as Shenzhen and Guiyang, with plans to expand into regions where sex education and gender awareness remain underdeveloped.
Anonymous urban artists set up art installations, large nest eggs, at several locations in Skopje, wanting to alarm the growing number of trees in the city.
In the nest read a message "You cut all the trees, where do we make nests? Birds".
Artist and activist Niki Lopez is a survivor. From age 11 to 25, she was trapped in a religious cult in Georgia, where she was separated from the rest of her family. The cult's leader sexually abused her. But in 2000, Lopez escaped and worked with the FBI to put him in prison. She was later given a humanitarian award from the FBI for her help in putting her abuser behind bars.
On the International Day of Education with students we have organized that creative action to ironizing the phenomenon of corruption in education.
We founded “University of Corrupted Sciences” as a symbol of all the issues that have characterized the education system in our transition years.
This urban action was consisted from mapping of over 50 locations of illegal garbage disposing sights and signing of 16 places across Macedonia where people dispose large amounts of heavy garbage and constructive waste.
Occupy Wall Street's art offshoot, Occupy Museum, has a new initiative: deconstructing the commercial art fair model. They are calling this art fair antithesis the DebtFair. Last May at the Frieze Art Fair, Occupy Museum distributed flyers and protest literature for an Un-Frieze event.
We at "Left Youth ['solid] Kreuzkölln" have been around long enough of this policy and its lousy consequences for us. But how to solve the problem now? The problem is clearly the capitalist society for us. Even at school you will be prepared for competition and profit motive. We say: Stop it!
The manifesto:
Barbie Dream House in Berlin? Not with us!
Art of the Umbrella movement refers to artistic works created as part of the Umbrella Movement in Hong Kong which demanded democracy in the election of the territory's top leader. Most of the physical works of art are located within the three main protest sites of Admiralty, Causeway Bay and Mong Kok.
Jorge Rodríguez-Gerarda is a cuban Artist that was born in 1966. One of his projects was naed Expectations in which he did with sand and grave a massive image of Barack Obama, as a way to reflect all what this presidential candidate representated in terms of change.
Coal Seam Greed was going to be a simple satire showing Katso and Nowhereman posing as a mining company called Reed Gas and erecting notices stating their intent to explore for unconventional gas or CSG in inner-city Brisbane. The idea was that residents would see the signs, phone and leave messages in response, which would then be incorporated into the video.
A crew of occupiers makes a home of a Bank of Americalobby with a couch, a coffee table, a rug and a pottedplant. "Bank of America took our homes so we though we'dmove in here!"
ŠTO TE NEMA is a public monument created as a response to Europe’s worst atrocity since World War II - the systematic killing of 8,372 Muslim men and boys in the UN-protected safe area of Srebrenica in Bosnia and Herzegovina in July of 1995.