The streets of Santiago are once again alive with the spirit of revolution. For weeks now, working-class Chileans have occupied national monuments and blocked major intersections in protest of widespread inequality. They desire full reform — a request so long in the making that it is practically tradition. The country’s floundering political elite offer half measures while dispatching riot police and the military.
"is a conceptual documentary project in which I photographed every Mom and Pop-style cornershop on the island of Manhattan as quickly as possible, as I walked each block in the city ( CLICK FOR A MAP of my route). I fear these veritable microcosms of NYC will be swallowed in the presently swelling wave of corporate homogeny.
Surrounded by a jungle of tents and mud, the Good Chance Theatre was set up last year by British playwrights Joe Murphy and Joe Robertson. The refugee camp theatre has been derided by many, but for the thousands of migrants who have journeyed across the world to Calais, the small dome has been the first and only place into which they have been welcomed, and their voice valued.
A technological feat has emerged amid the Chilean protests. A video of protestors bringing down a police drone has gone viral on social media sites. These protestors didn't use any physical or gun force to bring the drone down. Instead, they used another form of technology: lasers. A lot of bright green laser beams were pointed in unison at the drone, which can be seen moving erratically, before quickly falling down to Earth.
As the Yippies prepared for protests at 1968 Democratic National Convention, Yippie Paul Krassner rattled Chicago leaders by suggesting that the Yippies were planning to put LSD in the city water supply. As Abbie Hoffman said at the Chicago Seven trial: "I read in the paper the day before that they had 2,000 troops surrounding the reservoirs in order to protect against the Yippie plot to dump LSD in the drinking water.
The New Life Foundation is a Colombian organization located in Bogota, whose aim consists of offering vulnerable women alternatives to quit prostitution and rehabilitate from its surrounding dangers (crime, drug addiction, AIDS, etc.) One of its remarkable projects was based on theater as a method to overcome a past of shame and grief building a more dignant present in which they co-construct with their communities.
Kendick Lamar is known as one of the most prolific, and socially conscious, rappers of our time. 'BLOOD.' is the second track off of Lamar's iconic album 'DAMN.' from 2017. What makes this song stand out is the sample used at the end of part one of the song.
"Small charities of today are in threat. Charitable donations are down. Fewer people are donating. Those that do donate are giving less. Whilst bigger charities are better equipped to deal with this flux (with money to spend on large advertising campaigns), smaller charities are facing a more uncertain future. For the Pilion Trust, a small frontline charity working with homeless and disadvantaged people in London, times are tough.
Oh, the sweet irony.
Pete Peterson is the conservative billionaire who is a major financier in the effort to dismantle, cut and privatize Social Security, Medicare and Medicaid. Recently he and his foundation held a contest asking folks to submit videos on why it is important to “fix” the national debtof which, he and his foundation falsely claim, Social Security is a major contributor.
RACC Satellite Space in Garden City
1205 Franklin Avenue, 3rd Floor, Garden City, NY 11530
June 26, 10 am – July 28, 7 pm
Monday – Friday, 10 am – 7 pm, free admission
Please write to racc.ny@mail.ru or call (347) 662 1456
The artist is available for interviews
Together with a group of homeless New Yorkers, Wodiczko constructed the Homesless Vehicle as an instrument of survival for urban nomads. A modified shopping cart that facilitates refundable bottle and can collection, it also provides temporary shelter. As a house on wheels intended for New York City sidewalks, the Homeless Vehicle embodies Wodicko’s practice of ‘Interrogative Design’.
In the "D", "D" doesn't really stand for "Detroit", but "Demolition." Take a look around and you'll notice a great number of buildings marked on the front with a circled "D" in faint chalk. Off to the side, many of these same buildings will also have a noticeable dot, courtesy of our own native son, Tyree Guyton.
The artist conceived the project as a collaborative exhibition featuring five art-as-response pieces to the student loan crisis and the pressure it causes upon graduates. In its original version, Öğüt invited Natascha Sadr Haghighian, Superflex, Dan Perjovschi, Martha Rosler to present sculptures as collection points for public contribution to The Debt Collective, a student-debt canceling initiative launched by Strike Debt's Rolling Jubilee.
Reversing decades of discrimination set into place when New Deal labor laws intentionally excluded domestic workers, New York State in 2010 passed the very first Domestic Workers Bill of Rights. Hawaii and California followed soon after with other states soon to follow.
This action, to be released to the wider public this Friday, March 15th, was the design of t-shirts in support of British Charity, Comic Relief, an organization dedicated to bringing positive and lasting change to vulnerable youth communities in Europe (specifically in the U.K.) and various countries in Africa and, most critically, addressing the root causes of their poverty.
The following description is taken from Amanda Froelich's article on www.trueactivist.com (link below):
"Dumpster diving is a topic that is rising in popularity. Just take a peek at Rob Greenfield! This activist won’t hesitate before jumping in a dumpster, but he’ll also take time to spout reasoning behind why we should work hard to ‘waste less’.
This is the sixth piece of the series Tatlin’s Whisper which examines the relationship between apathy and anaesthetization of the images in the mass media. This series intends to activate images, well-known because of having been repeatedly seen in the press, but are here decontextualized from the original event that gave way to the news and staged as realistically as possible in an art institution.
A press release from the non-profit organization - Women on Waves - regarding the intention of the creation of the Diesel for Women hoax website, pointing out the mistreatment of women workers in the fashion industry. This blurb and included images are taken directly from the Diesel for Women website:"BY Women on waves on February 4, 2012
In early January, constructions workers in Wuhan, China staged a Gangnam Style protest in front of their employer's building. Using the Gangnam Style dance, the men sought to bring media attention to their mounting unpaid wages.
In the Fall of 2011, after the Occupy Movement was in full swing, and meetings, actions and info sharing had expanded beyond Zuccotti Park, meaningful messaging and outreach tactics were were activated on a near daily basis.
Burners Without Borders (BWB) is a grassroots, volunteer-driven, community leadership organization whose goal is to unlock the creativity of local communities to solve problems that bring about meaningful change. Supporting volunteers from around the world in innovative disaster relief solutions & community resiliency projects, BWB is known for the unbridled creativity they bring to every civic project they do.
(Taken from Group's Event Statement):
"The big banks have been playing monopoly with our money & our homes. On Saturday July 14th, as part of #J20 Bring the Fight Back to the Banks Week, let's return the favor..."
"SOA Cycle, and what it later became, which is called the Democracy Cycle, is a group of seven large works that approach the question of democracy. What is democracy? How is it constructed? How is it implemented? Is it something that is to be thought of in relation to its political influence? Or is it something that plays out in terms of cultural and social, and even emotional terms, for instance?
A human tide swept through Paris last month for the type of event France knows only too well — a protest. Union leaders led the march, awash in a multicolored sea of flags. Demonstrators shouted fiery slogans. Clashes with the police erupted.
And, as in every protest, there was Jean-Baptiste Reddé.