HONG KONG — It started when a single box of free sanitary pads appeared in a middle school classroom in October. Then a plastic container with pads was attached to the walls of four bathrooms in a university in Shanghai. By Monday, boxes and bags of individually wrapped pads had popped up outside bathrooms in at least 338 schools and colleges across China. Each carried a version of the same instructions: “Take one, then put one back later.
From Public Delivery:
"The art piece, which was showcased at the Flashpoint Gallery in Washington D.C. from February 1 to 17, 2019, allowed visitors to interact with it. The audience had a pile of crumbs placed right in front of the three-walled setup, which they would through and watch as ‘Ivanka’ vacuumed them all up.
Add Colour (Refugee Boat) begins as an all-white boat in an all-white room. Ono’s instruction for this collective, participatory work reads: ‘Just blue like the ocean.’ You are invited to contribute your hopes and beliefs in blue and white.
BEIJING — Like many art students, Zou Yaqi often worried she’d be unable to afford to live in Beijing after graduation. So, earlier this year, she decided to set herself a daunting challenge: Survive in the city for three weeks without spending a single yuan.
It turned out to be a piece of cake.
Gregg Segal -- a California-based artist who is known for using the medium of photography to explore culture with the "sensibility of a sociologist" -- travelled around the world asking kids to keep a journal of everything they ate in a week. Once the week was up, Segal made a portrait of the child with the food arranged around them:
The Bread and Puppet Theater was founded in 1963 by Peter Schumann on New York City’s Lower East Side. Besides rod-puppet and hand puppet shows for children, the concerns of the first productions were rents, rats, police, and other problems of the neighborhood. More complex theater pieces followed, in which sculpture, music, dance and language were equal partners. The puppets grew bigger and bigger.
The Revolutionary Theatre project co-written, co-directed and acted by writers, artists and poets currently living, surviving and sometimes thriving in Single Room Occupancy Hotels aka poor people housing in the Bay Area.
“The Grace Period” is a live blogging platform with seven anonymous contributing bloggers called: Monday, Tuesday, Wednesday, Thursday, Friday, Saturday and Sunday. Through, videos, writings, and visuals they present multiple perspectives of landing/creating a meaningful job after school in a country where personal and national debt is high and jobs are few. In this environment, will our creative spirits be resilient?
A popular theme throughout media is the relationship between technology and art. While art is often bolstered and disseminated through technology, discussions arise of how technology both positively and negatively affects content. Caroline Sinders’ exhibition Within the Terms and Conditions explores the way content has been spread online.
The Brooklyn Paper
March 26, 2012
BY ELI ROSENBERG
Occupy Wall Street wants to occupy your wall space.
A collective of poster printers in Gowanus is attempting to help reignite the social movement’s flames for a May 1 “General Strike,” with a handful of new pin-ups it hopes will be as arresting as the image of a ballerina atop a bull that kicked off the whole protest in September.
These are called "anti-homeless spikes." They're about as friendly as they sound.
Photo courtesy of CC BY-ND, Immo Klink and Marco Godoy.
As you may have guessed, they're intended to deter people who are homeless from sitting or sleeping on that concrete step. And yeah, they're pretty awful.
After a first illegal exhibition on the walls of the Cité des Bosquets, JR settles in the heart of this neighborhood and the neighboring projects of La Forestière, in Clichy-sous-Bois, where the 2005 riots started in the French suburbs.
The first portraits are displayed on the walls of the last popular neighborhoods of the capital, in Eastern Paris.
Mark Boyle has lived completely without money in England [since 2008], an experience which formed the basis for his first book, The Moneyless Man. He is also the founder of Freeconomy, an alternative economy with local groups across 171 countries.
He holds a degree in Business and for most of his professional career was involved in the management of organic food companies.
When can fashion be considered an act of social activism — even subversion?
The streets of Brazzaville, Republic of the Congo’s capital (Congo-Brazzaville), have seen plenty of violence and suffering over the years. But a group of local fashionistas known has “sapeurs” are lifting spirits and celebrating life by following a simple commandment: Dress to impress.
The Real Cost of Prisons Project brings together justice activists, artists, researchers and people directly experiencing the impact of mass criminalization to work to end mass incarceration.
Counterspace is an independent curatorial platform functioning as the first decolonial thinktank mapping cultural activism worldwide. It shapes collectively decolonial toolkits with common tools and resources, and a global directory browsable by continent, praxis, and social construct, as a Beuys-inspired ‘social sculpture’ revisited, and an alternative map of the universe.
This installation of 13 photographic self-portraits explores European-American heritage, my family and their role in the history of racism, colonization, genocide, and classism. The ancestors, real and imagined, span over 2000 years from the Celtic Iron Age to the present day. The life size portraits are accompanied by audio diaries from the perspective of each character.
Throughout the Lodi district of Milan, Italy, artist Biancoshock has transformed abandoned manholes into miniature subterranean rooms. Beneath the pavement, in vacant maintenance vaults, a cupid painting in a gaudy frame hangs in a tiny pink living room; a boxy kitchen is stocked with pots and pans; and a blue-tiled bathroom is complete with shower and towel.
It was October 31st, 2012, when a new artist appeared on social media. In a series of video clips, she proposed with a soft and slow speech that Peru hide its poverty. Her project consisted of installing vinyl pieces to avoid what she called "the visual pollution." She titled the project Don't be poor, be fashion(able).
Without having been commissioned—or even given legal permission at all—Haring set out to create Crack Is Wack on the wall of an abandoned handball court in a park at 2nd Avenue and East 128th Street on June 27, 1986. Upon the completion of the mural, Haring was arrested by the New York City Police Department for vandalism of city property and faced potential jail time in addition to heavy fines.